Various - Shakespeare at the Opera: The Great Adaptations mp3
Tracklist
| 1 | Act Three: Ein Mensch? Ein Mensch? Verräterei! | 3:47 |
| 2 | Act One: L'Onore! Ladri! | 4:49 |
| 3 | Act One: Ihr Galgenvögel, Haltet Ein | 4:04 |
| 4 | Act Two: Voi Siete Demente! | 3:50 |
| 5 | Act Two: Fenton! | 6:11 |
| 6 | Act Two: Non Parlo Ancor di Prova | 6:38 |
| 7 | Act Three: Reverenza. La Bella Alice [Quickly] | 8:29 |
| 8 | Act Two: Von Isabella, Diese Nacht | 4:11 |
| 9 | Act Two: Halt! Auseinander! | 2:01 |
| 10 | Act One: Herein, Herein! Kommt All'herein | 1:47 |
| 11 | Act Two: Sì, Pel Ciel Marmoreo Giuro! | 2:35 |
| 12 | Act Three: La Vedetta Del Porto Ha Segnalato | 2:16 |
| 13 | Act One: Mostro!... Dobbiam Gabbarlo! | 2:56 |
| 14 | Act One: Man Läutet, Keine Pförtnerin? | 4:45 |
| 15 | Act One: Aus Ihrem Munde Dies Zu Hören | 5:34 |
| 16 | Act One: Che Faceste? Dite Su! | 2:36 |
| 17 | Act Two: Stützt Euch, Mutter Klatsch, Auf Mich | 3:36 |
| 18 | Act One: Innaffia L'ugola! | 4:45 |
| 19 | Falstaff (Live Performance, Naples, December 1, 1962)Baritone Vocals [Falstaff] – Tito GobbiBaritone Vocals [John Ford] – Renato CapecchiChorus – Chorus Of Teatro San Carlo, NaplesComposed By – Giuseppe VerdiConductor – Mario Rossi Libretto By – Arrigo BoitoOrchestra – Orchestra Of Teatro San Carlo, NaplesSoprano Vocals [Alice Ford] – Renata TebaldiSoprano Vocals [Nannetta] – Mirella Freni | |
| 20 | Act Two: Hier Soll Sie Sein | 4:08 |
| 21 | Act Two: Non Ti Crucciar | 2:24 |
| 22 | Act One: Ballet: Le Jeune Fille Au Voile | 1:40 |
| 23 | Act Four: Una Macchia è Qui Tuttora | 7:10 |
| 24 | Act Three: Fuggi, Regal Fantasima | 4:01 |
| 25 | Act One: Wohlan, So Rede! Was Hast Du Zu Sagen? | 5:37 |
| 26 | Act One: Vieni, Ah! Vieni, In Me Riposa | 2:29 |
| 27 | Act Four: Mon Père! Tout M'accable! Tout Est Perdu | 5:17 |
| 28 | Act Two: Sangue A Me Quell'ombra Chiede | 4:38 |
| 29 | Act One: Frau Fluth! | 3:49 |
| 30 | Act Three: Quest'è Il Segnale | 2:36 |
| 31 | Act Two: Pace, Signor | 2:28 |
| 32 | Act Three: Ogni Sorta di Gente Dozzinale | 7:32 |
| 33 | Act One: Geschwind Zu Meiner Nachbarin | 3:51 |
| 34 | Act Two: Salve, O Re! | 1:31 |
| 35 | Act Three: Vieni, L'aula è Deserta | 4:40 |
| 36 | Act One: So Geht Indess Hinein | 5:52 |
| 37 | Act Two: Nur Geduld! | 2:04 |
| 38 | Act Three: Tre Volte Miagola la Gatta In Fregola | 4:06 |
| 39 | Act Two: So Spät, Und Noch Kein Brief von Isabella? | 4:34 |
| 40 | Act Four: Va! Je T'ai Pardonné... Nuit D'Hyménée! | 10:00 |
| 41 | Act Four: Juliette!... Ah! Le Ciel Soit Loué | 4:13 |
| 42 | Act One: Soccorso, Sostegno | 3:55 |
| 43 | Act Three: So Hat Der Schwank Der Fröhlichen Nacht | 2:28 |
| 44 | Act One: Oh Donna Mia | 2:55 |
| 45 | Act One: Abbasso Le Spade! | 3:36 |
| 46 | Act Two: Ha, Welch Ein Mut Begeistert Mich! | 5:34 |
| 47 | Act Four: Ella è Morta! | 3:29 |
| 48 | Act Three: Die Glocke Schlug Schon Mitternacht | 1:36 |
| 49 | Charles Gounod - Romeo et Juliette | |
| 50 | Act One: Esultate! | 2:19 |
| 51 | Act Two: Alfin T'ho Colto, Raggiante Fior | 3:49 |
| 52 | Act One: Tace Il Fragor | 7:08 |
| 53 | Act Four: Niun Mi Tema | 5:23 |
| 54 | Act One: Udrai Quanta Egli Sfoggia Magniloquenza Altera | 3:16 |
| 55 | Act One: Ballet: Danse Bohémienne | 3:18 |
| 56 | Act One: Schiudi, Inferno, la Bocca | 5:25 |
| 57 | Act Three: Non Dubitar, Tu Sposerai Mia Figlia | 2:37 |
| 58 | Act Two: L'amour!... Ah! Lève-toi, Soleil | 4:17 |
| 59 | Act One: Roderigo, Beviam! | 1:29 |
| 60 | Act Two: È Sogno? O Realtà? | 6:21 |
| 61 | Act One: Macht Auf, Macht Auf! Wie Lange Währts? | 1:59 |
| 62 | Act Two: Verweile Hier, Hier Muß Er Kommen! | 5:10 |
| 63 | Act One: Eh Bien!... Que L'Avertissement! | 3:30 |
| 64 | Act Three: O Himmel! Welch Ein Lärmen Dort! | 1:55 |
| 65 | Act One: Pst, Pst, Nannetta | 5:33 |
| 66 | Act One: Ach, Einst In Jenen Tagen | 3:27 |
| 67 | Act One: O di Capellio, Generosi Amici | 2:37 |
| 68 | Otello (Live Performance, Milan, December 7, 1976)Baritone Vocals [Jago] – Piero CappuccilliChorus – Chorus Of La Scala, MilanComposed By – Giuseppe VerdiConductor – Carlos KleiberLibretto By – Arrigo BoitoOrchestra – Orchestra Of La Scala, MilanSoprano Vocals [Desdemona Vocals] – Mirella FreniTenor Vocals [Cassio] – Giuliano CiannellaTenor Vocals [Otello] – Placido Domingo | |
| 69 | Act One: Was Werden Wir Beginnen? | 3:30 |
| 70 | Act One: Deh! Per Pietà, T'arresta | 2:55 |
| 71 | Act Three: Ehi! Taverniere! | 6:16 |
| 72 | Act One: Le Nom de Cette Belle Enfant? | 0:45 |
| 73 | Act Two: Wer Klopft? | 1:53 |
| 74 | Act One: Jetzt Zum Verhör! Bringt Die Verhafteten! | 4:37 |
| 75 | Act Four: Ah, la Paterna Mano | 4:07 |
| 76 | I Capuleti E I Montecchi (Live Performance, Rome, October 23, 1958)Bass Vocals [Capellio] – Vittorio TatozziChorus – RAI ChorusComposed By – Vincenzo BelliniConductor – Lorin MaazelLibretto By – Felice RomaniMezzo-soprano Vocals [Romeo] – Fiorenza CossottoOrchestra – RAI OrchestraSoprano Vocals [Giulietta] – Antonietta PastoriTenor Vocals [Tebaldo] – Renato Gavarini | |
| 77 | Act Two: O Nuit, Sous Tes Ailes Obscures Abrite-moi! | 3:50 |
| 78 | Act Three: Una, Due, Tre | 5:26 |
| 79 | Act Three: Er Gesteht Noch Immer Nicht | 6:35 |
| 80 | Act Two: O Nuit Divine! Je T'implore! | 8:12 |
| 81 | Act Three: Ah! Jour de Deuil Et D'Horreur Et D'Alarmes | 3:38 |
| 82 | Act One: Du Kennest Jenen Stillen Ort | 4:22 |
| 83 | Act One: Già Nella Notte Densa | 9:30 |
| 84 | Act Two: Gott Grüss' Euch, Sir! | 5:18 |
| 85 | Act One: Alice... Meg... Nanetta... | 3:56 |
| 86 | Act Two: Né Alcun Ritorna! | 3:47 |
| 87 | Act One: Giorno Non Vidi Mai Si Fiero E Bello! | 3:42 |
| 88 | Macbeth (Live Performance, Vienna, April 18, 1970)Baritone Vocals [Macbeth] – Sherrill MilnesBass Vocals [Banquo] – Karl RidderbuschComposed By – Giuseppe VerdiConductor – Karl BöhmLibretto By – Andrea Maffei , Francesco Maria PiaveMezzo-soprano Vocals [Lady Macbeth] – Christa LudwigOrchestra – Wiener PhilharmonikerTenor Vocals [Macduff] – Carlo Cossutta | |
| 89 | Act Three: Fuggite! | 2:22 |
| 90 | Act One: Di Destarlo Per Tempo Il Re M'impose | 2:48 |
| 91 | Act One: Geht Nur! | 3:16 |
| 92 | Act Three: A Terra!... Sì... Nel Livido Fango | 5:49 |
| 93 | Act One: Propizia è L'ora | 7:31 |
| 94 | Act Two: Vanne; la Tua Meta Già Vedo... Credo In Un Dio Crudel | 6:16 |
| 95 | Act One: Vanne Lorenzo | 3:46 |
| 96 | Act One: Or Tutti Sorgete | 4:06 |
| 97 | Act One: Mi Si Affaccia Un Pugnal! | 4:25 |
| 98 | Act One: Ah! Je Veux Vivre Dans Un Rêve | 4:14 |
| 99 | Act One: Ballet: La Fiancée Et Les Fleures | 3:13 |
| 100 | Act Four: Patria Oppressa! | 6:37 |
| 101 | Act Two: Come Dal Ciel Precipita | 3:51 |
| 102 | Act Four: Dove Siam? Che Bosco è Quello? | 2:47 |
| 103 | Act Three: Che Fate Voi, Misteriose Donne? | 7:35 |
| 104 | Act Two: Alice è Mia! Va, Vecchio John | 2:03 |
| 105 | Act Two: Um Gottes Willen | 10:56 |
| 106 | Act One: Fuoco di Gioia! | 2:41 |
| 107 | Act Five: Entr'acte - C'est la!... Salut! tombeau! sombre et silencieux! | 16:35 |
| 108 | I Capuleti E I Montecchi: Act Two, Part Two | |
| 109 | Act Three: Eh! Quoi! Le Pour à Peine | 3:17 |
| 110 | Act Two: Horch! Die Lerche Singt Im Hain | 2:14 |
| 111 | Act One: Abscheulicher! Ich Hab Es Satt | 1:38 |
| 112 | Act One: Für Diese Los Schuf Gott Nicht Dich! | 4:22 |
| 113 | Overture | 7:58 |
| 114 | Act Two: Desdemona Rea!... Ora E Per Sempre Addio | 2:43 |
| 115 | Act One: Wie Lang Er Bleibt! | 7:08 |
| 116 | Act Three: Pst, Pst! Pst, Pst! Sir John! | 4:07 |
| 117 | Act One: Accorriam... Romeo! Romeo! | 4:21 |
| 118 | Act Three: Die Menscheit Schläft, Kein Auge Kann Uns Sehn | 3:56 |
| 119 | Act One: So Hab Ich Dich Erreungen | 3:16 |
| 120 | Giuseppe Verdi - Macbeth | |
| 121 | Act Three: Dal Labbro Il Canto | 5:23 |
| 122 | Act Two: Ihr Heil'gen, welche Schändlichkeit! | 4:39 |
| 123 | Act Three: Dieu, Qui Fit L'homme à Ton Image | 5:20 |
| 124 | Act One: Sie Schweigt In Stummem Schmerz | 2:57 |
| 125 | Act One: Il Pugnal Là Riportate | 1:48 |
| 126 | Act One: Una Vela! Una Vela! | 4:01 |
| 127 | The Merry Wives Of Windsor (Die Lustigen Weiber von Windsor) (Live Performance, Monaco, 1967)Bass Vocals [Falstaff] – Kim BorgChorus – Bavarian Radio ChorusComposed By – Otto NicolaiConductor – Fritz ReigerLibretto By – Salomon Hermann RosenthalMezzo-soprano Vocals [Frau Reich] – Hertha TöpperOrchestra – Bavarian Radio Symphony OrchestraSoprano Vocals [Frau Fluth] – Erika Köth | |
| 128 | Act Two: Se inconscia, contro te, sposo, ho peccato | 3:02 |
| 129 | Act One: Aggiorna Appena | 3:12 |
| 130 | Act Three: Dio Ti Giocondi | 4:28 |
| 131 | Act Two: Presenteremo Un Bill | 6:04 |
| 132 | Act Two: Chi V'impose Unirvi A Noi? | 4:14 |
| 133 | Act One: Mariana! Mariana! | 3:56 |
| 134 | Act Two: Quand'ero Paggio | 2:36 |
| 135 | Act Three: Vom Jäger Herne Die Mähr' Ist Alt | 9:15 |
| 136 | Act Four: Mal Per Me Che M'affidai | 2:33 |
| 137 | Act Three: Sul Fil D'un Soffio Etesio [Fairy Queen] | 4:01 |
| 138 | Act One: Ballet: Valse Des Fleures | 2:09 |
| 139 | Act Two: Signore, V'assista Il Cielo | 9:55 |
| 140 | Act Three: Wohl Denn! Gefasst Ist Der Entschluss | 8:43 |
| 141 | Act Three: O Süsser Mond, O Holde Nacht | 4:24 |
| 142 | Act Three: Depuis Hier... Que Fais Tu, Blanche Tourterelle | 3:42 |
| 143 | Act One: Fatal Mia Donna! | 4:32 |
| 144 | Act Two: Ella è Morta, O Sciagurato | 2:38 |
| 145 | Act One: Ascolta. Se Romeo T'uccise Un Figlio | 5:14 |
| 146 | Act Three: Dio! Mi Potevi | 3:59 |
| 147 | Act Two: Perchè Mi Sfuggi | 2:41 |
| 148 | Act One: Nel Dì Della Vittoria Io Le Incontrai... Vieni T'affretta! | 5:42 |
| 149 | Act One: Salve Regina Coeli! Salve! | 4:24 |
| 150 | Act Two: Chi Sei Tu, Che Ardisci Aggirarti | 5:49 |
| 151 | Act One: L'heure S'Envole | 9:22 |
| 152 | Act Two: He, Kellner!... Als Büblein Klein | 18:38 |
| 153 | Overture | 4:03 |
| 154 | Act Three: Il Doge Ed Il Senato Salutano | 4:35 |
| 155 | Act One: È Serbata A Questo Acciaro | 5:53 |
| 156 | Act One: Nun Eilt Herbei | 7:15 |
| 157 | Act One: Falstaff!... Olà! | 4:36 |
| 158 | Act Two: La Luce Langue | 4:21 |
| 159 | Act One: Wir, Tief Entwürdigt | 4:44 |
| 160 | Act One: S'allontanarono! N'accozzeremo | 2:12 |
| 161 | Act Two: So Jubelt In Das Fest Hinein | 4:59 |
| 162 | Act One: Quelqu'un!... C'est Mon Cousin Tybalt | 5:27 |
| 163 | Romeo Et Juliette (Live Performance, Nice, 1976)Baritone Vocals [Mercutio] – Jean Pierre LaffageBass Vocals [Frere Laurent] – Ivan SaurChorus – Chorus Of The Opera Of NiceComposed By – Charles GounodConductor – Antonio De AlmeidaLibretto By – Jules Barbier, Michel Carré Orchestra – Orchestra Of The Opera Of NiceSoprano Vocals [Juliette] – Andrée EspositoTenor Vocals [Romeo] – Alain Vanzo | |
| 164 | Act Two: In Einen Waschkorb? | 6:16 |
| 165 | Act Four: Era Più Calmo?... "Piangea, Cantando" (Willow Song) | 11:29 |
| 166 | Act Two: Morte Io Non Temo Il Sai | 3:01 |
| 167 | Act One: L'arte Sta In Questa Massima | 7:38 |
| 168 | Act Four: Chi è Là? Otello? | 9:01 |
| 169 | Act Two: Deserto è Il Luogo | 4:24 |
| 170 | Act One: O Freundin, Du Allein Nur Bist's | 4:28 |
| 171 | Act Two: Hélas! Moi, Le Haïre | 7:44 |
| 172 | Act One: Ballet: Danse de la Fiancée | 2:37 |
| 173 | Overture | 8:19 |
| 174 | Act Three: Ove Son Io? Svaniro! | 3:35 |
| 175 | Act Three: Alto Là! | 6:35 |
| 176 | Act Two: Si Colmi Il Calice | 3:41 |
| 177 | Act One: Ange Adorable | 4:08 |
| 178 | Act Three: Ah! Ah! Voici Nos Gens! | 10:46 |
| 179 | Act One: Nein, Das Ist Wirklich Doch Zu Keck! | 2:27 |
| 180 | Act One: Dieses Kleine Schelmenauge | 5:05 |
| 181 | Das Liebesverbot (Live Performance, Vienna, 1962)Chorus – Radio Austria ChorusComposed By, Libretto By – Richard WagnerConductor – Robert HegerOrchestra – Radio Austria OrchestraSoprano Vocals [Isabella] – Hilde ZadekTenor Vocals [Claudio] – Anton DermotaTenor Vocals [Luzio] – Kurt Equiluz | |
| 182 | Act One: Ballet: Introduction | 2:13 |
| 183 | Act One: Mab, la Reine Des Mensonges | 4:02 |
| 184 | Act Two: Doch Dir, Dem Heuchlerischen Friedrich | 2:25 |
| 185 | Act Four: Vegliammo Invan Due Notti | 5:13 |
| 186 | Act Two: Siam Pentiti E Contriti | 6:20 |
| 187 | Act One: Eccomi In Lieta Vesta... Oh! Quante Volte | 9:49 |
| 188 | Act Two: Wo Isabella Bleibt | 4:56 |
| 189 | Act Four: Ave Maria | 5:07 |
| 190 | Act One: Ah, Crudel, D'onor Ragioni | 5:41 |
| 191 | Act Two: Dies Ist Die Stunde | 3:36 |
| 192 | Act One: Due Vaticini Compiuti Or Sono | 4:06 |
| 193 | Act Four: Perfidi! All'anglo... Pietà, Rispetto, Amore | 5:46 |
| 194 | Act Three: Esterrefatta Fisso | 5:14 |
| 195 | Act Three: Mon Père, Dieu Vous Garde! | 2:38 |
| 196 | Act Two: Prendi, Gl'istanti Volano | 4:50 |
| 197 | Act One: Zur Ordnung! Was Muß Ich Gewahren! | 5:03 |
| 198 | Act Two: Era la Notte | 2:27 |
| 199 | Overture | 6:05 |
| 200 | Act Two: Ciò M'accora | 4:11 |
| 201 | Act Two: Mi Lavi! Rea Moglie! | 8:19 |
| 202 | Act Two: Oh! Mostruoso Colpa! | 1:43 |
| 203 | Act One: Roderigo, Ebben Che Pensi? | 2:18 |
| 204 | Act One: Lieta Notte, Avventurosa | 2:34 |
Barcodes
- Barcode: 7 23721 30975 6
Companies
- Record Company – Allegro Corporation
Info
Baritone Vocals Jean Pierre Laffage Bass Vocals Ivan Saur Chorus Chorus Of The Opera Of Nice Composed By Charles Gounod Conductor Antonio De Almeida Libretto By Jules Barbier, Michel Carré 2 Orchestra Orchestra Of The Opera Of Nice Soprano Vocals Andrée Esposito Tenor Vocals Alain Vanzo. You may submit artist- and album-related corrections to the TiVo data team by following the steps on this page. For other feedback please visit our GetSatisfaction page. Please note that we cannot respond to address or phone information requests for any person identified in our database, nor can we forward fan mail. Due to the extremely high volume of messages received and the small size of our team, we unfortunately cannot guarantee that we will be able to respond or take action in every case. The Guinness Book of Records lists 410 feature-length film and TV versions of William Shakespeare's plays, making Shakespeare the most filmed author ever in any language. The earliest known production is King John from 1899. To opera fans, Allegro is better known by the its Opera d'Oro label. Od'O, of course, is an old standby for fans with shallow pockets and those with a taste for sonic adventures. Its offerings are mostly live performances captured and published under circumstances into which the wise do not enquire too closely, but leavened with a few older studio and historic performances of great value. In quality, Od'O ranges from surprisingly good to just plain awful. You pays your penny and you takes your chances when you deal with Od'O. Many different versions of Erik's life are told through other adaptations such as films, television shows, books, and musicals. One such popular literary adaptation is the Susan Kay novel Phantom 1990, a fictional in-depth story of Erik from the time of his birth to the end of his life at the Paris Opera House. The heavy metal band Iced Earth has a song called The Phantom Opera Ghost on their album Horror Show. In the Wishbone episode Pantin at the Opera, the Phantom wears a full mask. In Tiny Toon Adventures, Toon TV, the video for It's in His Kiss The Shoop Shoop Song, shows Buster Bunny as the Phantom and Babs Bunny as Christine as she takes off his mask. Shakespeare at the Opera. Adapting the story. By Walter Zidarič. Balanchine, after waiting patiently before tackling his own Shakespearean Dream, produced a mature work using a musical patchwork of various pieces by Mendelssohn: apart from the stage music of 1843, he added the Symphony for Strings no. 9, the overtures Athaliah, The Fair Melusine, The Return of the Roamer and The First Walpurgis Night. There have been more adaptations of Shakespeare work than that of any other writer, living or dead, and while all have not been true to the famous Bard, almost all have been infused directly or spiritually by his signature style. Still, the mythos continues. This has lead to dozens of direct adaptations and perhaps hundreds of influenced approaches. Though many dismiss this movie as minor Shakespeare at best not the work itself, but the star studded tabloid trading production in general, there is nothing more intriguing than watching a lustful Richard Burton take on the apple of his real life libido, the full and flush Elizabeth Taylor, in the ultimate battle of the sexes. Of all the movie adaptations of William Shakespeare's work - from Brando to Branagh to Denzel - these are the very best Shakespeare movies. Weve put together a list of the 10 best William Shakespeare movie adaptations so you can not only learn more but also appreciate how great filmmakers have turned his plays into cinematic achievements. Shakespeare Plays. Quick List Preface. The movie adaptations of William Shakespeare's plays that actually work well on screen are few and far between. by Rocco Thompson. Aug 01, 2019. Though William Shakespeare formed the basis for much of what we consider modern English and created a theater of poetry and intellectual insight that is still unmatched today, it's difficult to translate his particular magic to film. Whether it's because something is lost of the elemental energy that exists between live actors and audience or that film comes with expected aesthetic considerations that just don't jive with the bard's language is up for debate, but movie adaptations of his plays that work are few and far between. Поиск презентаций, докладов, научных статей, публикаций и других образовательных материалов по запросу album Various Shakespeare at the Opera: The Great Adaptations. Shakespeare and the theorists of opera expressed similar concerns about language and performance. In adaptations by such composers as Nicola Antonio Zingarelli and Nicola Vaccai, the part of Romeo is sung by a mezzo-soprano, to the disapproval of Berlioz, who preferred, for this and other reasons, Daniel Steibelts Roméo et Juliette 1793. The opera, which begins with the ball scene at the Capulets, overdramatizes several episodes, including the first appearance of Juliet, the revelation by Tybalt rather than her nurse of Romeos identity to Juliet, and Juliets fake death, which occurs just as her father has taken her arm to lead her to the chapel to marry Paris

Performer: Various
Title: Shakespeare at the Opera: The Great Adaptations
Country: China
Release date: 2007
Label: Bravissimo Opera Library
Style: Opera, Romantic
Catalog: BRV 9808
Genre: Classical
Size MP3: 1072 mb
Rating: 4.3 / 5
Votes: 118
Record source: 14 × CD, Compilation, Reissue










