Marc-Antoine Charpentier – Ensemble Correspondances, Sébastien Daucé - La Descente D'Orphée Aux Enfers mp3

Tracklist

Credits

• Bass Vocals – Nicolas Brooymans
• Bass Vocals [Basse-taille] – Etienne Bazola
• Countertenor Vocals – Robert Getchell, Stephen Collardelle
• Engineer – Alban Moraud
• Ensemble – Ensemble Correspondances
• Flute – Lucille Perret, Matthieu Bertaud
• Harpsichord – Arnaud De Pasquale
• Mastered By – Alexandra Evrard
• Mezzo-soprano Vocals – Lucile Richardot
• Organ, Directed By – Sébastien Daucé
• Soprano Vocals – Caroline Arnaud, Caroline Dangin-Bardot, Caroline Weynants, Violaine Le Chenadec
• Tenor Vocals – Davy Cornillot
• Theorbo – Diego Salamanca, Thibaut Roussel
• Viola – Lucile Boulanger, Mathilde Vialle, Myriam Rignol
• Violin – Béatrice Linon, Josèphe Cottet
• Violoncello [Basse De Violon] – Antoine Touche

Notes

Opéra en 2 actes

Recorded January 2016 in Grenoble, MC2

harmonia mundi musique s.a.s. ℗ 2017

Made in Austria.

Digipak, 48-page booklet.

Barcodes

• Barcode (Scanned): 3149020227923
• Label Code: LC 7045
• Matrix / Runout: Sony DADC A0102849163-0101 21 A00
• Mastering SID Code: IFPI L551
• Mould SID Code: IFPI 945T

Companies

• Phonographic Copyright (p) – Harmonia Mundi Musique S.a.s.
• Recorded At – MC2, Grenoble
• Made By – Sony DADC – A0102849163-0101

Info

La descente d'Orphée aux enfers English: The Descent of Orpheus to the Underworld is an incomplete chamber opera in two acts by the French composer Marc-Antoine Charpentier. It was probably composed in early 1686 and performed either in the apartments of the Dauphin that spring or at Fontainebleau in the autumn. Charpentier himself sang the title role, joined by musicians of Mademoiselle de Guise and members of the Dauphins little ensemble it was Charpentiers last appearance with this ensemble. Marc-Antoine Charpentier. Ensemble Correspondances, Sébastien Daucé. Il N'est Rien Aux descente dOrphée aux enfers 1686 by Marc-Antoine Charpentier fits the ensemble Correspondances like a glove: in this seductive chamber opera, transparency and expression go hand in hand. Sébastien Daucé After a specialized program at the National Conservatory of Music of Lyon, Sébastien Daucé played under the direction of Kenneth Weiss Didon and Aeneas, Madrigal of Monteverdi, of Gabriel Garrido Ercole Amante of Cavailli, in the Academy of Baroque Opera at Ambronay, and recently for the recording of another Cavalli opera, Gli Amori dApollo e Datne, of Raphaël. Sébastien Daucé. La descente d'Orphée aux Enfers, H. 488, Act I: Que d'un frivole espoir, 03:46. Charpentier: La Descente d'Orphee aux Enfers. Imported ed. However, in this album, I especially want to point out Paul Agnew, his voice is very bright and warm to touch my hearts. How beautiful his Orphee is. Marc Antoine Charpentier presentera la descente d'Orphée aux enfers en 1687, composé pour sa protectrice, la pieuse et mélomane duchesse de Guise. La musique de Charpentier est sublime, et admirablement interprétée par William Christie, trés belle Euridice de Sophie Daneman, touchant et poignant Orphée de Paul Agnew, une version de réference que je recommande pour découvrir ce petit chef d'oeuvre de la musique du 17eme siecle. Listen free to Marc-Antoine Charpentier Charpentier: La couronne de fleurs - La descente d'Orphée aux enfers La couronne de fleurs, H. 486: Overture, La couronne de fleurs, H. 486: Scene 1: Renaissez, paraissez Flore and more. 41 tracks 78:50. Do you know any background info about this album Start the wiki. Marc-Antoine Charpentier 1643-1704 was a French composer of the Baroque era. He was a prolific and versatile composer, producing music of the highest quality in several genres. His master read more. Ensemble Correspondances. The descent of Orpheus into the underworld, a familiar subject taken from Ovid and celebrating the power of music, was turned into a two-act opera around 1686-7 by Marc-Antoine Charpentier, better known for his sacred music. This short drama, possibly unfinished, was written for the 10 singers employed by Charpentiers Parisian patron, Madame de Guise here the Ensemble Correspondances directed by Sébastien Daucé. Orphée is cast for countertenor Robert Getchell, offset by the dark colours of three accompanying bass viols. Throughout, the writing is rich, unusual ye. La Descente dOrphée aux Enfers', Charpentier's last short opera, was written for his patron Mademoiselle de Guise and constitutes in its breadth and dramatic density a little gem of 17th-century French vocal art