Mel Tormé, The Marty Paich Orchestra - Swings Shubert Alley mp3

Tracklist

Versions

Credits

• Alto Saxophone – Art Pepper
• Baritone Saxophone – Bill Hood
• Bass – Joe Mondragon
• Drums – Mel Lewis
• Engineer [Recording] – Val Valentin
• French Horn – Vince DeRosa
• Liner Notes – Lawrence D. Stewart
• Orchestra – Marty Paich Orchestra
• Piano, Arranged By, Conductor – Marty Paich
• Producer – Russ Garcia
• Tenor Saxophone – Bill Perkins
• Trombone – Frank Rosolino
• Trumpet – Al Porcino, Stu Williamson
• Tuba – Red Callender
• Vocals – Mel Tormé

Barcodes

• Barcode: 042282158123
• Label Code: LC 0383

Video

Info

Mel Tormé Swings Shubert Alley - Mel Tormé With The Marty Paich Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Mel Tormé Swings Shubert Alley is a 1960 album by Mel Tormé, arranged by Marty Paich. Too Close for Comfort Jerry Bock, Larry Holofcener, George David Weiss 3:59. Once in Love with Amy Frank Loesser 3:08. A Sleepin' Bee Harold Arlen, Truman Capote 3:29. On the Street Where You Live Alan Jay Lerner, Frederick Loewe 2:51. All I Need Is a Girl Stephen Sondheim, Jule Styne 3:03. Just in Time Betty Comden, Adolph Green, Styne 3:23. Play jigsaw puzzles for free Home. The Marty Paich Orchestra. Mel Tormé Swings Shubert Alley, 1960. Though the nominal concept for Mel Tormé's Swings Shubert Alley is Broadway standards, this last moment of pure Tormé brilliance moves much too fast and hard for the concept to be anything but pure swing. Of course it starts out with a bang with the punchy Too Close for Comfort. Tormé sounds like he's racing the band to the finish of the song on this one and a few others, like Too Darn Hot and Surrey with the Fringe on Top, on the latter he repeats the title over and over again with that exuberant voice. Swings Shubert Alley. Mel Tormé - Swings Shubert Alley. To favorites 0 Download album. Listen album. Jazz Swing. Mel Tormé. Songs in album Mel Tormé - Swings Shubert Alley. Mel Tormé - Too Close For Comfort. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Mel Tormé With The Marty Paich Orchestra - Swings Shubert Alley LP, Album, Mono. Verve Records. MG V-2132. Mel Tormé - Swings Shubert Alley - Full Album 38:20. Mel torme on the street where you live 1961 2:53. 50 видео Воспроизвести все Микс Mel Tormé - Swings Shubert Alley - Full AlbumYouTube. Jazz Café: 1930s 1940s Lounge Music . Do you have the artwork for this album Add artwork. Melvin Howard Tormé 19251999 was born to immigrant Russian Jewish parents whose name had been Torma. A child prodigy, he first sang professionally at 4 with the Coon-Sanders Orchestra, singing You're Driving Me Crazy, at Chicago's Blackhawk restaurant. 1933-41, he acted in the network radio serials The Romance of Helen Trent and Jack Armstrong, the All-American Boy. He wrote his first song at 13 and three years later, his first published song, Lament to Love, became a hit recording for Harry James. He played drums in Chica read more. Album 1960 12 Songs. Tormé's instantly recognizable voice is at ease with these Broadway tunes written between 1943 and 1959. Interacting with the agile and responsive Marty Paich Orchestra, he offers a smooth take on A Sleepin Bee and a suave interpretation of Just in Time. With his gravitas, Oklahoma's Surrey with the Fringe on Top sounds surprisingly sophisticated, while his refined instrument resembles a wailing alto saxophone during On the Town's Lonely Town. Mel Torme - Swings Shubert Alley - Cd. Chicago-born Mel Torme, affectionately nicknamed The Velvet Fog for his atmospheric, languorous vocal delivery, was a screen actor and stage performer as well as a singer in his early days, before pursuing music fulltime after World War II. He officiated also on the 1960 Verve album MT Swings Shubert Alley, which was a selection of show tunes given a jazz treatment. Finally, Johnny Mandel succeeded Marty Paich for the 1961 album I Dig The Duke, I Dig The Count 196061. Mel was in excellent voice throughout, and the studio bands were assembled from the cream of the West Coast