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Tetsu Inoue - Inland mp3

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Tracklist

1Zen5:33
2Tree And Me5:10
3Symphony H2O6:53
4Kaze7:26
5Overlook12:12
6Mini Moon6:22
7Peak6:32
8Wabi7:05

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
AW 071Tetsu Inoue Inland ‎(CD, Album, RE)Ambient WorldAW 071Germany2012

Credits

  • Graphics – Sansserifgrafik
  • Written-By [All Tracks Written By], Producer – Tetsu Inoue

Notes

Mixed and Recorded at Phoenica [sic] MU Studio Woodstock & 2350 Broadway Studio New York

Front insert, p. 3:
Tetsu Inoue
Woodstock 2007

Special thanks to :
Noah Phonaut, Ingrid Baier
Andrew Price, David Robert
Andy Thomas, Sending Orbs

Grafik +
Sansserifgrafik

Back:
Graphics: sansserifgrafik

Limitation: 500

(p) + (c) Pete Namlook
Made in Germany

Released in standard jewel case with 4 pp. insert.

Barcodes

  • Barcode (Text): 8 81005 04542 1
  • Barcode: 881005045421
  • Label Code: LC 6269
  • Matrix / Runout: PS 08/111 P+O-A 602598-A1
  • Mastering SID Code: IFPI L963
  • Mould SID Code: IFPI 3J04

Companies

  • Manufactured By – P+O Pallas – A 602598
  • Phonographic Copyright (p) – Pete Namlook
  • Copyright (c) – Pete Namlook
  • Recorded At – Phoenicia MU Studio
  • Recorded At – 2350 Broadway Studio
  • Mixed At – Phoenicia MU Studio
  • Mixed At – 2350 Broadway Studio

Video

Info

The last album that the Japanese ambient music legend Tetsu Inoue released before going off the radar. Track list: 1 Mini Moon 0:00 2 Tree And Me 6:22 3 in album Tetsu Inoue - , Inland 2007. Tetsu Inoue - Mini Moon. Tetsu Inoue - Tree And Me. Tetsu Inoue - Zen. Tetsu Inoue - Kaze. Tetsu Inoue - Peak. Tetsu Inoue - Symphony H2O. Tetsu Inoue - Wabi. Tetsu Inoue - Overlook. Total votes: 3. Other albums by Tetsu Inoue. Tetsu Inoue. Ambiant Otaku. Ambient Experimental. Ambient Minimal Glitch. World Receiver. Album 2007 8 Songs. Pete Namlook & Tetsu Inoue. Apollo: Atmospheres & Soundtracks with Daniel Lanois & Roger Eno. Brian Eno. Listen free to Tetsu Inoue Inland Mini Moon, Tree and Me and more. 8 tracks 57:13. His style could be described as Digital Minimalism or Lowercase: ambient with a heavy minimalist influence. He has lived in Japan, San Francisco, and New York, and has collaborated with musicians such as Pete Namlook, Bill Laswell, Andrew Deutsch, Terre Thaemlitz, Jonah Sharp, Taylor Deupree, and Uwe Schmidt. He released the album Inland in 2007 after which he completely and mysteriously disappeared. Inland, 2007. Mini Moon, 06:22. Tree and Me, 05:10. Listen full album. View all Tetsu Inoue albums. 8 tracks. Released in Inoue: Producer of electronic music. Albums like Tetsu Inoue's Inland and Yolo provide that kind of psychological escape so wonderfully. There is nothing to cling to: no predictable rhythms, no beats, etc fluid states of impermanence to appreciate as they come and go. With great production level, Tetsu creates beautifully divine & transient textures of sound

Tetsu Inoue - Inland mp3

Performer: Tetsu Inoue

Title: Inland

Country: Germany

Release date: 18 May 2007

Label: Fax +49-69/450464

Style: Ambient

Catalog: PS 08/111

Genre: Electronic

Size MP3: 1969 mb

Rating: 4.4 / 5

Votes: 641

Record source: CD, Album, Limited Edition

Tetsu Inoue Germany Fax 49 69450464 Ambient 2007

MP3 Related to Tetsu Inoue - Inland

Bolanim
Another excellent release of Fax from master Tetsu. Drifting and enveloping, rather like his previous release 'Shades of Orion 2'; but this is a more hermetic affair, with ebbs and flows in the drones, somewhat similar to Eno's Ambient albums in his 1970's peak; and also (early on) on 'Mini Moon' even recalls the sublime trumpet work of Jon Hassell.
No glitch here, thank Ba'al. Just Inoue doing what he always did so darned well- creating calm and drifting cumuli of sound that drifts across the listeners lugholes and becalms their brains.
Bolanim
Another excellent release of Fax from master Tetsu. Drifting and enveloping, rather like his previous release 'Shades of Orion 2'; but this is a more hermetic affair, with ebbs and flows in the drones, somewhat similar to Eno's Ambient albums in his 1970's peak; and also (early on) on 'Mini Moon' even recalls the sublime trumpet work of Jon Hassell.
No glitch here, thank Ba'al. Just Inoue doing what he always did so darned well- creating calm and drifting cumuli of sound that drifts across the listeners lugholes and becalms their brains.
Xirmiu
For me this is the best CD on history in FAX label.Sadly,this is the last thing what Inoue make.Music on this album is similar to his first solo album Ambiant Otaku,so title of album is very good idea.A perfect sphere here,lot of lush,calm,beauty sound's.I wish that will day ever come,Tetsu come back.Dont wait buy this CD now.Highly recommended for every pure ambient lover.Everything what Inoue touch,he make it to classic,pure audio gold.
Xirmiu
For me this is the best CD on history in FAX label.Sadly,this is the last thing what Inoue make.Music on this album is similar to his first solo album Ambiant Otaku,so title of album is very good idea.A perfect sphere here,lot of lush,calm,beauty sound's.I wish that will day ever come,Tetsu come back.Dont wait buy this CD now.Highly recommended for every pure ambient lover.Everything what Inoue touch,he make it to classic,pure audio gold.
THOMAS
After he came back to FAX for the return-to-form Namlook collaboration "2350 Broadway 4", it's not really surprising that "Inland" also sounds closer to Tetsu Inoue's 90s FAX releases (such as "Ambiant Otaku") than to the more experimental, glitchy stuff he had been making since leaving the label. This is still very much ambient drone music, though the drones develop more than on the Namlook collab from the same year, and there are hints of melody and some well-placed snaps and crackles to be heard too. Overall the mood is quite content and blissful, maybe the title of the album is a metaphor for home, or some kind of inner peace?

Sadly, this was the last thing Inoue released before he vanished from the face of the earth. At this point it remains unclear whether he's passed away, or whether he just decided to quit releasing music and completely disappear from the public eye. If "Inland" turns out to be his testament, it's definitely a fine one, a serene and memorable statement.
THOMAS
After he came back to FAX for the return-to-form Namlook collaboration "2350 Broadway 4", it's not really surprising that "Inland" also sounds closer to Tetsu Inoue's 90s FAX releases (such as "Ambiant Otaku") than to the more experimental, glitchy stuff he had been making since leaving the label. This is still very much ambient drone music, though the drones develop more than on the Namlook collab from the same year, and there are hints of melody and some well-placed snaps and crackles to be heard too. Overall the mood is quite content and blissful, maybe the title of the album is a metaphor for home, or some kind of inner peace?

Sadly, this was the last thing Inoue released before he vanished from the face of the earth. At this point it remains unclear whether he's passed away, or whether he just decided to quit releasing music and completely disappear from the public eye. If "Inland" turns out to be his testament, it's definitely a fine one, a serene and memorable statement.
Oveley
Tetsu Inoue's album for FAX is his first for the label since 2000 and it's a beauty. Instead of the field recording, sound installation and ultra minimal electronica that he has been pursuing for some years, Mr. Inoue returns to the deep space, lush ambient soundscapes that harken back to 'Ambiant Otaku', 'Zenith' and 'Slow & Low'. This is gorgeous, glacially slow, a symphonic epic that is not to be missed. There are very few electronic composers who make music that inspires the awe that you will experience with 'Inland'. Hopefully there will be more.
Oveley
Tetsu Inoue's album for FAX is his first for the label since 2000 and it's a beauty. Instead of the field recording, sound installation and ultra minimal electronica that he has been pursuing for some years, Mr. Inoue returns to the deep space, lush ambient soundscapes that harken back to 'Ambiant Otaku', 'Zenith' and 'Slow & Low'. This is gorgeous, glacially slow, a symphonic epic that is not to be missed. There are very few electronic composers who make music that inspires the awe that you will experience with 'Inland'. Hopefully there will be more.