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Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting The Vienna State Opera Orchestra - Baroque And Contemporary Concertos For Trumpet And Orchestra mp3

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Tracklist

1Concerto In D Major For 3 Trumpets, 2 Oboes, Timpani And String Orchestra (Intrada--Allegro--Largo--Vivace)
Composed By – Georg Philipp Telemann
12:07
2Adagio - Allegro
3Allegro
4Grave3:52
5Largo -- Allegro
6Concertina In B-flat For 2 Trumpets And Strings
Composed By – Arcangelo Corelli
7:24
7 Allegro
8Concerto No. 2 For Trumpet, Brass, Piano And Percussion
Composed By – André Jolivet
9Mesto -- Concitato4:55
10Giocoso3:54
11Concerto For 2 Trumpets & Orchestra In C Major
Composed By – Antonio Vivaldi
(8:03)
12Concerto For Trumpet & Orchestra In E Major
Composed By – Giuseppe Torelli
(7:45)

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
17.1050/2, LP-0052Roger Delmotte y Arthur Haneuse Con Hermann Scherchen Dirigiendo The Vienna State Opera Orchestra Roger Delmotte y Arthur Haneuse Con Hermann Scherchen Dirigiendo The Vienna State Opera Orchestra - Conciertos Barrocos Y Contemporáneos Para Trompeta Y Orquesta ‎(LP, Album, RE)ABC Command, ABC Command, Mediterraneo 17.1050/2, LP-0052Spain1976

Credits

  • Art Direction – Peter Whorf
  • Conductor – André Jolivet (tracks: B1 To B3), Hermann Scherchen (tracks: A1 To A5, B4)
  • Design – Keith Longino
  • Orchestra – Vienna State Opera Orchestra (tracks: A1 To A5, B4), Orchestre De L'Association Des Concerts Lamoureux (tracks: B1 To B3)
  • Photography By – Fred Poore
  • Trumpet – Arthur Haneuse (tracks: A1 To A3, B4), Maurice André (tracks: B1 To B3), Roger Delmotte (tracks: A1 To A5, B4)

Companies

  • Record Company – ABC/Dunhill Records

Info

Complétez votre collection Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting The Vienna State Opera Scherchen, Roger Delmotte, Arthur Haneuse & Vienna State Opera Orchestra - Concerto in D Major for Trumpet, 2 Horns and Strings, Llm 35: II. Allegro 02:53, 320Kbs. Hermann Scherchen, Roger Delmotte & Arthur Haneuse - Concerto Grosso in D Major for 6 Trumpets, 3 Oboes, Flute, Bassoon and Strings Orchestra, Lgs 12: III. Vivace feat. Vienna State Opera Orchestra 02:58, Kbs. Most important - you can download the album Concerti for 1, 2, 3 and 6 Trumpets to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Concerti for 1, 2, 3 and 6 Trumpets 2018. Baroque and Contemporary Concertos for Trumpet and Orchestra Original recording reissued, HiFi Sound. Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting the Vienna State Opera Orchestra Artist Format: Vinyl. New from. Ballet Music - Vienna State Opera Orchestra Conducted By Hermann Scherchen. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Vienna State Opera Orchestra, Arthur Haneuse, Roger Delmotte, Hermann Scherchen Concertino in D Major for 2 Trumpets andVienna State Opera Orchestra, Arthur Haneuse, Roger Delmotte, Hermann Scherchen Concertino in D Major for 2 Trumpets and 5:11. Paul Badura-Skoda, Vienna State Opera Orchestra, Hermann Scherchen 2. Andante con moto. Hermann Scherchen, Roger Delmotte, Arthur Haneuse, Vienna State Opera Orchestra Concerto for 2 Trumpets and Orchestra in C Major, RV 537: I. download 1:45. Vienna State Opera Orchestra, Arthur Haneuse, Roger Delmotte, Hermann Scherchen Concertino in D Major for 2 Trumpets and Strings, WoO 49: IV. Concerto in D Major for 2 Trumpets and Strings Orchestra with Harpsichord and Organ, IFM 1: II. Hermann Scherchen, Roger Delmotte, Arthur Haneuse & Vienna State Opera Orchestra. Roger Delmotte feat. Arthur Haneuse, Hermann Scherchen & Orchester der Wiener Staatsoper. Add lyrics. Concerto for 2 Trumpets in D major: 1. George Frideric Handel, Roger Delmotte, Roger Delmotte, Arthur Haneuse, Vienna State Opera Orchestra & Hermann Scherchen, Vienna State Opera Orchestra, Hermann Scherchen. Album 2018 12 Songs. By Franz Joseph HaydnHermann Scherchen, Roger Delmotte & Vienna State Opera Orchestra. Concerto for 1 Trumpet and Orchestra in E-Flat Major, : II. Concerto for 1 Trumpet and Orchestra in D Major, IGT 21: II Adagio. By Giuseppe Torelli. Concerto for 1 Trumpet and Orchestra in D Major, IGT 21: III Allegro. By Giuseppe TorelliHermann Scherchen, Roger Delmotte & Vienna State Opera Orchestra. Allegro, Concerto for 1 Trumpet and Orchestra in D Major, IGT 21: I Allegro, Concerto for 1 Trumpet and Orchestra in E-Flat Major, : I. Allegro и другие песни

Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting The Vienna State Opera Orchestra - Baroque And Contemporary Concertos For Trumpet And Orchestra mp3

Performer: Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting The Vienna State Opera Orchestra

Title: Baroque And Contemporary Concertos For Trumpet And Orchestra

Country: US

Release date: 1970

Label: Westminster Gold

Style: Baroque, Modern

Catalog: WGS-8108

Genre: Classical / Military

Size MP3: 1830 mb

Rating: 4.9 / 5

Votes: 305

Record source: Vinyl, LP

Westminster Gold Baroque Modern 1970

MP3 Related to Roger Delmotte And Arthur Haneuse With Hermann Scherchen Conducting The Vienna State Opera Orchestra - Baroque And Contemporary Concertos For Trumpet And Orchestra

Kanek
[Liner Notes]
This is, in one convenient package, something of a survey of the music for trumpet and orchestra, that relatively small group of heady test-pieces for horn players of exceptional skill and stamina. Given the nature of the trumpet, and the subjective feelings that instrument evokes (there is much to be said for conditioning), these are obviously exciting works. The temptation is to call them "brassy," though that adjective is tautological in this instance; better to say they are virtuoso works for trumpeters with a flair for bravura performance and taste enough to make sure their showmanship doesn't overwhelm their musical taste.

Three of the works, the Vivaldi, Corelli and Torelli, date from the Italian Baroque. They are representatives of a vast library of concertos grosso, that is, relatively short works which play off soloists or small groups of soloists against the larger orchestra. The Vivaldi is typical of these, a three-movement work (fast, slow, fast), with a short second movement that gives the trumpeters just enough time to catch their breath and clean the spit from their instruments before plunging into the intricacies of the last part. As with most of the instrumental compositions of the Italian Baroque, these are happy efforts, frankly meant for entertainment; looking for deeper mysteries in them is not worth the effort. Better to enjoy without taking them too seriously.

Georg Philipp Telemann (1681-1767) is the very archetype of the German Baroque; indeed, in his own time he was far more celebrated than the Leipzig cantor, Johann Sebastian Bach. Unlike Bach, however, Telemann wrote extensively for non-clerical functions. (Bach's secular output is comparatively small.) His concerto, for three trumpets, a pair of oboes and timpani, is, as one would expect, reasonably representative of the music of his time and place. Essentially it has an introduction, and then the Italian fast-slow-fast structure of the movements.

Finally, the modern work André Jolivet's second concerto for trumpet, brass, piano and percussion. Born in Paris in 1905, Jolivet studied with Edgar Varese, and gravitated to the 12-tone, atonal school of Schoenberg, Webern and Berg. Like these Viennese stalwarts, Jolivet became interested in exploring the sonic possibilities of unusual instrumental combinations -- of expanding the orchestral palette with new sonorities and incisive attacks. For Jolivet, the trumpet is not only a "military" instrument, capable only of strident exhortations; it is also a peculiar combination of acoustical properties which can be employed in unique fashion.
Kanek
[Liner Notes]
This is, in one convenient package, something of a survey of the music for trumpet and orchestra, that relatively small group of heady test-pieces for horn players of exceptional skill and stamina. Given the nature of the trumpet, and the subjective feelings that instrument evokes (there is much to be said for conditioning), these are obviously exciting works. The temptation is to call them "brassy," though that adjective is tautological in this instance; better to say they are virtuoso works for trumpeters with a flair for bravura performance and taste enough to make sure their showmanship doesn't overwhelm their musical taste.

Three of the works, the Vivaldi, Corelli and Torelli, date from the Italian Baroque. They are representatives of a vast library of concertos grosso, that is, relatively short works which play off soloists or small groups of soloists against the larger orchestra. The Vivaldi is typical of these, a three-movement work (fast, slow, fast), with a short second movement that gives the trumpeters just enough time to catch their breath and clean the spit from their instruments before plunging into the intricacies of the last part. As with most of the instrumental compositions of the Italian Baroque, these are happy efforts, frankly meant for entertainment; looking for deeper mysteries in them is not worth the effort. Better to enjoy without taking them too seriously.

Georg Philipp Telemann (1681-1767) is the very archetype of the German Baroque; indeed, in his own time he was far more celebrated than the Leipzig cantor, Johann Sebastian Bach. Unlike Bach, however, Telemann wrote extensively for non-clerical functions. (Bach's secular output is comparatively small.) His concerto, for three trumpets, a pair of oboes and timpani, is, as one would expect, reasonably representative of the music of his time and place. Essentially it has an introduction, and then the Italian fast-slow-fast structure of the movements.

Finally, the modern work André Jolivet's second concerto for trumpet, brass, piano and percussion. Born in Paris in 1905, Jolivet studied with Edgar Varese, and gravitated to the 12-tone, atonal school of Schoenberg, Webern and Berg. Like these Viennese stalwarts, Jolivet became interested in exploring the sonic possibilities of unusual instrumental combinations -- of expanding the orchestral palette with new sonorities and incisive attacks. For Jolivet, the trumpet is not only a "military" instrument, capable only of strident exhortations; it is also a peculiar combination of acoustical properties which can be employed in unique fashion.