Human League, The - Don't You Want Me mp3

Tracklist

Credits

• Producer – Human League, The, Martin Rushent
• Written-By – Callis, Wright, Oakey

Notes

Thank you Gangsters restaurant, Sheffield.

Side A: Taken from the album "Dare" (V2192)

Published by Sound Diagrams/Virgin Music (Publishers) Ltd./Dinsong Ltd.
℗ 1981 Virgin Records Ltd.
Track durations not listed on the release.

Runout etchings show that some, perhaps all, editions were mastered at The Town House.

Barcodes

• Matrix / Runout (Side A Runout): VS 466-12-AI
• Matrix / Runout (Side B Runout): VS 466-12-BI
• Matrix / Runout (Side A Runout (2nd variant)): VS 466-12-A2 TOWN HOUSE
• Matrix / Runout (Side B Runout (2nd variant)): VS 466-12-B2 TOWN HOUSE

Companies

• Phonographic Copyright (p) – Virgin Records Ltd.
• Published By – Sound Diagrams
• Published By – Virgin Music (Publishers) Ltd.
• Published By – Dinsong Ltd.
• Mastered At – The Town House

Info

Don't You Want Me - The Human League. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Это видео недоступно. The Human League - Don't You Want Me. Experience The Human League on Half Speed Vinyl or Deluxe CD Album. Music video by The Human League performing Don't You Want Me 2003. Don't You Want Me is a single by British synthpop group the Human League, released on 27 November 1981 as the fourth single from their third studio album Dare 1981. The band's best known and most commercially successful song, it was the 1981 Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks. Don't You Want Me is a single by British synthpop group The Human League, released on 27 November 1981 as the fourth single from their third studio album Dare 1981. It is the band's best known and most commercially successful recording to date. In 1981 it was the Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd most successful single in UK Singles Chart history. It later topped the Billboard Hot 100 in the US on 3 July 1982 where it stayed for three weeks. The title is frequently misprinted by the media and by read more. The Human League Dont You Want Me. HIT 1: July 3, 1982. STAYED AT 1: 3 weeks. To Americans first encountering the Human League in 1982, the bands name mustve come off as a high-concept joke. Everything about the Human League ran against every possible notion of flesh-and-blood rock n roll. When the Human League recorded the 1981 album Dare, Catherall and Sulley were still in high school, and they had to take the bus from Sheffield to the recording studio in Reading. For Dare, the Human League were a whole new group. The final addition was keyboardist Jo Callis, a former guitarist for the punk band the Rezillos. Nostalgic Tunes. Retro Music Videos 70s 80s 90s. Retro Music. Baúl del Tiempo. PagesMediaMusicMusic VideoMusic RetroVideosThe Human League - Don't You Want Me. The Human League considered themselves very cutting-edge. They relied on electronic sounds and considered guitars archaic and antique. At first, they didn't want Don't You Want Me released as a single because they thought it was too mainstream. The Dare album was recorded without traditional instruments. Its success prompted a call at the Musicians Union's Central London chapter to ban synthesizers and drum machines from recording dates and live work. Solid Gold was a very influential pop music show, but Don't You Want Me still managed to continue up the charts and hit 1 without that exposure. Phil Oakey recorded his vocals for this song in the studio lavatories. Shop 168 records for sale for album Don t you want me by Human League on CDandLP in Vinyl and CD Human League on stage shortly after the success of 'Don't You Want Me'. In the early 1970s, at around the same time that Rushent became one of the first freelance engineers on the London scene, alongside Roy Thomas Baker and Eddy Offord, he built his own little studio in the garage of his Henley home. This was in addition to a 32channel MCI console that Rushent describes as the greatest console I've ever had. I rue the day I got rid of it. Because of its rudimentary computer mixing, I had VCA faders and mutes, the two things I could program, which used to lift 90 percent of the load off me once I'd done a mix and could then get on with working the effects