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Judas Priest - Defenders Of The Faith mp3

Tracklist

1Defenders Of The Faith1:30
2Some Heads Are Gonna Roll
Written-By – Bob Halligan Jr.
4:05
3Eat Me Alive3:34
4Rock Hard Ride Free5:34
5The Sentinel5:04
6Night Comes Down3:58
7Love Bites4:47
8Jawbreaker3:26
9Heavy Duty2:25
10Freewheel Burning4:24

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
502134 2, 5021342000Judas Priest Defenders Of The Faith ‎(CD, Album, RE, RM)Columbia, Columbia502134 2, 5021342000UK & Europe2001
88843087752Judas Priest Defenders Of The Faith ‎(3xCD, Album, Dlx, RE, RM, Dig)Columbia88843087752South Korea2015
VFCT-39219Judas Priest Defenders Of The Faith ‎(Cass, Album, Chr)CBSVFCT-39219CanadaUnknown
SICP 4718Judas Priest Defenders Of The Faith ‎(CD, Album, RE, RM)Sony Records Int'lSICP 4718Japan2015
502134 4Judas Priest Defenders Of The Faith ‎(Cass, Album, RE, RM)Columbia502134 4Ukraine2001

Credits

  • Bass GuitarIan Hill
  • Cover [Concieved By]Judas Priest
  • Design [Cover]Doug Johnson
  • DrumsDave Holland
  • EngineerMark Dodson
  • Engineer [Assistant]Ben King , Bruce Hensal, Buddy Thornton, Christian Eser, David Roeder
  • Lead GuitarGlenn Tipton, K. K. Downing
  • Lead VocalsRob Halford
  • ManagementBill Curbishley
  • ProducerTom Allom
  • Written-ByGlenn Tipton (tracks: A1 to B2, B4 to B6), K. K. Downing (tracks: A1 to B2, B4 to B6), Rob Halford (tracks: A1 to B2, B4 to B6)

Notes

Printed inner sleeve with lyrics. Early copies were released with a competition insert.

(Labels)
Made in England
℗ 1984 CBS Records
(A1-A4,B1,B2,B4-B6) CBS Songs Ltd.
B3) Screen Gems-EMI Music Ltd.

(Sleeve)
Rising from darkness where hell hath no mercy and the screams of vengeance echo on forever, only those who keep the faith shall escape the wrath of the Metallian... Master Of All Metal.
© 1984 CBS Inc./ ℗ 1984 CBS Inc
Shorepak by Shorewood Packaging Co.Ltd,England.

(Inner sleeve)
© 1984 April Music Inc.,Crewglen Ltd.,Ebonytree Ltd., and Geargate Ltd.Adminstered by April Music Inc.(CBS Songs Ltd in the UK) except "Some Heads Are Gonna Roll" © 1983 Screen Gems-EMI Music inc.
Recorded in Europe
Mixed at DB Recording Studios, Miami, Florida and Bayshore Studios, Miami, Florida
Mastered at Sterling Sound, New York

(No tracktimings credited on the release)

Barcodes

  • Matrix / Runout (Variant 1 Runout, A-side etched): CBS.25713. A1
  • Matrix / Runout (Variant 2): CBS.25713. A2
  • Matrix / Runout (Variant 1 Runout, B-side etched): CBS.25713. B1
  • Matrix / Runout (Variant 2): CBS.25713. B3
  • Matrix / Runout (A-side label): CBS 25713 A٭
  • Matrix / Runout (B-side label): CBS 25713 B٭
  • Rights Society: MCPS / BIEM
  • Label Code: LC 0149
  • Other: CB 271
  • Other: 57

Companies

  • Phonographic Copyright (p) – CBS Inc.
  • Phonographic Copyright (p) – CBS Records
  • Copyright (c) – CBS Inc.
  • Copyright (c) – April Music Inc.
  • Copyright (c) – Crewglen Ltd.
  • Copyright (c) – Ebonytree Ltd.
  • Copyright (c) – Geargate Ltd.
  • Copyright (c) – Screen Gems-EMI Music Inc.
  • Mixed At – DB Recording Studios
  • Mixed At – Bayshore Recording Studios
  • Mastered At – Sterling Sound
  • Published By – CBS Songs Ltd.
  • Published By – Screen Gems-EMI Music Ltd.
  • Printed By – Shorewood Packaging Co. Ltd.

Video

Info

Defenders of the Faith - Judas Priest. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Defenders of the Faith is the ninth studio album by English heavy metal band Judas Priest, released on 4 January 1984 by Columbia Records. The album was certified platinum by the RIAA, and spawned the singles Freewheel Burning, Some Heads Are Gonna Roll, and Love Bites. Defenders of the Faith was recorded at Ibiza Sound Studios, Ibiza, Spain, and mixed from September to November 1983 at DB Recording Studios and Bayshore Recording Studios in Coconut Grove, Miami, Florida. The LP and cassette tape. Judas Priest. Defenders of the Faith. Формируйте собственную коллекцию записей Judas Priest. Defenders Of The Faith Cass, Album. FCT 39219. Продать эту версию. Judas Priest - Defenders Of The Faith 1984. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Defenders of the Faith is the ninth studio album by Judas Priest. Freewheel Burning. Rock Hard Ride Free. The Sentinel. Love Bites. Eat Me Alive. Some Heads Are Gonna Roll. Night Comes Down. Heavy Duty. Rob Halford: vocals. Downing: guitar. Glenn Tipton: guitar. Ian Hill: bass. Dave Holland: drums. Categories: Studio Albums. Community content is available under CC-BY-SA unless otherwise noted. Ищете треки из альбома Defenders Of The Faith исполнителя Judas Priest Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. This made Defenders of the Faith the second Judas Priest album from which every song had been played live the first being Rocka Rolla. Personnel: Judas Priest Rob Halford vocals K. Downing guitar Glenn Tipton guitar Ian Hill bass guitar Dave Holland drums. Songs in album Judas Priest - Defenders Of The Faith 1984. Judas Priest - Freewheel Burning. Judas Priest - Jawbreaker. Judas Priest - Rock Hard Ride Free. Judas Priest - The Sentinel. Listen free to Judas Priest Defenders of the Faith Freewheel Burning, Jawbreaker and more. 10 tracks 39:10. Defenders of the Faith is the ninth studio album by British heavy metal band Judas Priest. Three tracks were released as singles: Freewheel Burning, Some Heads Are Gonna Roll and Love Bites. The album was certified Platinum by the RIAA. 4 January 1984. View wiki. Type: Full-length. Some copies of the British issue came with a competition insert offering the chance to win one of three Suzuki GS 125 motorcycles, and a cover sticker advertising this. Runner-up prizes were six tour jackets. All tracks by Halford, Downing, & Tipton except track 7 by Halligan Jr

Judas Priest - Defenders Of The Faith mp3

Performer: Judas Priest

Title: Defenders Of The Faith

Country: UK

Release date: 1984

Label: CBS

Style: Heavy Metal

Catalog: CBS 25713, 25713

Genre: Rock

Size MP3: 1377 mb

Rating: 4.8 / 5

Votes: 771

Record source: Vinyl, LP, Album

MP3 Related to Judas Priest - Defenders Of The Faith

Risa
what an awesome piece of artwork there, still looking so fresh!
Risa
what an awesome piece of artwork there, still looking so fresh!
Kegal
Ok so there is a 30th Anniv. edition double CD but no vinyl? What gives? At least let Mofi or MOV have a crack at it or release it as a 24/192!!! Nobody wants a meager 16/44!!!
Kegal
Ok so there is a 30th Anniv. edition double CD but no vinyl? What gives? At least let Mofi or MOV have a crack at it or release it as a 24/192!!! Nobody wants a meager 16/44!!!
Kaghma
Seriously! The three Mofi reissues are great and my JPN originals lead me to believe that more effort was put into the original production than the CD versions would have you think. Most reissues nowadays (unless specifically stated as AAA) are either cut or downsampled from 24/192 digital scans of the master tape. My thought was if we can't have a vinyl then at least give us the files and let us decide if they are better than the original. I really don't claim to be an audiophile but in comparing the Van Halen "CD Remasters" with the Warner Bros. HD Tracks versions I found there were/are noticeable differences. The bass is absurdly pumped up on the CD Remasters and the vocals on the HD Tracks versions have a depth and warmth that is simply not present on the CD's. Even if just for Rob's vocals, Priest could absolutely benefit from the hi-res treatment.
Kaghma
Seriously! The three Mofi reissues are great and my JPN originals lead me to believe that more effort was put into the original production than the CD versions would have you think. Most reissues nowadays (unless specifically stated as AAA) are either cut or downsampled from 24/192 digital scans of the master tape. My thought was if we can't have a vinyl then at least give us the files and let us decide if they are better than the original. I really don't claim to be an audiophile but in comparing the Van Halen "CD Remasters" with the Warner Bros. HD Tracks versions I found there were/are noticeable differences. The bass is absurdly pumped up on the CD Remasters and the vocals on the HD Tracks versions have a depth and warmth that is simply not present on the CD's. Even if just for Rob's vocals, Priest could absolutely benefit from the hi-res treatment.
Daigami
LOL, seriously? Not everybody is an "audiophile" but many claim to be. Most people don't know the difference between 24/192 and 16/44...especially those that listen to their mp3s on their ipods.This release does deserve a vinyl release, unfortunately, Priest always seem to be behind the curve ball in everything that they do. They should have included a DVD of footage from this era, but they didn't. They should be playing the album in its entirety on this tour, but they aren't. Anyway, I still love and support them.
Daigami
LOL, seriously? Not everybody is an "audiophile" but many claim to be. Most people don't know the difference between 24/192 and 16/44...especially those that listen to their mp3s on their ipods.This release does deserve a vinyl release, unfortunately, Priest always seem to be behind the curve ball in everything that they do. They should have included a DVD of footage from this era, but they didn't. They should be playing the album in its entirety on this tour, but they aren't. Anyway, I still love and support them.
Ginaun
Although the sleevework on this album was obviously intended to continue from 'Screaming For Vengeance' and maybe 'Hero Hero' in its style and imagery, it is sadly... the worst, and spoils an otherwise excellent album. Again we have the guitar-wielding, melody-rich and highly-hummable numbers like 'Rock Hard Ride Free', 'The Sentinel', and 'Some Heads Are Gonna Roll', with fine performances all round and Rob Halford delivering some of his best vocals to date. Ballad-esque moment comes courtesy of 'Night Comes Down', and Mr. Halford gives it his all to deliver an emotional and effective vocal that really communicates the pain and sadness of the track, tinged with its glimmer of faint hope. Anthemic moments come with 'Heavy Duty'/'Defenders Of The Faith' and 'Love Bites' (nice use of delays and layers on the vocals on this track), pretty simple and a bit drum-machine-driven, but all the better for it, somehow. And there's the heads-down, super-fast sequel to the 'Exciter' of 'Stained Class', 'Freewheel Burning', which in itself has its own sequel in 'Eat Me Alive' (no prizes for guessing the sub-text there, then ;-). Guitars and vocals are very much to the forefront of the arrangements and the mixes of these tracks, which was pretty much the style that was established with 'Killing Machine' and was evidently a formula that worked for this band that never let its distinctive style and sound collapse into formula. This LP is pretty much on a par with 'Screaming For Vengeance', and these two albums are very much a pair in terms of their style, sound, production and general feel overall. A highly productive time for the band, no doubt, representing a stage of maturity, experience and intelligence in their songwriting, and although there's plenty of guitar acrobatics, scorching solos, and arrangement development, the band never lose sight of the importance of just laying down good solid rockin' songs with an epic angle. Which was what they were really good at. And this was the last Priest album, with metal in its heyday, of what could be termed their 'mid'-period before 'Turbo' in 1986, although the sleeve art on that LP is obviously intended to indicate a continuity across the three albums.
Ginaun
Although the sleevework on this album was obviously intended to continue from 'Screaming For Vengeance' and maybe 'Hero Hero' in its style and imagery, it is sadly... the worst, and spoils an otherwise excellent album. Again we have the guitar-wielding, melody-rich and highly-hummable numbers like 'Rock Hard Ride Free', 'The Sentinel', and 'Some Heads Are Gonna Roll', with fine performances all round and Rob Halford delivering some of his best vocals to date. Ballad-esque moment comes courtesy of 'Night Comes Down', and Mr. Halford gives it his all to deliver an emotional and effective vocal that really communicates the pain and sadness of the track, tinged with its glimmer of faint hope. Anthemic moments come with 'Heavy Duty'/'Defenders Of The Faith' and 'Love Bites' (nice use of delays and layers on the vocals on this track), pretty simple and a bit drum-machine-driven, but all the better for it, somehow. And there's the heads-down, super-fast sequel to the 'Exciter' of 'Stained Class', 'Freewheel Burning', which in itself has its own sequel in 'Eat Me Alive' (no prizes for guessing the sub-text there, then ;-). Guitars and vocals are very much to the forefront of the arrangements and the mixes of these tracks, which was pretty much the style that was established with 'Killing Machine' and was evidently a formula that worked for this band that never let its distinctive style and sound collapse into formula. This LP is pretty much on a par with 'Screaming For Vengeance', and these two albums are very much a pair in terms of their style, sound, production and general feel overall. A highly productive time for the band, no doubt, representing a stage of maturity, experience and intelligence in their songwriting, and although there's plenty of guitar acrobatics, scorching solos, and arrangement development, the band never lose sight of the importance of just laying down good solid rockin' songs with an epic angle. Which was what they were really good at. And this was the last Priest album, with metal in its heyday, of what could be termed their 'mid'-period before 'Turbo' in 1986, although the sleeve art on that LP is obviously intended to indicate a continuity across the three albums.