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Matthew Swiezynski - Dream Vision, Version One mp3

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Tracklist

1Dream Vision, Version One44:19

Credits

  • Art Direction – Matthew Swiezynski
  • Artwork – Albrecht Dürer

Notes

Available on bandcamp.com. A version of The Castle at Cöthen. inversée, confus et ralenti by Matthew Swiezynski under the direct supervision of Ingenting Kollektiva
Inspired by :
"The dream of a deluge-like rain, from which Dürer awoke on the night of 8 june, 1525, was connected with the fear of a flood prophesied by various astrologers for 1524"
(A. Dürer, dream vision, 1525, water color from the book Hermetic Museum: Alchemy & Mysticism)

Info

Future home . Manage My Domains. You can find a name just like this, maybe even better Search. Easy Website Builder. Genre: Electronic, Non Music Album: Dream Vision, Version One Country: US Released: 2014 Style: Abstract, Experimental MP3 version RAR size: 1266 mb FLAC version RAR size: 1478 mb WMA version RAR size: 1416 mb Rating: 4. 8 Votes: 229 Other Formats: AU WMA TTA AIFF AC3 MOD MIDI. 1 Dream Vision, Version One 44:19. Art Direction Matthew Swiezynski Artwork Albrecht Dürer. Available on . A version of The Castle at Cöthen. inversée, confus et. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2014 File от Dream Vision, Version Two на version of The Castle at Cöthen. inversée, confus et ralenti by Matthew Swiezynski under the direct supervision of Ingenting Kollektiva. inspired by : The dream of a deluge-like rain, from which Dürer awoke on the night of 8 june, 1525, was connected with the fear of a flood prophesied by various astrologers for 1524 A. Dürer, dream vision, 1525, water color from the book Hermetic Museum: Alchemy & Mysticism. released July 5, 2014. project of matthew swiezynski, tarrl lightowler, johannes d'église, & arthur de eriomém. plus other artists on invisible birds. The Trail Loops Back. Apr 2018. the one who modifies Time and Light. Текст песни: One man, one goal One mission One heart, one soul Just one On A Dream. 2019 сингл. The Vision is the debut single album by the Chinese boy group WayV, released in January 2019. It was released by Label V for digital download on January 17, 2019. The EP marks the first NCT unit to debut since NCT Dream in 2016, and the debut of members Xiaojun, Hendery, and Yangyang. WayV was first announced on August 12, 2018, under the working title, NCT China. Their debut date was originally set for November of that year, though no further information was released at the time. In late November, SM. Listen to music from Matthew Swiezynski like dream vision, version one, reduction, the transmission of light & more. Find the latest tracks, albums, and images from Matthew version of The Castle at Cöthen. inversée, confus et ralenti by Matthew Swiezynski under the direct supervision of Ingenting Kollektiva Inspired by : The dream of a deluge-like rain, from which Dürer awoke on the night of 8 june, 1525, was connected with the fear of a flood prophesied by various astrologers for 1524 A. Dürer, dream vision, 1525, water color from. the book Hermetic Museum: Alchemy & Mysticism. Matthew Swiezynski eg, album by. Dream Vision, Version One. Matthew Swiezynski. External Links. Songs in album Vision Of D - Then I Dream 1994. Vision Of D - Then I Dream R-E-M Phase Mix. Vision Of D - Then I Dream X-10-Ded Mix. Vision Of D - Then I Dream The Nightmare Mix. Vision Of D - Then I Dream DJ Club Mix. Total votes: 22. Other albums by Vision Of D. Vision Of D. Outer Spase. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin

Matthew Swiezynski - Dream Vision, Version One mp3

Performer: Matthew Swiezynski

Title: Dream Vision, Version One

Country: US

Release date: 05 Jul 2014

Label: Invisible Birds

Style: Abstract, Experimental

Catalog: oiseaux006

Genre: Electronic / AudioFiles

Size MP3: 1776 mb

Rating: 4.5 / 5

Votes: 347

Record source: File, AIFF, ALAC, FLAC, MP3, EP

Matthew Swiezynski Invisible Birds Abstract Experimental 2014

MP3 Related to Matthew Swiezynski - Dream Vision, Version One

MilsoN
Sunday morning with the incense going, the coffee nearby and fantastical drone coming out of the speakers. This series of work is focused on giving a larger audience access to Ingenting Kollektiva's neigh-impossible to acquire track "The Castle at Cothen" and two revisions of it which band leader M. Swiezynski composed recently to extend and accentuate it's piercing, permeating haze. He claims he's got Bach in here somewhere but if it is, our Johann has been severely sliced and diced. To the point of being unrecognizable at best; more a hint of the man I'd say, there's just too much distortion in the field to make a clear identification.

All across these three mammoth tracks are the whispers of one's own subconscious toying with reality, to sit down and play these through will invite a noticeable shift in the world around you. Ghostly tendrils of what may or may not have been individual notes at some point careen across this spectral terrarium like insects in the late summer heat in search of carrion to feast upon. Mark these pieces well, they aren't for the uninitiated and should be approached with great caution even if you are an appreciator. I'll make about the only firm description I can of what he's done as being this: demanding. You put this one out on his own and some magnificently appointed discord begins to take root in your skull, for reasons you may not even be aware of.

This is remarkably cold, perhaps in relation to where both he and the label are moving to. A dour, overcast and rainy place where the city lights look down upon stunning disparity and tourist-mandated sustainability. I know quite well where these sounds belong, what they seek to convey and who they're aimed at. The only question remaining is the why, which is not for me to say but I'll be more than happy to speculate. If you'll indulge me for just a little while longer, it can be your good deed for the year.

The artist in question is a wanderer, one who gets up and is immediately restless. Having met the man once, this became quite clear within a matter of minutes. His work is done because it must be, he needs something to chronicle his own personal desire to see things and experience places which cannot be found through a stationary existence. It all comes down to the age-old question: just how far will you follow your muse in search of beauty and truth. It's a quest which has burned through more than it's share of creative souls but I've a feeling that Matthew is going to get much closer to what he's after through pieces such as these.

Dreams are powerful talismans of our own nature which we keep hidden from the world outside, from those closest to us and if the Japanese saying is true: even from ourselves. Instead of writing it all out in the medium of words, Swiezynski brings us the soundtrack which is more harrowing than either Tennyson's lofty accolades or Eliot's hollowest man. We can only hope that our composer here finds what he is after and wish him the best of luck in his endeavors.
MilsoN
Sunday morning with the incense going, the coffee nearby and fantastical drone coming out of the speakers. This series of work is focused on giving a larger audience access to Ingenting Kollektiva's neigh-impossible to acquire track "The Castle at Cothen" and two revisions of it which band leader M. Swiezynski composed recently to extend and accentuate it's piercing, permeating haze. He claims he's got Bach in here somewhere but if it is, our Johann has been severely sliced and diced. To the point of being unrecognizable at best; more a hint of the man I'd say, there's just too much distortion in the field to make a clear identification.

All across these three mammoth tracks are the whispers of one's own subconscious toying with reality, to sit down and play these through will invite a noticeable shift in the world around you. Ghostly tendrils of what may or may not have been individual notes at some point careen across this spectral terrarium like insects in the late summer heat in search of carrion to feast upon. Mark these pieces well, they aren't for the uninitiated and should be approached with great caution even if you are an appreciator. I'll make about the only firm description I can of what he's done as being this: demanding. You put this one out on his own and some magnificently appointed discord begins to take root in your skull, for reasons you may not even be aware of.

This is remarkably cold, perhaps in relation to where both he and the label are moving to. A dour, overcast and rainy place where the city lights look down upon stunning disparity and tourist-mandated sustainability. I know quite well where these sounds belong, what they seek to convey and who they're aimed at. The only question remaining is the why, which is not for me to say but I'll be more than happy to speculate. If you'll indulge me for just a little while longer, it can be your good deed for the year.

The artist in question is a wanderer, one who gets up and is immediately restless. Having met the man once, this became quite clear within a matter of minutes. His work is done because it must be, he needs something to chronicle his own personal desire to see things and experience places which cannot be found through a stationary existence. It all comes down to the age-old question: just how far will you follow your muse in search of beauty and truth. It's a quest which has burned through more than it's share of creative souls but I've a feeling that Matthew is going to get much closer to what he's after through pieces such as these.

Dreams are powerful talismans of our own nature which we keep hidden from the world outside, from those closest to us and if the Japanese saying is true: even from ourselves. Instead of writing it all out in the medium of words, Swiezynski brings us the soundtrack which is more harrowing than either Tennyson's lofty accolades or Eliot's hollowest man. We can only hope that our composer here finds what he is after and wish him the best of luck in his endeavors.