Johnny Cash - Johnny Cash At San Quentin mp3

Tracklist

Credits

• Engineer – Bob Breault, Neil Wilburn
• Photography By [Back Cover Photos] – Jim Marshall
• Photography By [Front Cover Photo] – Henry Fox
• Producer – Bob Johnston
• Written-By – J. Cash (tracks: A3, A5 to B2, B5)

• Engineer – Bob Breault, Neil Wilburn
• Photography By [Back Cover Photos] – Jim Marshall
• Photography By [Front Cover Photo] – Henry Fox
• Producer – Bob Johnston
• Written-By – J. Cash (tracks: A3, A5 to B2, B5)

Notes

Recorded during the making of Granada Television program, 'Johnny Cash At San Quentin Prison'

Printed in U.S.A.

The selections, except Track A1 (ASCAP), are BMI.

Editorial label-credit remarks:
Track A2 'Wreck Of The Old 97': Has no author-credit. Apparently David G. George never won a law-suit against RCA-Victor in 1933 over the copyrights for this song.

Track B4 '(There'll Be) Peace In The Valley': Some other LP-releases of 'Johnny Cash At San Quentin' (Category '32209' and 'S 63629') have 'Arr.: J. Cash' on the label and lack the author-credit for 'T. Dorsey'.Recorded during the making of Granada Television program, 'Johnny Cash At San Quentin Prison'

Printed in U.S.A.

The selections, except Track A1 (ASCAP), are BMI.

Editorial label-credit remarks:
Track A2 'Wreck Of The Old 97': Has no author-credit. Apparently David G. George never won a law-suit against RCA-Victor in 1933 over the copyrights for this song.

Track B4 '(There'll Be) Peace In The Valley': Some other LP-releases of 'Johnny Cash At San Quentin' (Category '32209' and 'S 63629') have 'Arr.: J. Cash' on the label and lack the author-credit for 'T. Dorsey'.

Barcodes

• Matrix / Runout (Side 1 Label): XSM 139760
• Matrix / Runout (Side 2 Label): XSM 139761
• Matrix / Runout (Side 1 Runout): XSM 13960-1C
• Matrix / Runout (Side 2 Runout): XSM 13961-1J
• Matrix / Runout (Side 1 Runout, Stamped, Alternate): [(horizontal) 0] XSM139760-1AF 2 3
• Matrix / Runout (Side 2 Runout, Stamped, Alternate): 0 XSM139761-1AF 1 2 2 0
• Matrix / Runout (Side 1 Runout, Stamped, Variation): XSM139760-1G
• Matrix / Runout (Side 2 Runout, Stamped, Variation): XSM139760-1B
• Matrix / Runout (Side 1 Runout, Stamped, Variation 2): XSM139760-1H
• Matrix / Runout (Side 2 Runout, Stamped, Variation 2): XSM139761-1H
• Rights Society: BMI, ASCAP

• Rights Society (A1): ASCAP
• Rights Society (A2-B5): BMI
• Matrix / Runout (Label A): XSM 139760
• Matrix / Runout (Label B): XSM 139761
• Matrix / Runout (Runout A, Var 1): XSM 13960-1C
• Matrix / Runout (Runout B, Var 1): XSM 13961-1J
• Matrix / Runout (Runout A, stamped, Var 2): [Horizontal: 0] XSM139760-1AF 2 3
• Matrix / Runout (Runout B, stamped, Var 2): 0 XSM139761-1AF 1 2 2 0
• Matrix / Runout (Runout A, stamped, Var 3): XSM139760-1G
• Matrix / Runout (Runout B, stamped, Var 3): XSM139760-1B
• Matrix / Runout (Runout A, stamped, Var 4): XSM139760-1H
• Matrix / Runout (Runout B, stamped, Var 4): XSM139761-1H
• Matrix / Runout (Runout A, etched, Var 5): XSM139760-1B 0
• Matrix / Runout (Runout B, etched, Var 5): XSM139761-1B 0
• Matrix / Runout (Runout A, etched, Var 6): XSM139760-1B 0
• Matrix / Runout (Runout B, etched, Var 6): XSM139760-1F 0
• Matrix / Runout (Runout A, stamped, Var 7): XSM139760-1F 0
• Matrix / Runout (Runout B, stamped, Var 7): XSM139761-1G 0 [Etched: B13]
• Matrix / Runout (Runout A, stamped, Var 8): [Horizontal: 0] XSM139760-1K P
• Matrix / Runout (Runout B, stamped, Var 8): [Horizontal: 0] XSM139761-1c

Companies

• Manufactured By – Columbia Records
• Manufactured By – CBS Inc.

Info

San Quentin, What Do You Think You Do Cash and Bob Johnston, leaving several minutes of non-musical time-space on this album, show the listener that the human realities were of prime importance to the performer and the producer. You've cut me and you've scarred me through and : Johnny Cash, Marshall Grant, W. The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for A Boy Named Sue. All of this sets the stage for Johnny Cash at San Quentin, a nominal sequel to At Folsom Prison that surpasses its predecess. Back To Music. Cbs , cbs. Cashs raw-boned rumble with vital assistance from rockabilly hero Carl Perkins on guitar and, of course, June Carter gains in excitement as he feeds off the energy of his captive audience. The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison 1968, På Österåker 1973, and A Concert Behind Prison Walls 1976. At San Quentin is the 31st overall album by Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969 and released on June 4 of that same year. In addition to that, Cash was nearing the peak of his popularity - his 1968 live album, At Folsom Prison, was a smash success - but he was nearly at his wildest in his personal life, which surely spilled over into his performance. At San Quentin - Johnny Cash. Chorus: San Quentin, I hate every inch of you. The concert was filmed by Granada Television, produced and directed by Michael Darlow. To put the performance on Johnny Cash at San Quentin in a bit of perspective: Johnny Cash's key partner in the Tennessee Two, guitarist Luther Perkins, died in August 1968, just seven months before this set was recorded in February 1969. Fluke Holland with Bob Wootton, Carl Perkins-electric guitar The Carter Family, The Statler Brothers-backing vocals. Johnny Cash performing San Quentin from Live at San Quentin 1996 Listen to Johnny Cash: https. Columbia , Columbia. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Produced by Bob Johnston Recorded February 24, 1969 San Quentin Prison, California Originally released as Columbia CS 9827, 1969. Disc: 1. You've cut me and you've scarred me through and : Johnny Cash, Marshall Grant, W. CS 9827, CS-9827. They lo. The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison 1968, På Österåker 1973, and A Concert Behind Prison Walls 1976. Johnny Cash at San Quentin is the 31st overall album by Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969 and released on June 16 of that same year. Формируйте собственную коллекцию записей Johnny Cash. Cut at San Quentin State Prison in 1969 the year after the legendary At Folsom Prison album, this is outlaw country. CS 9827, sbp 473682. Johnny Cash At San Quentin LP, Album. Released alongside the premiere of his successful television show and featuring classic renditions of I Walk The Line and the Bob Dylan-penned Wanted Man, this album is a must for vinyl collectors seeking to discover the legend of Johnny Cash. He practically incites a riot with prison-reform anthem San Quentin, but its the uproarious, rough-and-tumble A Boy Named Sue that really nails this albums iconic status. According to Robert Hilburn, Cash spontaneously decided to perform A Boy Named Sue during the show and neither the TV crew nor his band knew he planned to do it, he used a lyric sheet on stage while the band improvised the backing. At San Quentin. Johnny Cash Format: Vinyl. Track Listings. The resulting album, At San Quentin, was The Man In Black's first to top both Billboard's country and pop charts, and spun off his biggest pop hit, A Boy Named Sue. At San Quentin is the 31st overall album by Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969 and released on June 4 of that same year. CS 9827, SBP 473682. Contract the intensity of emotion evident in the laughter of the inmates, the enthusiasm of the applause, and the swell of boos that youll hear when a guard brings Cash a glass of water after hes sung his new San Quentin Youve Been a Living Hell to Me, contrast that to the insipid bullshit laughter and applause on . To put the performance on Johnny Cash at San Quentin in a bit of perspective: Johnny Cash's key partner in the Tennessee Two, guitarist Luther Perkins, died in August 1968, just seven months before this set was recorded in February 1969. Johnny Cash remembers the forgotten men. They love him. Johnny Cash