Wendy Carlos And The LSI Philharmonic Orchestra, John Bowen - Two Excerpts From "Digital Moonscapes" / Sequential Presents "MAX" (The Multi-timbral Synthesizer) mp3

Tracklist

Credits

• Performer, Composed By – John Bowen (tracks: A)

Notes

Side B is an equipment demonstration recording.
Sequential Circuits was an electronic instruments manufacturer, famous for the "Prophet 5" polyphonic analog synthesizer, among others.

Made in U.S.A.

© 1984

Barcodes

• Matrix / Runout (Side A label): 842799AXST
• Matrix / Runout (Side B label): 842799BXST
• Matrix / Runout (Side A runout, etched): EV 84 279-9AXST
• Matrix / Runout (Side B runout, etched): EV 84 279-9BXST

Companies

• Manufactured By – Eva-Tone Soundsheets – 842799

Info

John Bowen. Sequential Presents MAX The Multi-timbral Synthesizer. Sequential Circuits was an electronic instruments manufacturer, famous for the Prophet 5 polyphonic analog synthesizer, among others. Made in . Barcode and Other Identifiers. Matrix, Runout Side A Runout, Etched: EV 84 279-9AXST. Matrix, Runout Side B Runout, Etched: EV 84 279-9BXST. Performer: Wendy Carlos And The LSI Philharmonic Orchestra. Album Title: Two Excerpts From Digital Moonscapes, Sequential Presents MAX The Multi-timbral Synthesizer. Genre: Electronic, Non Music. Wendy Carlos, Trans Queen of the Synthesizer LGBT History Month. The Broken Scales Of Wendy Carlos. Music Revolutionaries - Robert Moog & Wendy Carlos. The first was Digital Moonscapes in 1984, Carlos' first to only feature digital synthesizers. She wrote the album's tracks for orchestra or orchestra replica, inspired by various astronomical subjects, which used some leftover material from her score to Tron. Digital Moonscapes 1984 Wendy Carlos. Fully digital orchestration. Superior Seven 1988 Robert Ashley. sonorities and amplified small sounds, from the album Cosmic Tones for Mental Therapy zwPD-Fi-y6A Different piece from same album. Music for the Gift, part 3 1963 Terry Riley and Chet Baker. An early experiment using interactive tape delay created by Terry Riley and featuring a quartet led by Chet Baker lMcmMhfYkNI. Carlos Castaneda Conversations in Mexico City. Uploaded by. Petar Vujicin. Wendy Carlos. Digital Moonscapes. Jo Boatright. dogma chamber orchestra Wendy Carlos. George Crumb: Makrokosmos. dogma chamber orchestra American Stringbook. Beauty in the Beast. Iva Bittová, Marek Vladimír Godár: Mater. John Adams: Century Rolls. JACK Quartet, Jenny Lin Elliott Sharp: The Boreal. A Far Cry, David Krakauer. Dreams & Prayers. Carlos's music career began with Switched-On Bach, an album formed of several pieces by Johann Sebastian Bach performed on a Moog modular synthesizer. She recalled their demands were tightly specified. there wasn't a lot of elbow room, and that made it fun. The score incorporated Carlos' analog and digital synthesizers with the London Philharmonic Orchestra, the UCLA Chorus, and the Royal Albert Hall Organ. Tron: Original Motion Picture Soundtrack was released in 1982 and reached No. 135 on the Billboard 200. Multi-platform so anyone could program with it After V, called MUSIC N and many composersprogrammers developed other programs A little smile for you , Bicycle Built for Two 1961 ,. Taught at many universities and summer festivals around Europe and the US S Did important work in the field of speech synthesis at IRCAM in the 80s S Important works: S Speakings for large orchestra and electronics S Mortuos Plango, Vivos Voco for computer manipulated sounds S Bhakti for 15 players and quadriphonic tape Jon Appleton S B. 1939 S Important figure. Digital Moonscapes by Wendy Carlos Wendy Carlos, of Switched-On Bach fame and composer of soundtracks for A Clockwork Orange, The Shining, and Tron, was inspired by the Voyager missions to create a suite of musical portraits of the major moons of the solar system. Emulating a fully symphony orchestra with her GDS and Synergy Digital Synthesizers this was before samplers, she performs two suites on the album. Sea and Sky: Sky Gallery & Music - enjoy a gallery of pictures from the solar system and the cosmos with the otion of background new age music. WENDY CARLOS b. 1939 Digital Moonscapes 1982. JOEL CHADABE b. 1938 Many Mornings, Many Moods for solo percussion, full orchestra instruments flexible & electronics 1988. Excerpts from Orchestra Suite No. 4 for orchestra inc. synthesizer 1994 Funeral March from Hamlet for orchestra inc. synthesizer NA. LEON KIRCHNER b. 1919 Music for Flute & Orchestra inc. Fender electric bass guitar 1978. JOHN LESSARD b. 1920 Pastimes and an Alleluia for orchestra inc. taped voice 1975. PETER TOD LEWIS 1932-1982 FragmentsHedgehogs for orchestra & tape 1978. The two sounds contrasted are the tenor bell at Winchester Cathedral, England and the voice of the composers' son, then chorister there and the text is taken from that written on the bell: Horas Avolantes Numero, Mortuos Plango: Vivos ad Preces Voco I count the fleeing hours, I lament the dead: the living I call to prayer. Music V was. used to analyze and transform the sounds. The music is 'octophonic', being projected into the auditorium through a cube of eight channels: the ideal listener is 'inside' the bell, its partials distributed in space