Sarah McLachlan - Fumbling Towards Ecstasy mp3

Tracklist

Versions

Credits

• Acoustic Guitar – Sarah McLachlan (tracks: 8, 9)
• Bass – Bill Dillon (tracks: 9), Brian Minato (tracks: 1, 3, 4, 7), Pierre Marchand (tracks: 2, 3, 5, 6, 8, 11)
• Bass [Additional] – Bill Dillon (tracks: 7), Pierre Marchand (tracks: 7)
• Cello – Jane Scarpantoni (tracks: 11)
• Drum Programming – Pierre Marchand (tracks: 1, 4, 5, 8, 9, 11, 12)
• Drums – Ashwin Sood (tracks: 1 to 4, 7 to 9), Guy Nadon (tracks: 10), Jerry Marotta (tracks: 6, 12), Lou Shefano (tracks: 1)
• Electric Guitar [Guitorgan] – Bill Dillon (tracks: 3, 4)
• Engineer [Premastering], Edited By – Nick Keca
• Guitar – Bill Dillon (tracks: 1, 3 to 5, 7, 9, 12), Sarah McLachlan (tracks: 1, 2, 5 to 7, 12)
• Keyboards – Pierre Marchand (tracks: 1, 3, 7, 9, 11, 12)
• Management – Nettwerk
• Mastered By – Greg Calbi
• Organ [Fake B3] – Pierre Marchand (tracks: 8)
• Organ [Hammond B-3] – David Kershaw (tracks: 1, 2, 6, 9)
• Painting [Detail] – Graham Gilmore
• Painting [Lyric Sheet], Typography [Lyric Sheet Lettering] – Sarah McLachlan
• Percussion – Ashwin Sood (tracks: 8), Jerry Marotta (tracks: 6, 7, 11)
• Photography By – Kharen Hill
• Piano – Bill Dillon (tracks: 5), Pierre Marchand (tracks: 12), Sarah McLachlan (tracks: 4 to 6, 10, 11)
• Producer, Recorded By, Mixed By – Pierre Marchand
• Recorded By [Additional Guitars] – Roman Klun (tracks: 1)
• Saxophone – Michel Dubeau (tracks: 8)
• Shaker – Pierre Marchand (tracks: 2)
• Sleeve – John Rummen
• Sounds [Found Sound] – Pierre Marchand (tracks: 3)
• Vocals – Sarah McLachlan
• Written-By – Pierre Marchand (tracks: 12), Sarah McLachlan

Notes

℗ & © 1993 Arista Records, Inc., A Bertelsmann Music Group Company

Original Sonopress disc with no SID codes, variant of this repress and this undisclosed press by same catalog numbers.

Standard jewel case includes foldout lyric sheet with credits.

Recorded and mixed at Wild Sky (Morin Heights).
Additional guitars recorded at Highland Studio
Premastering and editing at A.R.P. Studio.

Publishers:
6 - Nettoverboad Publishing
12 - Tyde Music / M.J. Publishing / Sony Music.
All others - Tyde Music / Sony Music

Track 12 contains a hidden version of 'Possession' after a brief silence.

All text on disc label in green print.

Barcodes

• Matrix / Runout: 07822187252 01# + + 32149 SONOPRESS USA
• Barcode (Print): 07822-18725-2 2
• Barcode (Scan; Format: UPC_A): 078221872522

Companies

• Recorded At – Wild Sky Studio
• Recorded At – Highland Studios, Stoney Creek
• Mixed At – Wild Sky Studio
• Edited At – A.R.P. Track Productions
• Mastered At – Sterling Sound
• Glass Mastered At – Sonopress USA – 32149
• Manufactured By – Arista Records, Inc.
• Record Company – Bertelsmann Music Group
• Published By – Tyde Music
• Published By – Sony Music
• Published By – Nettoverboard Publishing
• Published By – M.J. Publishing
• Phonographic Copyright (p) – Arista Records, Inc.
• Copyright (c) – Arista Records, Inc.

Video

Info

Fumbling Towards Ecstasy is the third studio album by Canadian singer-songwriter Sarah McLachlan, released on 22 October 1993, in Canada, 5 February 1994, in the United States, 24 May 1994, in Japan and 14 August 1994, in Australia. It was produced by Pierre Marchand in Montreal McLachlan wrote most of the album while living in a small house near Marchand's studio. Текст песни: All the fear has left me now Im not frightened anymore Its my heart that pounds beneath my flesh its my mouth that pushes out this Towards Ecstasy. Sarah McLachlan - Fumbling Towards Ecstasy 1993. To favorites 3 Download album. Listen album. Sarah McLachlan. Songs in album Sarah McLachlan - Fumbling Towards Ecstasy 1993. Sarah McLachlan - Possession. Sarah McLachlan - Wait. Sarah McLachlan - Plenty. Sarah McLachlan - Good Enough. Sarah McLachlan - Mary. Sarah McLachlan - Elsewhere. sarah mclachlan. Fumbling Towards Ecstasy. The title Fumbling Towards Ecstasy comes from a poem McLachlan first encountered in high school- Dulce et Decorum Est, written by World War I poet Wilfred Owen. The line had circulated through McLachlans head for years: Quick, boys-An ecstasy of fumblingFitting the clumsy helmets just in time. It depicts the fluttering rhythm issued by of a group of soldiers desperately trying to secure their gas masks and helmets in a fog of poisonous gas. This is the kind of imagery McLachlan was drawn to, of tragedy and horror producing, against all odds, what felt like excerpts of grace. Fumbling Towards Ecstasy is the third studio album by Canadian singer-songwriter Sarah McLachlan, released on October 22, 1993 in Canada, via Nettwerk Music Group, and February 5, 1994 in the United States via Arista Records. As of 2009, the album has sold a total of million copies in the United States. Fumbling Towards Ecstasy Q&A. Fumbling Towards Ecstasy is Sarah McLachlan's critically-acclaimed third studio album. It was produced by Pierre Marchand in Montreal, and released in 1993. The album was an immediate hit in Canada, where McLachlan was already an established star. Over the next two years, it became her breakthrough album internationally as well. However, in some countries, most notably the United States, the album was a steady seller that stayed in the middle ranges of the pop charts for almost two years, rather than the 1 smash that McLachlan would achieve with 1997's Surfacing. It is o read more. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом CD от Fumbling Towards Ecstasy на Towards Ecstasy is the album that transformed Sarah McLachlan from cult hero to household name. In place of the post-New Wave backdrops that defined her early work, McLachlans third effort finds her operatic, otherworldly vocals echoing off spare, dreamy soundscapes designed by producer Pierre Marchand. From the plaintive guitar on Good Enough an aching ballad that touches on domestic violence to the throbbing percussion on the sinewy kiss-off Plenty, Fumbling crystallizes the singersongwriters distinctively moody sound