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Lydia Loveless - Indestructible Machine mp3

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Tracklist

1Do Right
2How Many Women
3Jesus Was A Wino
4Bad Way To Go
5More Like Them
6Steve Earle
7Crazy
8Can't Change Me
9Learn To Say No

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
BS 188 LPLydia Loveless Indestructible Machine ‎(LP, Album, Ltd)Bloodshot RecordsBS 188 LPUS2011
BS188Lydia Loveless Indestructible Machine ‎(CD, Album, Promo)Bloodshot RecordsBS188USA & Canada2011

Credits

  • Backing Vocals – Todd May
  • Banjo – Rob Woodruff
  • Bass – Ben Lamb
  • Drums – Parker Chandler
  • Lead Guitar – Todd May
  • Lead Vocals – Lydia Loveless
  • Pedal Steel Guitar – Barry Hensley
  • Rhythm Guitar – Lydia Loveless
  • Violin – Adrian Jusdanis

Barcodes

  • Barcode: 7 44302 0188 2 9

Info

Lydia Loveless' sophomore release, Indestructible Machine, sees the alt-country spitfire exploding into a country-punk fireball. Bad Way To Go makes clear the road ahead. There are more barbed-wire guitars, more songs with Loveless spewing whats on her mind with the color of a gin-soaked sailor on leave, and truckloads more of her redhaired fury. Loveless easily earns the punk half of the country-punk label here she did do some time as a youth the punk scene of Columbus, Ohio. Songs like Cant Change Me and More Like Them are full of big, chugging guitars and aggressive percuss. Lydia Loveless born September 4, 1990 as Lydia Ankrom is an American alternative country singer-songwriter from Columbus, Ohio. Her music combines pop music, classic country, honky tonk, and punk rock. 1 Early life. In 2012, signed with Bloodshot and determined to make a more raw and edgier album, she released Indestructible Machine with songs that feature themes of frustration with her hometown, drinking, depression, and a humorous song about being stalked by Steve Earle. Loveless recorded the album with many live takes and a minimum of overdubs at Grove. Listen free to Lydia Loveless Indestructible Machine Bad Way To Go, Can't Change Me and more. 9 tracks 39:14. Lydia Loveless. Indestructible Machine is as good as anything Ive heard this year and marks the true, and truly defiant, arrival of what could be a serious talentIndestructible Machine. CD, . 12 LP, . Bundle Deal. Indestructible Machine is as good as anything Ive heard this year and marks the true, and truly defiant, arrival of what could be a serious talent This music is razor sharp but bluntly honest, witty, massively entertaining, and often crushingly swoonsome A riot starr is born But God help us, this ones gonna be trouble. Truth is, 21 year olds just don't have this kind of swagger, confidence and no mistake, Indestructible Machine is the sound of promise, the sound of hope and ultimately the sound of something truly special unfolding. Indestructible Machine. Released 2011. Indestructible Machine Tracklist. Bad Way To Go Lyrics. Can't Change Me Lyrics. More Like Them Lyrics. Indestructible Machine by Lydia Loveless, released 13 September 2011 1. Bad Way to Go 2. Can't Change Me 3. More Like Them 4. How Many Women 5. Jesus Was a Wino 6. Steve Earle 7. Learn to Say No 8. Do Right 9. Lydia Loveless - Indestructible Machine. Bad Way To Go by Lydia Loveless. Steve Earle by Lydia Loveless. Albums from this user. View all. INDESTRUCTIBLE MACHINE, Lydia's Bloodshot debut, combines heady doses of punk rock energy and candor with the country classicism she was raised on and just can't shake. From foggy mountain throw downs where she sounds like a tuff Neko Case, to muscular power pop driven by choppy, tense guitar tonalities recalling Television's Richard Lloyd to the take no shit spirit of Loretta Lynn and displaying country soul well beyond her years, Loveless true-to-life testimonials hit and hit hard. Exclusive discount for Prime members. Indestructible Machine, 2011. Bad Way to Go, 02:59. Can't Change Me, 04:14

Lydia Loveless - Indestructible Machine mp3

Performer: Lydia Loveless

Title: Indestructible Machine

Country: USA & Canada

Release date: 2011

Label: Bloodshot Records

Style: Country Rock

Catalog: BS188

Genre: Rock

Size MP3: 2813 mb

Rating: 4.6 / 5

Votes: 583

Record source: CD, Album

Lydia Loveless Usa Canada Bloodshot Records Country Rock 2011

MP3 Related to Lydia Loveless - Indestructible Machine

Beabandis
When I asked Lydia Loveless if there was a theme that ran though Indestructible Machine she said, “You know, I talk so much shit that I often forget who I’m talking to, so I’d have to say no. I don’t even have a theme for my life, or a direction for that matter, which I’ve been told isn’t going to help move me through a music career, but then, music is just something I do, have been since I was a teen. I might not be here tomorrow, or I might be here blazing under an entirely different persona.”

It’s kind of strange to hear someone so young talk about themselves so disjointedly, but then, as Lydia said, she’s been doing this for a very long time already, laying down a fine mix of country meets punk in a manner that is unique and all her own, set to a passion and maturity that’s going to take her far as she refines and develops her style. Most artists don’t consider being themselves on stage, and this was what Lydia was laughing about when she talked to me regarding personas, because Lydia doesn’t hide behind a persona or a character, she gets her actual hands dirty, sings songs about an actual life biographically and shamelessly … extolling the attitude of “this is who I am, take it or leave it, I don’t care.”

Loveless has been accused of over-singing, which others feel leads to burying her musical content, but I love her relentless dialog, her banter, her intelligence, her wit, and her candor. On the other hand, some critics have said that while her music is engaging, that her ever present droning electric guitar draws a lot of space out of the project. These same critics with no musical background other than being critics go on to explain the common practice of recording parts of songs and reassembling them later, and then profess that her songs become busy and lose the groove. So, in Lydia’s defense, let me assure you that what she’s done she’s done on purpose, the music you here are the sounds of Lydia’s life, one that’s perhaps seen and experienced more than most people of her age, with these attributes being deemed as more worthy as she gets older and develops her presentation more, though the so-called confusion found here rests on solid ground and has purposely been constructed in this manner … as if she’s trying to catch that white knuckled feeling of riding in the back of an open pickup truck with no seatbelt, and bouncing out onto the road more than once.

Why so many seem destined to punch so many holes in her music is beyond me, because it’s really fun. You’re going to see so much of yourself, aspects of yourself that you deny, though when Lydia sings lines that pull back the curtains, you’re gonna laugh right out loud at both yourself and the fact that you ever felt compelled to try and engage in secrets … because all truth eventually seems out. This is a really fine album, and anyone who talks about potential regarding Lydian Loveless is wearing clean polished cowboy boots, without the scuffs and dust necessary for sonic integrity.

Review by Jenell Kesler
Beabandis
When I asked Lydia Loveless if there was a theme that ran though Indestructible Machine she said, “You know, I talk so much shit that I often forget who I’m talking to, so I’d have to say no. I don’t even have a theme for my life, or a direction for that matter, which I’ve been told isn’t going to help move me through a music career, but then, music is just something I do, have been since I was a teen. I might not be here tomorrow, or I might be here blazing under an entirely different persona.”

It’s kind of strange to hear someone so young talk about themselves so disjointedly, but then, as Lydia said, she’s been doing this for a very long time already, laying down a fine mix of country meets punk in a manner that is unique and all her own, set to a passion and maturity that’s going to take her far as she refines and develops her style. Most artists don’t consider being themselves on stage, and this was what Lydia was laughing about when she talked to me regarding personas, because Lydia doesn’t hide behind a persona or a character, she gets her actual hands dirty, sings songs about an actual life biographically and shamelessly … extolling the attitude of “this is who I am, take it or leave it, I don’t care.”

Loveless has been accused of over-singing, which others feel leads to burying her musical content, but I love her relentless dialog, her banter, her intelligence, her wit, and her candor. On the other hand, some critics have said that while her music is engaging, that her ever present droning electric guitar draws a lot of space out of the project. These same critics with no musical background other than being critics go on to explain the common practice of recording parts of songs and reassembling them later, and then profess that her songs become busy and lose the groove. So, in Lydia’s defense, let me assure you that what she’s done she’s done on purpose, the music you here are the sounds of Lydia’s life, one that’s perhaps seen and experienced more than most people of her age, with these attributes being deemed as more worthy as she gets older and develops her presentation more, though the so-called confusion found here rests on solid ground and has purposely been constructed in this manner … as if she’s trying to catch that white knuckled feeling of riding in the back of an open pickup truck with no seatbelt, and bouncing out onto the road more than once.

Why so many seem destined to punch so many holes in her music is beyond me, because it’s really fun. You’re going to see so much of yourself, aspects of yourself that you deny, though when Lydia sings lines that pull back the curtains, you’re gonna laugh right out loud at both yourself and the fact that you ever felt compelled to try and engage in secrets … because all truth eventually seems out. This is a really fine album, and anyone who talks about potential regarding Lydian Loveless is wearing clean polished cowboy boots, without the scuffs and dust necessary for sonic integrity.

Review by Jenell Kesler