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Eric Clapton - I Still Do mp3

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Tracklist

1Alabama Woman Blues
Written-By – Leroy Carr
5:07
2I Dreamed I Saw St. Augustine
Written-By – Bob Dylan
4:02
3Spiral
Written-By – Andy Fairweather-Low, Eric Clapton, Simon Climie
5:04
4I Will Be There
Acoustic Guitar, Vocals – Angelo Mysterioso Written-By – John O'Kane, Paul Brady
4:38
5Little Man, You've Had A Busy Day
Written-By – Al Hoffman, Wayne Mabel, Maurice Sigler
3:12
6I'll Be Alright
Written-By – Traditional
4:23
7Catch The Blues
Written-By – Eric Clapton
4:52
8I'll Be Seeing You
Written-By – Irving Kahal, Sammy Fain
5:03
9Cypress Grove
Written-By – Skip James
4:50
10Stones In My Passway
Written-By – Robert Johnson
4:03
11Somebody's Knockin'
Written-By – J.J. Cale
5:11
12Can't Let You Do It
Written-By – J.J. Cale
3:51

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
51266-1Eric Clapton I Still Do ‎(2x12", Album, 180)Bushbranch Records, Surfdog Records51266-1US2016
51266-1, 4786366Eric Clapton I Still Do ‎(2xLP, Album, 180)Bushbranch Records, Surfdog Records, Polydor51266-1, 4786366Europe2016
4786177, 00602547861771Eric Clapton I Still Do ‎(CD, Album, Tri)Polydor, Polydor4786177, 00602547861771Europe2016
060254786177Eric Clapton I Still Do ‎(CD, Album, Tri)Bushbranch Records, Surfdog Records, Universal Music060254786177Brazil2016
4605026716483Eric Clapton I Still Do ‎(CD, Album)Surfdog Records, Bushbranch Records, Polydor4605026716483Russia2016

Credits

  • Accordion, Mandolin, Backing Vocals – Dirk Powell
  • Acoustic Guitar, Vocals – Paul Brady
  • Backing Vocals – Michelle John, Sharon White
  • Cover, Painting – Peter Blake
  • Double Bass, Electric Bass – Dave Bronze
  • Drums, Percussion – Henry Spinetti
  • Electric Guitar, Acoustic Guitar, Backing Vocals – Andy Fairweather-Low
  • Guitar, Tambourine, Vocals – Eric Clapton
  • Keyboards – Chris Stainton, Walt Richmond
  • Keyboards, Electric Guitar, Acoustic Guitar – Simon Climie
  • Organ, Backing Vocals – Paul Carrack
  • Percussion – Ethan Johns
  • Producer – Glyn Johns

Notes

ⓟ + ⓒ 2016 EPC Enterprises LLP.
Durations from CD player, total time 54:10.

Barcodes

  • Barcode: 8 22685 12794 6
  • Matrix / Runout (Variant 1): 178039 ◼ CD 51279-2 2914604
  • Mastering SID Code (Variant 1): IFPI LT23
  • Mould SID Code (Variant 1): IFPI A889
  • Matrix / Runout (Variant 2): 178039 ◼ CD 51279-2 2914604
  • Mastering SID Code (Variant 2): IFPI LT23
  • Mould SID Code (Variant 2): ifpi C828
  • Matrix / Runout (Variant 3): 178039 ◼ CD 51279-2 2914604
  • Mastering SID Code (Variant 3): IFPI LT23
  • Mould SID Code (Variant 3): IFPI 1G44
  • Rights Society: ASCAP/BMI/SESAC

Companies

  • Distributed By – Alternative Distribution Alliance
  • Phonographic Copyright (p) – EPC Enterprises LLP
  • Copyright (c) – EPC Enterprises LLP
  • Recorded At – British Grove
  • Mastered At – Gateway Mastering

Info

I Still Do - Eric Clapton. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. I Still Do is the twentieth studio album by English musician Eric Clapton, and was released through the independent Bushbranch RecordsSurfdog Records label. The album is a combination of new material written by Clapton and classic songs, contemporary tunes and influences interpreted in his own style. The album was produced by Glyn Johns who had worked with Clapton on Slowhand 1977 and Backless 1978. The album's artwork is a painting of Clapton by Peter Blake who also previously worked with. I Still Do. Release Date: 2016. I understand that I can opt-out at any time by emailing privacypolicy. Music legend Eric Clapton has reunited with famed producer Glyn Johns for his 23rd studio album 'I Still Do' on Bushbranch, Surfdog Records. Clapton and Johns most famously worked together on Claptons iconic Slowhand album, which is 3x-platinum and topped charts Claptons 21st century output has been erratic, but his best efforts have come from root-tending: his latter-day B. King collaboration Riding With The King, the mid-00s Cream reunion and Robert Johnson tribute, the late 00s tour with Blind Faith kin Steve Winwood, the 2014 J. Cale homage. Claptons latest follows suit: a revival meeting with classic rock swami Glyn Johns, producer of his 1977 hit Slowhand, a set of swampy blues and well-chosen covers that finds fresh angles on the guitarists perennial obsessions. Album 2016 12 Songs. I Still Do finds the 71-year-old guitar hero teaming up with producer Glyn Johns for the first time since his 1977 classic, Slowhand. Together theyve taken to realizing originals like the subtle but soulful blues Spiral and skillfully reinterpreting songs by Robert Johnson Stones in My Passway , Skip James Cypress Grove , Bob Dylan I Dreamed I Saw St. Augustine , and more, including Ill Be Seeing You -a plaintive, 1930s Broadway tune-turned-jazz standard most commonly associated. Listen free to Eric Clapton I Still Do Alabama Woman Blues, Can't Let You Do It and more. 12 tracks 54:14. I Still Do is the twenty-third solo studio album by the English rock musician Eric Clapton. The album was released on May 20, 2016 through the independent Bushbranch RecordsSurfdog Records label. The album features a combination of new material written by Clapton as well as cover versions of classic songs, contemporary tunes and influences interpreted in his own style. You've Had a Busy Day. Although I'll Be Seeing You ends I Still Do on a bit of a wistful note, this album is neither melancholy nor some kind of summation. It is simply Clapton being Clapton, enjoying the company of his longtime band and songs he's loved, and here he's fortunate enough to be produced by Johns, whose expert touch gives this weight and color absent from the otherwise amiable Old Sock. Eric Clapton - I Still Do 2016. review of Eric Clapton's 2016 collaboration with Glyn Johns, 'I Still Do. I Still Do finds Clapton in a different place, in his career and in his life. What was largely dismissed as unfocused regression back then is clearly a matter of dogged perseverance now. This languid, reverie-filled figure was who he actually became, no matter our collective presumptions after his flinty tenures with the Yardbirds and Cream. That's played out in a solo career that still looks for and often finds new meaning from slow-burn explorations of the old ways, whether that be in an original song or with a now-seemingly ubiquitous Robert Johnson cover

Eric Clapton - I Still Do mp3

Performer: Eric Clapton

Title: I Still Do

Country: US

Release date: 20 May 2016

Label: Bushbranch Records, Surfdog Records

Style: Blues Rock

Catalog: 51279-2

Genre: Rock / Blues

Size MP3: 2668 mb

Rating: 4.8 / 5

Votes: 890

Record source: CD, Album

Eric Clapton Bushbranch Records Surfdog Records Blues Rock 2016

MP3 Related to Eric Clapton - I Still Do

Goll
The phrase “Clapton is God ” originated during Eric Clapton's tenure with John Mayall’s Bluesbreakers. Eric was a member of the Bluesbreakers from April to late August 1965 and again from November 1965 to July 1966. It was during this time that Eric first rose to prominence in the burgeoning British blues scene. The phrase “Clapton is God” was spray painted on a wall in the underground station in Islington during the mid 60’s by an admirer of Clapton's guitar playing. Islington is one of the many boroughs of the greater London Area. The slogan soon began to appear in other areas of the city, and was made famous in several photographs ... though to be honest with you, I’ve never considered Eric to be any sort of musical god.

Of course Mr. Clapton has had several good albums, but on a whole, to my way of thinking, one could take all of those solo albums and create perhaps two solid discs of music that would stand the test of time. Yes, the man has seen and done it all, he was there at the cutting edge, when we first learned the power and magic music held over our lives, he’s had his share of tragedy, and had more than his due share of glory. For the most part, Eric Clapton, guitar god or not, seems to be merely going through the motions; he seems to have been going through the motions for years. I fully understand that as an artist ages, they may no longer wish to splinter the floorboards, but this smattering of songs, along with so much that he’s done, just goes to prove the point I felt so long ago ... that being, that Clapton is not God.

Of the twelve songs found here, a mere four are keepers, the rest can be dismissed with the wave of a hand. Some people will try and tell you that he’s returning to older gems by blues legends like Leroy Carr, Robert Johnson, Skip James, and he even covers the Dylan classic “I Dreamed I Saw St. Augustine” ... which sparks me to ask if he’s attempting to give us some sort of blues history lesson. As a body of work this album fails, as a blues history lesson it fails, even his attempt at J.J. Cale inspired songs fall far short of where they should be, which says to me that Clapton is at his best, not as a solo artist, but as a member of a group, and he’s been part of many, though why he keeps returning to solo work is beyond me, because none of those albums inspire me to even come close to thinking that Clapton is God.

Mind you, I’m not asking Clapton to be trend setting, I just want him to be original and fluid without presuming that we are all going to be riveted by each note and each chord change he lays down. The work he did with J.J. Cale on “Road To Escondido” was breathtaking, a total success ... yet here he is again, guitar in hand resting on ubiquitous laurels.

Review by Jenell Kesler
Goll
The phrase “Clapton is God ” originated during Eric Clapton's tenure with John Mayall’s Bluesbreakers. Eric was a member of the Bluesbreakers from April to late August 1965 and again from November 1965 to July 1966. It was during this time that Eric first rose to prominence in the burgeoning British blues scene. The phrase “Clapton is God” was spray painted on a wall in the underground station in Islington during the mid 60’s by an admirer of Clapton's guitar playing. Islington is one of the many boroughs of the greater London Area. The slogan soon began to appear in other areas of the city, and was made famous in several photographs ... though to be honest with you, I’ve never considered Eric to be any sort of musical god.

Of course Mr. Clapton has had several good albums, but on a whole, to my way of thinking, one could take all of those solo albums and create perhaps two solid discs of music that would stand the test of time. Yes, the man has seen and done it all, he was there at the cutting edge, when we first learned the power and magic music held over our lives, he’s had his share of tragedy, and had more than his due share of glory. For the most part, Eric Clapton, guitar god or not, seems to be merely going through the motions; he seems to have been going through the motions for years. I fully understand that as an artist ages, they may no longer wish to splinter the floorboards, but this smattering of songs, along with so much that he’s done, just goes to prove the point I felt so long ago ... that being, that Clapton is not God.

Of the twelve songs found here, a mere four are keepers, the rest can be dismissed with the wave of a hand. Some people will try and tell you that he’s returning to older gems by blues legends like Leroy Carr, Robert Johnson, Skip James, and he even covers the Dylan classic “I Dreamed I Saw St. Augustine” ... which sparks me to ask if he’s attempting to give us some sort of blues history lesson. As a body of work this album fails, as a blues history lesson it fails, even his attempt at J.J. Cale inspired songs fall far short of where they should be, which says to me that Clapton is at his best, not as a solo artist, but as a member of a group, and he’s been part of many, though why he keeps returning to solo work is beyond me, because none of those albums inspire me to even come close to thinking that Clapton is God.

Mind you, I’m not asking Clapton to be trend setting, I just want him to be original and fluid without presuming that we are all going to be riveted by each note and each chord change he lays down. The work he did with J.J. Cale on “Road To Escondido” was breathtaking, a total success ... yet here he is again, guitar in hand resting on ubiquitous laurels.

Review by Jenell Kesler