Madness - Madness mp3

Tracklist

Credits

• Arranged By [Strings] – David Bedford
• Art Direction – Richard Seireeni
• Bass – Mark Bedford
• Drums – D.M. "Woody" Woodgate
• Guitar – C.J. Foreman
• Keyboards – Mike Barson
• Mastered By – Greg Fulginiti
• Photography By – Moshe Brakha
• Producer – Clive Langer And Alan Winstanley
• Saxophone [Saxes] – Lee Thompson
• Vocals – G. "Suggs" McPherson
• Vocals, Trumpet – Carl Smyth

Notes

Printed in U.S.A.

Mastered at Artisan Sound Recorders
Special Thanks to Emily Shenkin

Manufactured exclusively by Warner Bros. Records Inc.
Made in U.S.A.
All songs published by Nutty Sounds Ltd./WB Music Corp. ASCAP
except:
A3 - M.A.M. (Music Publishing) Corp. (MCA) ASCAP.

© 1983 The David Geffen Company
℗ 1979 Sire Records Company
℗ 1981, 1982, 1983 The David Geffen Company

Made in U.S.A.

Barcodes

• Barcode (Scanned): 075992400312
• Barcode (Text): 0 7599-24003-1
• Matrix / Runout (Runout A Side): GHS-1-4003-WW1 #4 ----◄ [Artisan Sound Recorders logo]
• Matrix / Runout (Runout B Side): GHS-2-4003-WW3 #2 [Artisan Sound Recorders logo] ----◄
• Rights Society: ASCAP

Companies

• Mastered At – Artisan Sound Recorders
• Manufactured By – Warner Bros. Records Inc.
• Phonographic Copyright (p) – Sire Records Company
• Phonographic Copyright (p) – The David Geffen Company
• Copyright (c) – The David Geffen Company
• Published By – Nutty Sounds Ltd.
• Published By – WB Music Corp.
• Published By – M.A.M. (Music Publishing) Corp.
• Pressed By – Capitol Records Pressing Plant, Winchester

Info

Madness is a self-titled compilation album by the British skapop band. It was issued primarily for the North American market in order to capitalise on the top 10 success in the United States of their hit single Our House from the 1982 album Madness Presents the Rise & Fall, which had not been available there. Madness features six tracks from The Rise & Fall album, three from the 1981 album 7, one from the 1979 debut album One Step Beyond. and two single a-sides. The 1980 album Absolutely is not. The Madness - Madness. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Tracks Playlist. What Do You Think Of This Album philip gaunt. i was told by madness management the last s is owned by virgin music and its up to them if they want to release it so dont hold your breath cause i doubt it will ever come out. exellent underated album,i like carls vocals on the it did not do as well as it should of resulting in the end of a short comeback. How can I find this album Really exists I also need the las s . Listen online to Madness - Madness and see which albums it appears on. Scrobble songs and get recommendations on other tracks and is a self-titled compilation album by the British skapop band. The 1980 album Absolutely is not represented on the compilation. Madness contains every UK single from Grey Day to Tomorrow's Just Another Day, with the exception of Driving in My Car, which has never been issued on any US compilation. However, the album was also issued in Japan where Driving In My Car replaced Rise & Fall. Its plain to see That is what they mean to me Madness, madness, they call it gladness, ha-ha Madness, madness, they call it madness Madness, madness, they call it madness Im about to explain A-That someone is losing their brain Hey, madness, madness, I call it gladness, yee-ha-ha-ha Propaganda ministers Propaganda ministers Ive a-got. a heavy due Im gonna walk all over you 'Cause Madness, madness, they call it madness Well if this is madness Then I know Im filled with gladness Its gonna be rougher Its gonna be tougher, pa-da-da, pa-da-da But I wont be the one whos gonna suffer Oh. Album 1983 12 Songs. Madness Is All In the Mind. 12 Songs, 39 Minutes. Released January 1, 1983. 1983 Geffen Records. The album contains every UK single from Grey Day to Tomorrow's Just Another Day, with the exception of Driving in My Car, which has never been issued on any US compilation. Rolling Stone's J. Considine gave the album a rave review, saying that it introduced the best tracks from Madness's earlier albums to an American audience, while leaving out any songs with insular British cultural references