» » Various - The Min-On Contemporary Music Festival '81

Various - The Min-On Contemporary Music Festival '81 mp3

Tracklist

1Joji YuasaScenes From Basho
2Atsutada OtakaImage9:09
3Full Moon Of Autumn; Waves Head Crawling Up To The Gate4:41
4Blinding Bright, Relentless Sun - But The Wind Is Of Autumn5:20
5A Winter Sun - On My Horse Back - A Shadow Sits Freezing5:17
6Norio FukushiChromosphere
Percussion – Hideki Yamazaki, Junko Arase, Mariko Okada , Midori Takada, Sumire Yoshihara, Susumu Sato
14:53

Credits

  • ConductorTadaaki Otaka
  • OrchestraTokyo Philharmonic Orchestra

Notes

Includes a 16-page booklet with liner notes in Japanese and English.

Recorded May 30, 1981 at Tokyo Bunka-Kaikan, Large Hall.

Info

Scenes from Basho, for orchestraA winter sun - On my horse back - A shadow sits freezing. Joji Yuasa. Tokyo Philharmonic Orchestra, Tadaaki Otaka. Listen to all tracks of The Min-On Contemporary Music Festival '81&'82 for free. Tracks In This Album. Chromosphere For Percussion And Orchestra - Tokyo Philharmonic Orchestra, Tadaaki Otaka, Sumire Yoshihara, Norio Fukushi. Imagine - Atsutada Odaka. Scenes From Basho - Joji Yuasa, Tokyo Philharmonic Orchestra, Tadaaki Otaka. Les Leonides - Tokyo Philharmonic Orchestra, Shigenobu Yamaoka, Hinoharu Matsumoto. Translucent Vision For Orchestra - Maki Ishii, Tokyo Philharmonic Orchestra, Shigenobu Yamaoka. Similar Artists. The Min-On Contemporary Music Festival '81 - Tadaaki Otaka, Tokyo Philharmonic Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Buy CDs,DVDs online at : The Min-On Contemporary Music Festival '81 Songs: , Chromosphere for Percussion and Orchestra - studio, Image - studio, Scenes from Basho - studio ArtistBand: Various Artists Label: Camerata - CAM 293. Various Artists: The Min-On Contemporary Music Festival '81. Description: Collection Label: Camerata Records Catalog No: CAM 293 Format: CD Release Date: 1994-10-01 Original 1995 Number of Discs: 1 UPC Code: 034063029326. FreeFreight Is Available. Listen free to Tadaaki Otaka The Min-On Contemporary Music Festival '81 Chromosphere for Percussion and Orchestra, Image. A Winter Sun - On My Horse Back - A Shadow Sits Freezing 05:20. Tokyo Philharmonic Orchestra - Scenes from Basho: II. Blinding Bright, Relentless Sun - But the Wind Is of Autumn 05:24. Tokyo Philharmonic Orchestra - Scenes from Basho: III. Full Moon of Autumn - Waves Head Crawling Up to the Gate 04:40. Copyright Removal. Listen to online Various - The Min-On Contemporary Music Festival '93, or download mp3 tracks: download here mp3 release album free and without registration. On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. Buy Various - The Min-On Contemporary Music Festival '93 from authorized sellers. CD, Album. Страна: Japan. Дата релиза: 20 Jun 1995. Жанр: Classical. The storage of information, or access to information that is already stored, on your device such as advertising identifiers, device identifiers, cookies, and similar technologies. Targeting Cookies. These cookies may be set through our site by our advertising partners. They do not store directly personal information, but are based on uniquely identifying your browser and internet device. If you do not allow these cookies, you will experience less targeted ad. Order from your preferred classical music CD store - ArkivMusic. Great prices. Best service. Fast delivery. Chromosphere for Percussion and Orchestra by Norio Fukushi Performer: Sumire Yoshihara Percussion Conductor: Tadaaki Otaka OrchestraEnsemble: Tokyo Philharmonic Orchestra Period: 20th Century Written: Japan

Various - The Min-On Contemporary Music Festival '81 mp3

Performer: Various

Title: The Min-On Contemporary Music Festival '81

Country: Japan

Release date: 20 Jun 1995

Label: Camerata

Style: Modern

Catalog: 32CM-293

Genre: Classical

Size MP3: 1873 mb

Rating: 4.3 / 5

Votes: 308

Record source: CD, Album

MP3 Related to Various - The Min-On Contemporary Music Festival '81

Mr.Champions
The orchestral tryptic
Scenes From Basho (1980)
composed by Joji Yuasa
is haunting without giving up vitality.

A perhaps somber world,
not without violence,
of almost tangible images,
sounding somewhere
vicinitous of impressionism,
and expressionism.

Joji Yuasa has used
the writings of Basho
(a Japanese writer
from the 1600's)
as inspiration for
many of his pieces.

Here, I offer my English,
sometimes different,
version of the three haiku,
that entitle the pieces
of this orchestral tryptic,
Scenes From Basho:

______________________

A Winter Sun

On My Horse

A Shadow Sits Freezing

_______________________

Summer Brightness

Relentless Hot

. . . and yet,
. . . the wind,
is of autumn . . .

_________________________

The full moon of Autumn.

And the tide approaches the gate.

The wave crests
ascend, quietly,
the gate steps.

__________________________________
__________________________________

I find the sound in this recording
very unbalanced and difficult to
listen to. This performance might
be well served, to be very freely
remastered.

Perhaps, more guided by the ear,
than the eye, or maybe vice versa.
Or maybe just plainly less guided
by the microphoning and the mixing.

Remix it, to unmix and unmic it. :)
Especially, the first movement,
or first scene (or tableau, as they
say in French). (I think.)

For example, in the first scene,
the percussion strikes would
appear to need to be quite
sharp and dry, to fit into any
idea of the texture. Instead,
they are remarkably (and,
most likely, unnaturally)
clangorous and blurred.

It is no small problem, because
it is an important recurring and
constructing element.

Nevertheless,
I well appreciate
the opportunity to hear
a captured performance
of this piece.

It is frustrating, because much
of the performance is in a state
of perfection.

This is a live recording. And
I have nothing but admiration
for Tadaaki Otaka, the conductor,
and the Tokyo Philharmonic
Orchestra, who, in despite of
surely not having enough time
to bring this to the perfected
end they might have liked,
nevertheless, put in much
good and valuable work.

________________________________

The piece, itself, is certainly
an interpretive challenge.

Especially, the piece ends with
a rather prosaic clock figure
with strings in harmonics
that Salvador-Dalianly dissolves
cleverly away, but would be
best omitted, or be entered
into and addressed by some
strategy ameliorating the
marring out-of-characterness
of the passage.

(After 15 minutes of carefully
blended fade ins and fade outs,
with organic rhythms and phrases,
suddenly, stilted clock rhythms
and a, very out of place, tired
consequent phrase).

Maybe use the same string
harmonics to fade in one
of the rhythmic motifs of
the piece, and have that
dissolve away.

The performance handles it
beautifully, considering its
consignedness to the score's
writtenness.

"Full Moon Of Autumn;
Waves Head Crawling
Up To The Gate", is the
given title for the last
movement. Maybe the
ticking of the clock, is
actually the crawling of
the waves.

Therefore, maybe that codetta,
after the evaded cadence
(a stop in the music that
is built toward, but does
not happen), is more
consistent with the Basho:

Autumn Full Moon

Wave Crests Ascend

Quietly Gate Steps

_______________________________

As of times of old gone by,
the case is very heavy plastic:
2.95 ounces, without the disk
and booklet (just the back card).

Mr.Champions
The orchestral tryptic
Scenes From Basho (1980)
composed by Joji Yuasa
is haunting without giving up vitality.

A perhaps somber world,
not without violence,
of almost tangible images,
sounding somewhere
vicinitous of impressionism,
and expressionism.

Joji Yuasa has used
the writings of Basho
(a Japanese writer
from the 1600's)
as inspiration for
many of his pieces.

Here, I offer my English,
sometimes different,
version of the three haiku,
that entitle the pieces
of this orchestral tryptic,
Scenes From Basho:

______________________

A Winter Sun

On My Horse

A Shadow Sits Freezing

_______________________

Summer Brightness

Relentless Hot

. . . and yet,
. . . the wind,
is of autumn . . .

_________________________

The full moon of Autumn.

And the tide approaches the gate.

The wave crests
ascend, quietly,
the gate steps.

__________________________________
__________________________________

I find the sound in this recording
very unbalanced and difficult to
listen to. This performance might
be well served, to be very freely
remastered.

Perhaps, more guided by the ear,
than the eye, or maybe vice versa.
Or maybe just plainly less guided
by the microphoning and the mixing.

Remix it, to unmix and unmic it. :)
Especially, the first movement,
or first scene (or tableau, as they
say in French). (I think.)

For example, in the first scene,
the percussion strikes would
appear to need to be quite
sharp and dry, to fit into any
idea of the texture. Instead,
they are remarkably (and,
most likely, unnaturally)
clangorous and blurred.

It is no small problem, because
it is an important recurring and
constructing element.

Nevertheless,
I well appreciate
the opportunity to hear
a captured performance
of this piece.

It is frustrating, because much
of the performance is in a state
of perfection.

This is a live recording. And
I have nothing but admiration
for Tadaaki Otaka, the conductor,
and the Tokyo Philharmonic
Orchestra, who, in despite of
surely not having enough time
to bring this to the perfected
end they might have liked,
nevertheless, put in much
good and valuable work.

________________________________

The piece, itself, is certainly
an interpretive challenge.

Especially, the piece ends with
a rather prosaic clock figure
with strings in harmonics
that Salvador-Dalianly dissolves
cleverly away, but would be
best omitted, or be entered
into and addressed by some
strategy ameliorating the
marring out-of-characterness
of the passage.

(After 15 minutes of carefully
blended fade ins and fade outs,
with organic rhythms and phrases,
suddenly, stilted clock rhythms
and a, very out of place, tired
consequent phrase).

Maybe use the same string
harmonics to fade in one
of the rhythmic motifs of
the piece, and have that
dissolve away.

The performance handles it
beautifully, considering its
consignedness to the score's
writtenness.

"Full Moon Of Autumn;
Waves Head Crawling
Up To The Gate", is the
given title for the last
movement. Maybe the
ticking of the clock, is
actually the crawling of
the waves.

Therefore, maybe that codetta,
after the evaded cadence
(a stop in the music that
is built toward, but does
not happen), is more
consistent with the Basho:

Autumn Full Moon

Wave Crests Ascend

Quietly Gate Steps

_______________________________

As of times of old gone by,
the case is very heavy plastic:
2.95 ounces, without the disk
and booklet (just the back card).