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Various - Ok_Computer mp3

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Tracklist

1–The Human LeagueCircus Of Death
Written-By – Ian Marsh, Martyn Ware, Philip Oakey
3:27
2–The PeppersPepper Box
Written-By – Mathias Camison, Peter Arpadys
2:22
3–Farley Jackmaster FunkThe Acid Life
Written-By – K Farley
6:53
4–Tangerine DreamRubycon (Part One)
Written-By – Christopher Franke, Edgar Froese, Peter Baumann
3:43
5–Gary Numan / Tubeway ArmyDown In The Park
Written-By – Gary Numan
4:20
6–The KnifeSilent Shout
Written-By – The Knife
4:48
7–The Sounds Of TomorrowSpace Child
Written-By – Max Crook, Scott Ludwig
2:34
8–Severed HeadsDead Eyes Opened
Written-By – Tom Ellard
6:29
9–Arthur RussellPlace I Know / Kid Like You
Written-By – Arthur Russell
3:24
10–XelaAfraid Of Monsters
Written-By – John Twells
5:02
11–cLOUDDEADDead Dogs Two (Boards Of Canada Remix)
Remix, Producer [Additional] – Boards Of CanadaWritten-By, Producer, Recorded By – cLOUDDEAD
4:33
12–The Gentle Rain Plastic Man
Written-By – Norman Whitfield
3:53
13–Fujiya & MiyagiAnkle Injuries
Written-By – Fujiya & Miyagi
5:00
14–John FoxxBurning Car
Written-By – John Foxx
3:13
15–Matthew DearFleece On Brain
Written-By – Matthew Dear
4:15

Credits

  • Compiled By, Sequenced By – Dave Henderson, Gillian Short
  • Liner Notes – Phil Alexander
  • Mastered By [Uncredited] – Jérôme Schmitt
  • Other [Marketing By] – Lauren Kreisler, Nick Knowles

Notes

A 23 Ears Production for MOJO magazine.

Given away free with MOJO February 2008. Not to be sold separately.

No track durations printed.

Barcodes

  • Rights Society: mcps
  • Matrix / Runout (Variant 1): BC13267 @1
  • Mastering SID Code (Variant 1): IFPI LW04
  • Mould SID Code (Variant 1): IFPI AAHP4
  • Matrix / Runout (Variant 2): 020203 BC13267 @ 2
  • Mastering SID Code (Variant 2): IFPI LW04
  • Mould SID Code (Variant 2): IFPI AAHP6
  • Matrix / Runout (Variant 3): 020201 BC13267 @2
  • Mastering SID Code (Variant 3): IFPI LW04
  • Mould SID Code (Variant 3): IFPI AAHT1

Companies

  • Made By – Mediamotion

Video

Info

OK Computer is the third studio album by English rock band Radiohead, released on 21 May 1997 on EMI subsidiaries Parlophone and Capitol Records. The members of Radiohead self-produced the album with Nigel Godrich, an arrangement they have used for their subsequent albums. Other than the song Lucky, recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mostly in the historic mansion St Catherine's Court. The band distanced themselves from the guitar. Happy 20 years, Ok Computer Hammerstein Ballroom, New York, NY, USA December 19th, 1997 Airbag 00:00 Paranoid Android 04:42 Subterranean Homesick Alien Computer is an amazing album, and I'd love to give it five stars here. However, I feel compelled to rate this product based on what I received, and what I received was a horrible pressing. The highs are muted, Thom's voice sounds unnatural, the overall sound is muddy and distorted. it's just overall unlistenably bad. The catalog number is XLLP781. If you want to buy OK Computer on vinyl, I'd look for that catalog number. I plan to do it soon myself. Read more. Radiohead's 'OK Computer' has topped the Ultimate 90s Album listener poll. The 1997 album - which reached number one in the UK Albums Chart in 1997 and won Best Alternative Music Album at the Grammy Awards in 1998 - took the top spot in the new poll for Fearne Cotton's 'Sounds of the 90s' on BBC Radio 2 and BBC Sounds. Fearne said: It's been fascinating to look back at some of the seminal albums of the 90s and see which have stood the test of time. The nation has spoken and Radiohead are victorious. I think this album, 'OK Computer', captures. Browse the top ok computer albums to find new music and discover artists. Scrobble songs to get recommendations on tracks you might like. OK Computer: 50 geeky facts about Radioheads iconic 1997 album. June 16, 2017 marks 20 years of Radiohead's 'OK Computer'. By Larry Bartleet. 16th June 2017. A version of the bands treasured 2007 song Nude was actually recorded in the OK Computer sessions, but it wasnt available on record until 10 years later, with In Rainbows. Its working titles were Your Home May Be At Risk If You Do Not Keep Up Payments and Big Ideas. OK Computer s working title was Zeroes and Ones. It contains various recordings from the OK Computer sessions, including alternate and early versions of tracks from OK Computer, Kid A, and In Rainbows, along with isolated parts of tracks from various albums, and a few previously-unreleased tracks in sketch form. OK Computer OKNOTOK 1997 2017 CASSETTE Q&A. Producers Nigel Godrich & Radiohead. Writers Colin Greenwood, Ed OBrien, Jonny Greenwood & 3 more. More Radiohead albums. OK Computer OKNOTOK 1997 2017. The Best Of. Show all albums by Radiohead. Various Ok Computer. 레이블: Mojo Magazine February 2008. Drawing upon the achievements of computer music geniuses, such as John Chowning, Robert Moog, and Max Mathewes, the various artists compiled on this album make use of ambient textures, synthesizers, and modulation melodies. Through the atmospheres created within the music, this compilation of techno music allows the listener to envision different life experiences, such as being frightened of circuses, skateboarding or rollerblading, and partying. On OK Computer, Radiohead take the ideas they had begun toying with on The Bends into the stratosphere. OK Computer is not an easy listen. From guitarist Jonny Greenwoods menacing riff that introduces the opener, Airbag, to Yorkes fragile pleas to slow down on the final track, The Tourist, each song takes time to reveal itself as a narrative link to the albums ultimately spiritual message. In the suite Paranoid Android, acoustic and electric instruments float understatedly through the mix as Yorke sings, through clenched teeth, lines like Ambition makes you look very ugly. Album 1997 12 Songs. OK Computer. Alternative 1997. There is, underneath the blanket praise, music too a perfect 1997 statement of pre-millennial angst that sees the singer Thom Yorke being awkward about everything, from trains to politics. Karma Police is the bands last great catchy pop tune, but its lesser known tracks like Let Down that still offer the surprises. So pretty, so sad, so Radiohead

Various - Ok_Computer mp3

Performer: Various

Title: Ok_Computer

Country: UK

Release date: Feb 2008

Label: Mojo Magazine

Style: New Wave, Techno, Synth-pop, Experimental

Catalog: February 2008

Genre: Electronic / Pop

Size MP3: 1398 mb

Rating: 4.0 / 5

Votes: 958

Record source: CD, Compilation

Various Mojo Magazine New Wave Techno Synth Pop Experimental 2008

MP3 Related to Various - Ok_Computer

Narder
The Mojo Ambience
“ok_computer,” a CD released by Mojo magazine in 2008, represents some of the best techno music of our time. Drawing upon the achievements of computer music geniuses, such as John Chowning, Robert Moog, and Max Mathewes, the various artists compiled on this album make use of ambient textures, synthesizers, and modulation melodies. Through the atmospheres created within the music, this compilation of techno music allows the listener to envision different life experiences, such as being frightened of circuses, skateboarding or rollerblading, and partying.
In the first three songs, “Circus of Death,” “Down in the Park,” and “Silent Shout,” the atmosphere created throughout the entirety of the songs plays to the senses of the listener, especially through the use of ambient textures and synthesizers. “Circus of Death” begins by simulating flying through the modulations used by the Human League. Combined with the eerie circus music created from what sounds like a high pitched version of a Hammond organ, this piece manages to illicit a spooky image of circuses. The Human League, the artist of the piece, also utilizes heavy reverb and menacing lyrics and sound effects in order to create this horrifying atmosphere.
Though not as intense as “Circus of Death,” “Down in the Park” takes the listener on a musical journey, it seems, through its texture. All of the modulation melodies produced on this track simulate some form of movement, perhaps riding a skateboard or rollerblading. For a specific reference, this song could possibly be included on the soundtrack of a skateboard video game. It truly reminds me of the soundtrack of Tony Hawk’s “Underground.”
“Silent Shout,” the most upbeat of the three, utilizes vocal synthesizers or computer generated vocals to create its ambient texture. The juxtaposition of this voice to the heavy bass and echoing of melody serves to emphasize the idea of the “Silent Shout” performed by Gary Numan and the Tubeway Army. The incorporation of computer generated vocals is a reflection on Max Mathewes, who invented this technique, and his song “Bicycle Built for Two” which uses similar modified vocals. Overall, the ambient textures created in these three pieces captures the concept capitalized upon by John Chowning in the 1970s, particularly in the creepy atmosphere created in his piece “Stria,”” which was produced using an FM synthesizer.
The work of Robert Moog, who invented the Moog synthesizer, is also present on this album in the song “Burning Car.” John Foxx, the artist of this piece, used a lot of zip and zap sound effects which are similar to the vibrations created using the Moog synthesizer. The same random sound effects are also present, along with reverbbed vocals, in the piece “Place I Know/Kid Like You,” which shows the influence computer music has on modern music today.
The best song on this album in terms of the usage of ambient textures, synthesizers, and modulation melodies would be the instrumental track, “Afraid of Monsters.” This piece is completely computer generated, and truly serves as one of the greatest examples of today’s computer music. The introduction, which consists of a melody superimposed by a series of zips, shows the importance of polyrhythm (more than one rhythm, each serving to emphasize the others at the same time or as an echo) and modulation melodies. In fact, the entire piece is built from the original “zip series,” as more modulation melodies are added throughout the track. “Afraid of Monsters” also creates a peaceful ambience through its melody, simulating a peaceful sleep. However, the synthesizers and modulation melodies serve as the disturbances or “monsters” which are present throughout that peaceful sleep.
The rest of the album incorporates many of the aforementioned techniques, but creates many different atmospheres; for example, “Pepper Box” simulates the ‘70s psychedelic flare, “Plastic Man” presents a jazzy cruising melody, and “The Acid Life” simply makes the listener want to go to a highlighter party or rave!
“ok_computer” is a compilation extremely reflective of computer music history. It shows us how integral computers and technology really are to modern music, and that without it, music would not be possible.
Narder
The Mojo Ambience
“ok_computer,” a CD released by Mojo magazine in 2008, represents some of the best techno music of our time. Drawing upon the achievements of computer music geniuses, such as John Chowning, Robert Moog, and Max Mathewes, the various artists compiled on this album make use of ambient textures, synthesizers, and modulation melodies. Through the atmospheres created within the music, this compilation of techno music allows the listener to envision different life experiences, such as being frightened of circuses, skateboarding or rollerblading, and partying.
In the first three songs, “Circus of Death,” “Down in the Park,” and “Silent Shout,” the atmosphere created throughout the entirety of the songs plays to the senses of the listener, especially through the use of ambient textures and synthesizers. “Circus of Death” begins by simulating flying through the modulations used by the Human League. Combined with the eerie circus music created from what sounds like a high pitched version of a Hammond organ, this piece manages to illicit a spooky image of circuses. The Human League, the artist of the piece, also utilizes heavy reverb and menacing lyrics and sound effects in order to create this horrifying atmosphere.
Though not as intense as “Circus of Death,” “Down in the Park” takes the listener on a musical journey, it seems, through its texture. All of the modulation melodies produced on this track simulate some form of movement, perhaps riding a skateboard or rollerblading. For a specific reference, this song could possibly be included on the soundtrack of a skateboard video game. It truly reminds me of the soundtrack of Tony Hawk’s “Underground.”
“Silent Shout,” the most upbeat of the three, utilizes vocal synthesizers or computer generated vocals to create its ambient texture. The juxtaposition of this voice to the heavy bass and echoing of melody serves to emphasize the idea of the “Silent Shout” performed by Gary Numan and the Tubeway Army. The incorporation of computer generated vocals is a reflection on Max Mathewes, who invented this technique, and his song “Bicycle Built for Two” which uses similar modified vocals. Overall, the ambient textures created in these three pieces captures the concept capitalized upon by John Chowning in the 1970s, particularly in the creepy atmosphere created in his piece “Stria,”” which was produced using an FM synthesizer.
The work of Robert Moog, who invented the Moog synthesizer, is also present on this album in the song “Burning Car.” John Foxx, the artist of this piece, used a lot of zip and zap sound effects which are similar to the vibrations created using the Moog synthesizer. The same random sound effects are also present, along with reverbbed vocals, in the piece “Place I Know/Kid Like You,” which shows the influence computer music has on modern music today.
The best song on this album in terms of the usage of ambient textures, synthesizers, and modulation melodies would be the instrumental track, “Afraid of Monsters.” This piece is completely computer generated, and truly serves as one of the greatest examples of today’s computer music. The introduction, which consists of a melody superimposed by a series of zips, shows the importance of polyrhythm (more than one rhythm, each serving to emphasize the others at the same time or as an echo) and modulation melodies. In fact, the entire piece is built from the original “zip series,” as more modulation melodies are added throughout the track. “Afraid of Monsters” also creates a peaceful ambience through its melody, simulating a peaceful sleep. However, the synthesizers and modulation melodies serve as the disturbances or “monsters” which are present throughout that peaceful sleep.
The rest of the album incorporates many of the aforementioned techniques, but creates many different atmospheres; for example, “Pepper Box” simulates the ‘70s psychedelic flare, “Plastic Man” presents a jazzy cruising melody, and “The Acid Life” simply makes the listener want to go to a highlighter party or rave!
“ok_computer” is a compilation extremely reflective of computer music history. It shows us how integral computers and technology really are to modern music, and that without it, music would not be possible.