Sam & Dave - Hold On, I'm Comin' mp3

Tracklist

Versions

Credits

• Producer – Jim Stewart

Notes

Label variation. Front cover has Stereo mentioned at the top but back cover does not. Labeled Stax 708 on covers, but SD 708 on record labels.

Barcodes

• Matrix / Runout (Side 1 (Etched)): ST-STX-66847-1A CT
• Matrix / Runout (Side 2 (Etched)): ST-STX-66848-1A CT

Companies

• Distributed By – Atlantic Record Sales

Video

Info

Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966. The album reached number one on the Billboard R&B Albums chart and number 45 on the Billboard Top LPs chart, launching two charting singles. The title track peaked at number one on the Billboard Hot Black Singles chart, and at number 21 on the Billboard Hot 100, while You Don't Know Like I Know peaked at number seven and number 90. The song was written by the songwriting team of Isaac Hayes and David Porter, who came up with the title of the song spontaneously when Hayes was trying to get Porter to hurry out of the Stax Studios restroom and get back to. Hold On I'm Comin' - Sam & Dave. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Hello this channel is not monetized, I do not gain any money with the publication of these videos. Sam Dave - Soul Party. Sam & Dave. Various artists. You're Really Got A Hold On Me. 100 Best Soul Classics. To favorites 0 Download album. Listen album. R'n'B Blues Soul. Songs in album Sam & Dave - Hold On, I'm Comin' 1966. Sam & Dave - Hold On, I'm Comin'. Album 1966 12 Songs. R&BSoul 1966. Hold On, I'm Comin'. en référence à Hold On, I'm Comin', LP, Album, Mon, SD 708. Magic most often strikes in the most unexpected manner, with that being the case for the 1966 release of the Sam Moore & Dave Prater single Hold On Im Comin , penned by Isaac Hayes and David Porter for Stax Records. Hold On is a blistering hot infectious number that bridged the cultural divide in America during the mid 60s, with the track hitting number 1 on the Black Billboards charts and number 21 on the Billboard overall Top 100, where the song was quickly embraced for both its swaggering nuance and sexual p