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Loscil - Submers mp3

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Tracklist

1Triton06:43:47
2Resurgam07:35:45
3Argonaut I07:07:44
4Kursk07:10:02
5Gymnote05:57:01
6Le Plongeur07:07:07
7Diable Marin04:13:16
8Mute07:30:59
9Nautilus06:59:41

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
krank058Loscil Submers ‎(CD, Album, Car)Krankykrank058US2002
krank058Loscil Submers ‎(CD, Album, RE)Krankykrank058USUnknown
krank058Loscil Submers ‎(CD, Promo)Krankykrank058US2002
krank058Loscil Submers ‎(9xFile, FLAC, Album, RE)Krankykrank058EuropeUnknown
krank058Loscil Submers ‎(CD, Album, RP)Krankykrank058US2002
CategoryArtistTitle (Format)LabelCategoryCountryYear
krank058Loscil Submers ‎(CD, Album, Car)Krankykrank058US2002
krank058Loscil Submers ‎(CD, Album, RE)Krankykrank058USUnknown
krank058Loscil Submers ‎(2xLP, Album, RE)Krankykrank058US2018
krank058Loscil Submers ‎(9xFile, FLAC, Album, RE)Krankykrank058EuropeUnknown
krank058Loscil Submers ‎(CD, Album, RP)Krankykrank058US2002

Credits

  • Cover – Emplus Creative Solutions
  • Lacquer Cut By – JW
  • Mastered By – Rafael Anton Irisarri
  • Music By – Scott Morgan

Notes

Promo copy in jewel case without front cover.

CD: PROMOTIONAL COPYOriginally released on CD in 2002.

Barcodes

  • Barcode: 796441805822
  • Matrix / Runout (Side A): KRANK 058-A ⓎJW180315 (RC-1) 29885.1... test depth
  • Matrix / Runout (Side B): KRANK 058-B (RC-1) ⓎJW180315 29885.2... design depth
  • Matrix / Runout (Side C): KRANK 058-C ⓎJW171130 never-exceed depth 29131.3...
  • Matrix / Runout (Side D): KRANK 058-D ⓎJW171130 crush depth 29131.4...
  • Barcode: 7 96441 80581 5
  • Rights Society: SOCAN

Companies

  • Mastered At – Black Knoll Studio
  • Lacquer Cut At – Chicago Mastering Service
  • Phonographic Copyright (p) – Kranky, Ltd.
  • Copyright (c) – Scott Morgan

Video

Info

Electronic 2002. Love everything Loscil does, and this early work is some of his best fer sure. However, not a whole lot has changed in Morgan's approach from his debut. Loscil - Gymnote. Labels Kranky. However, not a whole lot has changed in Morgan's approach from his debut. These tracks sound only a little more aqueous than the ones on Triple Point, continuing to carry wide-open spatial qualities, with the odd hint of dub occasionally thrown in for variation with its lathery suds of dubspace, Le Plongeur rivals Rhythm & Sound's best work. Clearly a producer with an unapologetic love for the conceptual, Scott Morgan's second album for Kranky as Loscil takes on an aquatic theme - each track is named after a submarine. Album 2002 9 Songs. Loscil - Nautilus. free to Loscil Submers Argonaut I, Gymnote and more. These tracks sound only a little more aqueous than the ones on Triple Point, continuing to carry wide-open spatial qualities, with the odd hint of dub occasionally thrown in for variation with its lathery suds of dubspace, Le Plongeur rivals Rhythm & Sound's best work. Submers by loscil, released 04 November 2002 1. Album Name Submers. Loscil - Diable Marin. Nautilus 5. Loscil - Argonaut. Scott Morgan. But come to think of it philosophically, submarines are also spaceships. This is music without sharp edges. Loscil Format: Audio CD. All of the tracks are named after submarines, the final cut being a requiem for the crew of the ill-fated Russian nuclear vessel Kursk. Members owning this album0. Argonaut I 2. Mute 4. Gymnote, 06:01. brantly It's like having noise-cancelling ear plugs on at the same time you have headphones on playing Boards of hearing music while being at a Four Seasons lobby really high on E. 9 tracks 60:35. rikm Inspired by the title Submers, I can't help but think of this album as the perfect soundtrack for an undersea voyage, ideal music for drifting and floating through beautiful and uncharted depths. With Submers, Vancouver-based artist Loscil Scott Morgan practices the art of the aural womb. Le Plongeur 8. Band Name Loscil. Type Album. Recorded at home on computer with samples and keyboards used as sound sources, MORGAN has made an elctronic record that stands up to anything out there. Resurgam 7. After all, a collection whose tracks are odes to submarines straightforwardly invites such imagery. In additional to sounding a bit like Gas, Loscil also reminds me of Japanese ambient collective Neina in his focus on textures so complicated and detailed they can pass for nature. Argonaut I, 07:12. Submers, 2002. Music StyleDark Ambient. Loscil - Mute. Ambient Minimal Dub Techno. Songs in album Loscil - Submers 2002. It went something like, I always wonder about space, how it never ends. brantly It's like having noise-cancelling ear plugs on at the same time you have headphones on playing Boards of hearing music while being at a Four Seasons lobby really high on E. Loscil - Triton. The synth textures are warm, deep and viscous as amniotic fluid, and like Wolfgang Voigt's legendary Gas project, Loscil knows that you can't live inside the body of another without hearing a distant heartbeat. Clearly a producer with an unapologetic love for the conceptual, Scott Morgan's second album for Kranky as Loscil takes on an aquatic theme - each track is named after a submarine. Diable Marin 6. A stunning ambient release. The second album from the Vancouver-based SCOTT MORGAN aka Loscil. Listen free to Loscil Submers Argonaut I, Gymnote and more. More By Loscil. Gymnote 3. The drones in Argonaut I are piled at least four layers high, enough to get lost in, as a glowing edge of higher pitched sound twists around something deeper and harder to fathom. Please retry. Loscil - Le Plongeur. To favorites 0 Download album. While engaging this work I always remember a line by Poet Malena Morling. Страна: США. Язык: Русский. Large portions of the music on Submbers was from classical music that had been sampled and distorted by Morgan. Loscil - Resurgam. Triton 9. Listen album. 9 tracks 60:37. See - Submers 2002. rikm Inspired by the title Submers, I can't help but think of this album as the perfect soundtrack for an undersea voyage, ideal music for drifting and floating through beautiful and uncharted depths. Released date 2002. It was released in 2002 by Kranky. Submers is an album by Canadian musician Scott Morgan under the alias of Loscil

Loscil - Submers mp3

Performer: Loscil

Title: Submers

Country: US

Release date: 23 Nov 2018

Label: Kranky

Style: Ambient, Downtempo, Dub Techno

Catalog: krank058

Genre: Electronic

Size MP3: 1627 mb

Rating: 4.4 / 5

Votes: 516

Record source: 2 × Vinyl, LP, Album, Reissue

Loscil Kranky Ambient Downtempo Dub Techno 2018

MP3 Related to Loscil - Submers

Ricep
Peruse the ether for reviews of this album, and surely you will see writers invoking oceans and their depths. After all, a collection whose tracks are odes to submarines straightforwardly invites such imagery. But come to think of it philosophically, submarines are also spaceships. While engaging this work I always remember a line by Poet Malena Morling. It went something like, “I always wonder about space, how it never ends.” I believe Submers comprehends “endless space” as much as it probes “oceanic depth.”

This album, and Loscil’s work, in general, has a oneiric quality, in that Mr. Morgan helps you traverse vast spaces while remaining still. The songs are impeccably organized bouquets of circulating, oscillating, chattering, hissing, placating, and agitating layers of audible vibrations, that pool, and loop together slowly, only to (slowly) wind down and die out. To one’s amusement and dismay, Submers is primarily created by complex organizations of filtered and manipulated samples from the western classical universe.

In the feel of these tracks, there is a lingering want for something intangible and more extensive than ourselves as I am propelled into the unknown unknowns by Argonaut I, and Gymnote. The space hums with deep bass. The timbre is beautifully unique and hard to find in vinyl pressings of electronic work. These two tracks could represent the last flickering lights of a submarine shining on a giant skeleton as the sailors plummet into depths that haven’t seen the light in a million years. These tracks could also represent a voyage into luminous fractal formations of constellations in uncharted galaxies.

Speaking of which, I often felt Loscil’s work has a fractal quality where same patterns repeat to infinite depths. For example, in Nautilus the beat design is enveloped by an aura of low-frequency sounds interspersed by uncanny flutes. The tracks take us to a state where everything seems vast; after all, it could also be as if we have become tiny insects looking at the magnified world with the wonder of space travel.

I find myself walking towards Loscil’s LPs in many improvisatory and premeditated mix sets. I especially love the track Resurgam, as the melodic movements could be easily harmonized and improvised with the beauty of an evening Raga like Yaman Kalyan. In the mix 'Rain of Rivers', I especially enjoyed playing Resurgam as an accentuated bridge between Deru’s soulfully sad 1979 and the eerily beautiful melodic journeys of Everything (by Ben Lukas Boysen and Sebastian Plano). In “My Immaculate Morsels of Sadness” I could not help but allow Submers to arrive twice in the form of Triton and Gymnote, so as to converse and juxtapose with the dramatic compositional elements of Robot Koch and Cinematic Orchestra.

It isn’t possible to convince or cajole anyone to get this album (in this perfect Kranky’s 2018 pressing) because somethings cannot be convinced, it insults the art. Or perhaps somethings do not need convincing as the art speaks for itself. If you chance upon this work, be prepared to travel, inside and out, submerged, looking through a periscope or a telescope. Perhaps someday Loscil will have an album meditating on spaceships, but until then this is it.
Ricep
Peruse the ether for reviews of this album, and surely you will see writers invoking oceans and their depths. After all, a collection whose tracks are odes to submarines straightforwardly invites such imagery. But come to think of it philosophically, submarines are also spaceships. While engaging this work I always remember a line by Poet Malena Morling. It went something like, “I always wonder about space, how it never ends.” I believe Submers comprehends “endless space” as much as it probes “oceanic depth.”

This album, and Loscil’s work, in general, has a oneiric quality, in that Mr. Morgan helps you traverse vast spaces while remaining still. The songs are impeccably organized bouquets of circulating, oscillating, chattering, hissing, placating, and agitating layers of audible vibrations, that pool, and loop together slowly, only to (slowly) wind down and die out. To one’s amusement and dismay, Submers is primarily created by complex organizations of filtered and manipulated samples from the western classical universe.

In the feel of these tracks, there is a lingering want for something intangible and more extensive than ourselves as I am propelled into the unknown unknowns by Argonaut I, and Gymnote. The space hums with deep bass. The timbre is beautifully unique and hard to find in vinyl pressings of electronic work. These two tracks could represent the last flickering lights of a submarine shining on a giant skeleton as the sailors plummet into depths that haven’t seen the light in a million years. These tracks could also represent a voyage into luminous fractal formations of constellations in uncharted galaxies.

Speaking of which, I often felt Loscil’s work has a fractal quality where same patterns repeat to infinite depths. For example, in Nautilus the beat design is enveloped by an aura of low-frequency sounds interspersed by uncanny flutes. The tracks take us to a state where everything seems vast; after all, it could also be as if we have become tiny insects looking at the magnified world with the wonder of space travel.

I find myself walking towards Loscil’s LPs in many improvisatory and premeditated mix sets. I especially love the track Resurgam, as the melodic movements could be easily harmonized and improvised with the beauty of an evening Raga like Yaman Kalyan. In the mix 'Rain of Rivers', I especially enjoyed playing Resurgam as an accentuated bridge between Deru’s soulfully sad 1979 and the eerily beautiful melodic journeys of Everything (by Ben Lukas Boysen and Sebastian Plano). In “My Immaculate Morsels of Sadness” I could not help but allow Submers to arrive twice in the form of Triton and Gymnote, so as to converse and juxtapose with the dramatic compositional elements of Robot Koch and Cinematic Orchestra.

It isn’t possible to convince or cajole anyone to get this album (in this perfect Kranky’s 2018 pressing) because somethings cannot be convinced, it insults the art. Or perhaps somethings do not need convincing as the art speaks for itself. If you chance upon this work, be prepared to travel, inside and out, submerged, looking through a periscope or a telescope. Perhaps someday Loscil will have an album meditating on spaceships, but until then this is it.
Helo
Very nice pressing. Super quiet and dynamic. Scott's music from this era was truly surreal!
Helo
Very nice pressing. Super quiet and dynamic. Scott's music from this era was truly surreal!