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Talking Heads - Fear Of Music mp3

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Tracklist

1Heaven4:01
2Memories Can't Wait3:30
3Paper2:36
4Drugs5:13
5Mind4:12
6Cities4:05
7Life During Wartime3:41
8I Zimbra3:06
9Electric Guitar2:59
10Animals3:29
11Air3:33

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
SRK 6076Talking Heads Fear Of Music ‎(LP, Album, Win)SireSRK 6076US1979
SRK 6076Talking Heads Fear Of Music ‎(LP, Album, LA )SireSRK 6076US1979
SRK 6076Talking Heads Fear Of Music ‎(LP, Album, Emb)SireSRK 6076USUnknown
2C 070 63108Talking Heads Fear Of Music ‎(LP, Album)Sire2C 070 63108France1979
M5S-6076Talking Heads Fear Of Music ‎(Cass, Album)SireM5S-6076Canada1979

Credits

  • Producer – Brian Eno, Talking Heads
  • Written-By – B. Eno (tracks: A1), David Byrne, H. Ball (tracks: A1)
  • Engineer – Neil Teeman, Rod O'Brian
  • Engineer [Additional Recording] – Joe Barbaria
  • Engineer [Assistant] – Chris Martinez, Julie Last, Tom Heid
  • Mastered By – Greg Calbi
  • Producer – Brian Eno, Talking Heads
  • Backing Band – David Byrne (tracks: A1)
  • Backing Vocals – Brian Eno (tracks: A1), Julie Last (tracks: A1), The Sweetbreathes (tracks: B1)
  • Band – Chris Frantz, David Byrne, Jerry Harrison, Tina Weymouth
  • Concept By – David Byrne
  • Concept By [Help] – Jerry Harrison
  • Congas – Ari (tracks: A1, A5), Gene Wilder (tracks: A1, A5)
  • Design Concept [Cover] – Jerry Harrison
  • Engineer [Atlantic Assistant] – Tom Heid
  • Engineer [Hit Factory Assistant] – Chris Martinez
  • Engineer [Hit Factory] – Joe Barbaria
  • Engineer [Record Plant Assistant] – Julie Last
  • Engineer [Record Plant Mobile, Atlantic, Record Plant] – Rod O'Brian
  • Engineer [RPM] – Neil Teeman
  • Guitar – Robert Fripp (tracks: A1)
  • Management – Gary Kurfirst
  • Mastered By – Greg Calbi
  • Photography By [Thermograph Heat Sensitive] – Jimmy Garcia
  • Producer – Brian Eno, Talking Heads
  • Written-By – B. Eno (tracks: A1), David Byrne, H. Ball (tracks: A1)

Notes

All other German releases have boxed "GEMA/BIEM" on the label.
This release only has a boxed "GEMA" on the labels
℗ 1979 Sire Records Company
Made in Germany by WEA Musik GmbH

"SIR 56 707" appears on the center labels℗ © 1979 Sire Records Company

Jacksonville Pressing with center labels similar only to these Winchester and Los Angeles pressings by same catalog #.

Embossed sleeve includes custom inner sleeve containing lyrics/credits/artwork

All Basic tracks recorded at Chris and Tina's Loft in Long Island City
with The Record Plant Remote Truck on April 22 and May 6, 1979

Additional Recording and Mixing: Hit Factory, Atlantic Studios, RPM Sound Studios, Record Plant

All selections Published by Index Music/Bleu Disque Music Co., Inc. except:
A1 - Index Music/Bleu Disque Music Co., Inc./E.G. Music, Ltd.

Barcodes

  • Matrix / Runout (A Side Etch exc 0, Sterling stamps var 1): SRK-1-6076-JW2 #1 0 STERLING
  • Matrix / Runout (B Side Etch exc Sterling, 0 stamps var 1): SRK-2-6076-JW1 #2 STERLING ℊc 0
  • Matrix / Runout (A Side Etch exc Sterling stamps var 2): SUB-A SRK-1-6076-JW1 #1 STERLING 0
  • Matrix / Runout (B Side Etch exc Sterling, 0 stamps var 2): SRK-2-6076-JW1 #3 STERLING ℊc 0
  • Rights Society (A1): BMI
  • Rights Society (All selections incl. A1): ASCAP
  • Rights Society: GEMA
  • Label Code: LC 3228
  • Price Code (France): WE 351
  • Price Code (Germany): Ⓤ
  • Matrix / Runout (Variant 1 Side A): STRAWBERRY (G)° R/S Alsdorf 56707 A X
  • Matrix / Runout (Variant 1 Side B): R/S Alsdorf 56707 B GB
  • Matrix / Runout (Variant 2 Side A): STRAWBERRY (G)° R/S Alsdorf 56707 A
  • Matrix / Runout (Variant 2 Side B): R/S Alsdorf 56707 B

Companies

  • Made By – WEA Musik GmbH
  • Phonographic Copyright (p) – Sire
  • Copyright (c) – Sire
  • Printed By – Druckhaus Maack KG
  • Lacquer Cut At – Strawberry Mastering
  • Pressed By – Record Service Alsdorf
  • Marketed By – WEA Records Limited
  • Recorded At – Chris And Tina's Loft, Long Island
  • Recorded By – Record Plant Mobile Studio
  • Recorded At – The Hit Factory
  • Recorded At – Atlantic Studios
  • Recorded At – RPM Studios
  • Recorded At – Record Plant, N.Y.C.
  • Mixed At – The Hit Factory
  • Mixed At – Atlantic Studios
  • Mixed At – RPM Studios
  • Mixed At – Record Plant, N.Y.C.
  • Mastered At – Sterling Sound
  • Pressed By – Capitol Records Pressing Plant, Jacksonville
  • Record Company – Sire Records, Inc.
  • Marketed By – Warner Bros. Records Inc.
  • Published By – Index Music, Inc.
  • Published By – Bleu Disque Music Co., Inc.
  • Published By – E.G. Music Ltd.
  • Phonographic Copyright (p) – Sire Records Company
  • Copyright (c) – Sire Records Company

Video

Info

Some of it was radical, camp, silly, and disposable. Listen album. Ищете треки из альбома Fear Of Music исполнителя Talking Heads Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. Songs in album Talking Heads - Fear Of Music 1979. Talking Heads' third album moved further away from their original post-punk sound to darker, more dystopian subject matter. Talking Heads' third album moved further away from their original post-punk sound to darker, more dystopian subject matter. Learn more. 11 tracks 40:24. Продать эту версию. In the case, the album title wouldnt be about a fear of music, it would be Fear Of music. Recent Listening Trend. Album 1979 11 Songs. PKF-1023. New Wave. Fear Of Music Dual Disc. Fear of music - rooted in the racism and homophobia that drove parts of the anti-disco movement - had peaked in a violent, public fervor. Talking Heads - Mind. It was recorded at locations in New York City during April and May 1979 and was produced by the quartet and Brian Eno. Talking Heads - Paper. Pop Heads - Fear Of Music 1979. Fear of Music, the third album by Talking Heads, begins at maximum velocity and minimum warmth. We like some disco, frontman David Byrne wrote in the liner notes to Once in a Lifetime: The Best of the Talking Heads. Fear of Music is the third studio album by American new wave band Talking Heads, released on 3 August 1979 on Sire Records. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Though Fear of Music is musically distinct from its predecessors, it's mostly because of the use of minor keys that give the music a more ominous sound. Talking Heads - Fear Of Music 1979. Формируйте собственную коллекцию записей Talking Heads. Talking Heads - I Zimbra. Talking Heads - Memories Can't Wait. Fear Of Music. Ultimate Rock. They experimented with their songwriting process instead of working from Byrnes compositions, they entered the studio cold, jamming together until the shape of something promising emerged. Its notable, then, that Talking Heads utilized discos throbbing bass-aided intensity all over their third studio album, Fear of Music. To favorites 8 Download album. 3ий студийный альбом Talking Heads. Fear of Music is the third studio album by American rock band Talking Heads, released on August 3, 1979 by Sire Records. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart, and spawned the singles Life During Wartime, I Zimbra, and Cities. Congas, funk guitar, chirping synths: Everything is in motion, and yet curiously, nothing seems to be moving. Fear of Music can be read, in part, as an attempt to throw buckets of conceptual cold water on everything that had made the Talking Heads beloved, or to at least submit it to rigorous forensic testing. Talking Heads - Cities. There is a theory that you can preface the one-word-title songs with Fear of Fear of Cities , Fear of Air , Fear of Heaven etc. Talking Heads Fear Of Music Full Album 1979. By titling their third album Fear of Music and opening it with the African rhythmic experiment I Zimbra, complete with nonsense lyrics by poet Hugo Ball, Talking Heads make the record seem more of a departure than it is. Fear of Music - Talking Heads. Fear Of Music Cass, Album. Pop Heads. Talking Heads. Fear of Music. About Fear of Music. Talking Heads - Memories Can't Wait. Fear of Music Q&A. WMG от лица компании Rhino Warner LatinAutor, LatinAutor - Warner Chappell, CMRRA, Warner Chappell, ASCAP, UNIAO BRASILEIRA 1979 11 Songs. SRK 6076 NPC. 11 tracks 40:25. Talking Heads - Life During Wartime. Listen free to Talking Heads Fear of Music I Zimbra, Mind and more

Talking Heads - Fear Of Music mp3

Performer: Talking Heads

Title: Fear Of Music

Country: US

Release date: Aug 1979

Label: Sire

Style: New Wave

Catalog: SRK 6076

Genre: Rock

Size MP3: 1020 mb

Rating: 4.1 / 5

Votes: 948

Record source: Vinyl, LP, Album, Jacksonville Press

Talking Heads Sire New Wave 1979

MP3 Related to Talking Heads - Fear Of Music

Alsanadar
Recorded at various locations across areas of New York City, the music found here on the band’s third studio album, and was filled with unconventional ideas that were counterbalanced by an equal number of unconventional rhythms and narratives that blend together to create an odd jittery atmospheric tension with the use of a broader more expansive sonically driven sound.

David Byrne once described picturing the characters in his songs as living in a dystopian world, and wrote his lyrics from that detached nearly anthropological perspective. Merely considering the song “Air,” where the notions of not trusting even the air, raising implications that even breathing can hurt, an obvious reference to the things we take most for granted as being worthy of paranoia, and “Paper” laced with reverb, where Byrne compares love to a sheet of paper, or the iconic catchy “Life During Wartime,” with it’s graphic novel, in a comic book format, regarding some sort of urban survivalists waiting on guns while be sustained merely on peanut butter. Of course this all makes the album seem rather dark and foreboding, and while at times it is, the song “Heaven” stands as a singular point of light with its shivering brilliant intoxicating arrangement, though at its core, even though beautiful, heaven is a place where nothing ever happens. It is worth noting here that some have referenced heaven to one of the most wonderful drugs of all time, Quaaludes, where once taken, the user feels so good, so at peace, so raptured in an emotional emotional blanket bliss, yet while under that influence, nothing ever happens.

Depending on who you talk to, this album is either brilliant of a failure, and while hailed as stunning today, barely broke the top 100 album charts. I will say that Fear Of Music does have it spectacular moments, along with an equal amount of just as forgettable moments … though as with all Talking Heads’ albums, their relevance and importance, seems to increase over time, as if we must live though all we’re presented with here before we can fully understand or comprehend it. Nevertheless, the albums stands as a fixture from an end of a decade, deeply routed in those times, yet not so much that it can not be enjoyed, or sound as prophetic today.

*** The Fun Facts: With its black corrugated packaging, which resembles a manhole cover, the album is foreboding, inescapably urban and obsessed with texture. Partly recording the album at Chris Frantz and Tina Weymouth's loft in Long Island City, New York, next door to Tina's brother Yann, an architect who used a type of black vinyl flooring in many of his designs. “It’s kind of a ubiquitous pattern,” says Harrison, who studied architecture at Harvard. “You never noticed it until it was brought out of that utilitarian image by being an album cover.” Harrison initially wanted to use black vinyl for the LP cover, but the material couldn't be made thin enough without cracking. Instead, Fear of Music came with an embossed cardboard cover.

Review by Jenell Kesler
Alsanadar
Recorded at various locations across areas of New York City, the music found here on the band’s third studio album, and was filled with unconventional ideas that were counterbalanced by an equal number of unconventional rhythms and narratives that blend together to create an odd jittery atmospheric tension with the use of a broader more expansive sonically driven sound.

David Byrne once described picturing the characters in his songs as living in a dystopian world, and wrote his lyrics from that detached nearly anthropological perspective. Merely considering the song “Air,” where the notions of not trusting even the air, raising implications that even breathing can hurt, an obvious reference to the things we take most for granted as being worthy of paranoia, and “Paper” laced with reverb, where Byrne compares love to a sheet of paper, or the iconic catchy “Life During Wartime,” with it’s graphic novel, in a comic book format, regarding some sort of urban survivalists waiting on guns while be sustained merely on peanut butter. Of course this all makes the album seem rather dark and foreboding, and while at times it is, the song “Heaven” stands as a singular point of light with its shivering brilliant intoxicating arrangement, though at its core, even though beautiful, heaven is a place where nothing ever happens. It is worth noting here that some have referenced heaven to one of the most wonderful drugs of all time, Quaaludes, where once taken, the user feels so good, so at peace, so raptured in an emotional emotional blanket bliss, yet while under that influence, nothing ever happens.

Depending on who you talk to, this album is either brilliant of a failure, and while hailed as stunning today, barely broke the top 100 album charts. I will say that Fear Of Music does have it spectacular moments, along with an equal amount of just as forgettable moments … though as with all Talking Heads’ albums, their relevance and importance, seems to increase over time, as if we must live though all we’re presented with here before we can fully understand or comprehend it. Nevertheless, the albums stands as a fixture from an end of a decade, deeply routed in those times, yet not so much that it can not be enjoyed, or sound as prophetic today.

*** The Fun Facts: With its black corrugated packaging, which resembles a manhole cover, the album is foreboding, inescapably urban and obsessed with texture. Partly recording the album at Chris Frantz and Tina Weymouth's loft in Long Island City, New York, next door to Tina's brother Yann, an architect who used a type of black vinyl flooring in many of his designs. “It’s kind of a ubiquitous pattern,” says Harrison, who studied architecture at Harvard. “You never noticed it until it was brought out of that utilitarian image by being an album cover.” Harrison initially wanted to use black vinyl for the LP cover, but the material couldn't be made thin enough without cracking. Instead, Fear of Music came with an embossed cardboard cover.

Review by Jenell Kesler