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Tears For Fears - Songs From The Big Chair mp3

Tracklist

1Broken (Live)
Written-By – Orzabal
2Everybody Wants To Rule The World
Soloist, Guitar [2nd Solo] – Neil TaylorWritten-By – Hughes, Stanley, Orzabal
3Broken
Soloist, Guitar [Solo] – Neil TaylorWritten-By – Orzabal
4Listen
Arranged By – Ian StanleyArranged By [Vocal Stylings] – Roland OrzabalVocals [Operatic Vocal] – Marilyn DavidWritten-By – Stanley, Orzabal
5I Believe
Grand Piano – Roland OrzabalSaxophone – William GregoryWritten-By – Orzabal
6The Working Hour
Drums, Arranged By [Drum Arrangement] – Manny EliasDrums, Arranged By [Saxophone Arrangement] – Jerry MarottaGrand Piano – Andy DavisSaxophone – Mel CollinsSoloist, Saxophone [Solos] – William GregoryWritten-By – Stanley, Elias, Orzabal
7Shout
Backing Vocals – Sandy McLellandDrums – Chris HughesWritten-By – Stanley, Orzabal
8Head Over Heels
Backing Vocals – Annie McCaig, Marilyn Davis, Sandy McLellandGrand Piano – Andy DavisWritten-By – Smith, Orzabal
9Mothers Talk
Backing Vocals – Stevie LangeWritten-By – Stanley, Orzabal

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
MERH 58Tears For Fears Songs From The Big Chair ‎(LP, Album)MercuryMERH 58UK1985
VOG4-1-3353Tears For Fears Songs From The Big Chair ‎(Cass, Album, Bla)VertigoVOG4-1-3353Canada1985
824 300-2Tears For Fears Songs From The Big Chair ‎(CD, Album, RE)Mercury, Phonogram824 300-2GermanyUnknown
67251Tears For Fears Canciones De La Gran Silla = Songs From The Big Chair ‎(Cass, Album)Mercury67251Argentina1985
824 300-2Tears For Fears Songs From The Big Chair ‎(CD, Album, RE)Mercury, Phonogram824 300-2AustralasiaUnknown

Credits

  • BassCurt Smith
  • CoverTim O'Sullivan
  • DrumsManny Elias
  • EngineerDavid Bascombe
  • GuitarRoland Orzabal
  • KeyboardsIan Stanley, Roland Orzabal
  • ManagementPaul King
  • Mastered ByGreg Calbi
  • ProducerChris Hughes
  • VocalsCurt Smith, Roland Orzabal
  • Bass Guitar, VocalsCurt Smith
  • DrumsManny Elias
  • EngineerDavid Bascombe
  • Guitar, Keyboards, VocalsRoland Orzabal
  • KeyboardsIan Stanley
  • Lacquer Cut ByNickz
  • ManagementPaul King
  • Photography By [Cover]Tim O'Sullivan
  • ProducerChris Hughes
  • BassCurt Smith
  • DrumsManny Elias
  • EngineerDavid Bascombe
  • GuitarRoland Orzabal
  • KeyboardsIan Stanley, Roland Orzabal
  • Remastered ByChris Hughes, Jon Astley
  • VocalsCurt Smith, Roland Orzabal

Notes

"22" on labels denotes an Allied Record Company pressing.
Mastered at Sterling Sound, New York.
© & ℗ 1985 Phonogram Ltd. (London).
Manufactured and marketed by PolyGram Records, Inc..
Printed in U.S.A.

Also Available on Cassette (824 300-4 M-1) and Compact Disc (824 300-2 M-1).

Cat # 422-824 300-1 M-1 appears on the label.
Cat # 824 300-1 M-1 appears on the spine.Labels:
A1, A2, A4 & B5 Virgin Music (Publishers) Ltd./10 Music Ltd.
A3 Virgin Music (Publishers) Ltd./10 Music Ltd. / Amusements Ltd.
B1 to B4 Virgin Music (Publishers) Ltd.

Original sound recording made by Phonogram Ltd. (London)
A1 & A4 ℗ 1984 Phonogram Ltd. (London)
A2, A3 & B1 to B5 ℗ 1985 Phonogram Ltd. (London)

Made In England

Sleeve:
© Phonogram Ltd. (London) 1985
℗ 1985 Phonogram Ltd. (London)
Issued with a printed inner sleeve contianing credits and images.
Track B4 Broken (Live) is only mentioned on the label.
Comes with Credits / Picture inner sleeve.

Labels different from other UK release.

Side 1 label cat. no. MERH 58 is higher up from label edge.
Side 2 label track 1 is printed above spindle hole, track 2 is printed below spindle hole.

Barcodes

  • Barcode: 0 42282 43001 4
  • Barcode (String): 042282430014
  • Matrix / Runout (Runout, side A, stamped, Variant 1): MERH 58 A // 2 ∇ 420 E 1 1 2 4 Penthouse
  • Matrix / Runout (Runout, side B, stamped. Variant 1): MERH 58 B // 1 ∇ 420 E 1 2 6 0 Penthouse
  • Matrix / Runout (Runout, side A, stamped, Variant 2): MERH 58 A // 1 ∇ 420 E Penthouse
  • Matrix / Runout (Runout, side B, stamped. Variant 2): MERH 58 B // 1 ∇ 420 E Penthouse
  • Matrix / Runout (Runout, side A & B, etched. All variants): NICKZ
  • Matrix / Runout (Runout, side A, stamped, Variant 3): MERH 58 A // 2 ∇ 420 E 12 41 Penthouse
  • Matrix / Runout (Runout, side B, stamped. Variant 3): MERH 58 A // 2 ∇ 420 E 13 25 Penthouse
  • Barcode (Text): 0 422-824300-1
  • Matrix / Runout (Runout Side A): 422-824-300-1-AS-ALD B-20832-ALD SLM 9068 1-1
  • Matrix / Runout (Runout Side B): 422-824-300-1-BS-ALD B-20833-ALD SLM 9068-X 1-1 Sterling HW
  • Rights Society: BMI
  • Pressing Plant ID (On Labels): 22
  • Barcode: 4988005538079

Companies

  • Published By – Virgin Music (Publishers) Ltd.
  • Published By – 10 Music Ltd.
  • Published By – Amusements Ltd.
  • Phonographic Copyright (p) – Phonogram Ltd. (London)
  • Copyright (c) – Phonogram Ltd. (London)
  • Lacquer Cut At – The Penthouse
  • Pressed By – PRS Ltd.
  • Record Company – Phonogram
  • Manufactured By – PolyGram Records, Inc.
  • Marketed By – PolyGram Records, Inc.
  • Phonographic Copyright (p) – Phonogram Ltd. (London)
  • Copyright (c) – Phonogram Ltd. (London)
  • Mastered At – Sheffield Lab Matrix – △9068
  • Mastered At – Sterling Sound
  • Pressed By – Allied Record Company
  • Marketed By – Universal Music K.K.
  • Distributed By – Universal Music K.K.
  • Record Company – Universal International

Video

Info

It also reached number one in Germany and the Netherlands and Top 10 positions in various other countries including Australia, Switzerland, New Zealand and Italy. Timings where shown are from the start of the programme in hours and minutes. Tears for Fears second album is the one sound of pop-rock in the 80s. The album peaked at number two in the UK and at number one in the US and Canada, becoming a multi-platinum seller in all three countries. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Songs from the Big Chair is the second studio album by English pop rock band Tears for Fears, released on 25 February 1985 by Phonogram Records. Tears For Fears - The Working Hour. Songs From The Big Chair - Tears For Fears. I Believe. Tears For Fears - Everybody Wants To Rule The World Extended Version 05:41, 320Kbs. The 'Big Chair' idea is from this brilliant film called Sybil about a girl Discover more music, concerts, videos, and. Mad World. Tears For Fears - Broken album version. Tears For Fears. Album 1985 8 Songs. Формируйте собственную коллекцию записей Tears For Fears. Tears For Fears - Shout album version. Most important - you can download the album Songs From The Big Chair to your computer or phone absolutely free of charge, and without registration. Ian Stanley, Roland Orzabal. Visit surveyNo thanks. Album: Songs From The Big Chair 2014. play album. As Hughes told RBMA, set up a little drum box and a little synthesizer with a bass tone. The album is also a vehicle for some of the '80s' most inspired singles: On Shout, with its indelible hook and vivid digital production, and the open-road anthem Everybody Wants to Rule the World, they put their big-tent aspirations front and center, while the majestic Head Over Heels, Broken confirms their place atop the arena-pop throne. Tears For Fears - Everybody Wants To Rule The World. Продать эту версию. 1 single Shout. Canciones De La Gran Silla Songs From The Big Chair LP, Album. Tears For Fears - Shout Extended Version 08:01, 320Kbs. read more. Tears For Fears, Ian Stanley. It remains their best-selling album to date. Tears for Fears. Mothers Talk. Songs From The Big Chair. It spawned the international hit singles Mothers Talk. Tears For Fears - Head Over HeelsBroken Live. Roland Orzabal, Ian Stanley. Songs From The Big Chair - Canciones de la Gran Silla LP, Album. It also reached number one in Germany and the Netherlands and Top 10 positions in various other. Its personal psychology, meticulous compositions, and world-sized choruses evoked the loss of control in an overwhelming era. Documentary that explores the creation of the seminal, second album by Tears for Fears. The Working Hour. Pale Shelter. No track on Songs From the Big Chair exemplifies this free-roaming, tessellating approach more than its opener, the No. Listen online and stay in a good mood. The album is also a vehicle for some of the '80s' most inspired singles: On Shout, with its indelible hook and vivid digital production, and the open-road anthem Everybody Wants to Rule the World, they put their big-tent aspirations front and center, while the majestic Head Over Heels, Broken confirms their place atop the arena-pop throne. Tears For Fears - Mothers Talk album version. Survey data handled by a third party. Songs from the Big Chair is the second studio album by the British rockpop band Tears for Fears, released on 25 February 1985 by Phonogram Records. Tears For Fears - Listen. He pressed the button on the drum box, and he programmed this little beat and it had these little chimey bells and a clapping drum beat. MERH 58. Ищете треки из альбома Songs From The Big Chair исполнителя Tears For Fears Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. Curt Smith explains the album's title, March 1985: The title was my idea. Tears For Fears - I Believe. It's a bit perverse but then you' read more

Tears For Fears - Songs From The Big Chair mp3

Performer: Tears For Fears

Title: Songs From The Big Chair

Country: UK

Release date: 1985

Label: Mercury

Style: Synth-pop

Catalog: MERH 58

Genre: Pop

Size MP3: 2116 mb

Rating: 4.7 / 5

Votes: 182

Record source: Vinyl, LP, Album

MP3 Related to Tears For Fears - Songs From The Big Chair

Jeronashe
The Original U.S. pressing doesn't sound bad. Some things could definitely be improved upon though. 'Shout' sounds like it could have a more filled out low end and a tad wider sound stage. I would like to see a little more presence in the vocals in general and more full low end (on most tracks) to balance those soaring highs. The drums and percussion sound good for the most part. However, I still feel like the mix on this original version sounds big and energized enough to make the songs sound good. There is that cold 80s production though. The synths sound amazing though and the saxophone that comes billowing out of the speakers at the beginning of 'Working Time' sounds warm, textured and magical, as does the low end which sounds a bit fuller than on 'Shout.' Overall, I like the way this one sounds. I haven't heard a UK original or any remasters. If anyone wants to chime in and recommend a good version. I'm all ears.
Jeronashe
The Original U.S. pressing doesn't sound bad. Some things could definitely be improved upon though. 'Shout' sounds like it could have a more filled out low end and a tad wider sound stage. I would like to see a little more presence in the vocals in general and more full low end (on most tracks) to balance those soaring highs. The drums and percussion sound good for the most part. However, I still feel like the mix on this original version sounds big and energized enough to make the songs sound good. There is that cold 80s production though. The synths sound amazing though and the saxophone that comes billowing out of the speakers at the beginning of 'Working Time' sounds warm, textured and magical, as does the low end which sounds a bit fuller than on 'Shout.' Overall, I like the way this one sounds. I haven't heard a UK original or any remasters. If anyone wants to chime in and recommend a good version. I'm all ears.
Nea
The label does indeed say that "Mothers Talk" is 3:53, and it is incorrect. I'm listening to this very piece of vinyl, having just recorded it to digital file. I can confirm that the track lengths for every other track are correct, but "Mothers Talk" is in fact 5:08 (or 5:06 if you don't factor in about :02 of silence after the fade ends). The song hasn't even arrived at the break by 3:53. For comparison, the identical version of the track is on the Remastered Deluxe Edition, and it times out at 5:07.
Nea
The label does indeed say that "Mothers Talk" is 3:53, and it is incorrect. I'm listening to this very piece of vinyl, having just recorded it to digital file. I can confirm that the track lengths for every other track are correct, but "Mothers Talk" is in fact 5:08 (or 5:06 if you don't factor in about :02 of silence after the fade ends). The song hasn't even arrived at the break by 3:53. For comparison, the identical version of the track is on the Remastered Deluxe Edition, and it times out at 5:07.
JOGETIME
I had a friend tell me once that the time given for a track is often just approximate, it's not exactly timed. However, this sounds like maybe someone timed the track and stopped it at the :02 of silence instead of adding the extra time after that.
JOGETIME
I had a friend tell me once that the time given for a track is often just approximate, it's not exactly timed. However, this sounds like maybe someone timed the track and stopped it at the :02 of silence instead of adding the extra time after that.