Heavy Trash - Going Way Out With Heavy Trash mp3

Tracklist

Versions

Credits

• Artwork – Tony Millionaire
• Backing Band – The Sadies (tracks: A2, B1, C1, C2, D1, D4)
• Band [The Sadies:], Double Bass [Upright Bass] – Sean Dean (tracks: A2, B1, C1, C2, D1, D4)
• Band [The Sadies:], Drums – Mike Belitsky (tracks: A2, B1, C1, C2, D1, D4)
• Band [The Sadies:], Guitar, Baritone Guitar [Baritone Gtr.] – Travis Good (tracks: A2, B1, C1, C2, D1, D4)
• Band [The Sadies:], Guitar, Organ – Dallas Good (tracks: A2, B1, C1, C2, D1, D4)
• Design – Chip Kidd
• Double Bass [Upright Bass] – Kim Kix (tracks: A3, A4, B4, D3), Simon Chardiet (tracks: A1, B3, C4, D2)
• Drums – Phil Hernandez (tracks: A1, B3, C4, D2)
• Drums, Vocals – Yebo (tracks: A3, A4, B4, D3)
• Guest, Organ – Daniel Collas
• Guest, Percussion – Daniel Jodocy
• Guest, Saxophone – Andrew "Strippy" Raff
• Mastered By – Andy Heermans
• Mixed By – Jon Spencer, Matt Verta-Ray
• Organ, Piano, Baritone Guitar [Baritone Gtr.] – The Great Nalna (tracks: A3, A4, B4, D3)
• Producer, Performer [Everything Else], Vocals [Sung] – Jon Spencer, Matt Verta-Ray
• Recorded By [Boston] – Paul Q. Kolderie
• Recorded By [London] – Ed Turner, Liam Watson
• Recorded By [NYC] – Ivan Julian, Matt Verta-Ray
• Written-By – Jon Spencer (tracks: A1 to C2, C4 to D4), Matt Verta-Ray (tracks: A1 to C2, C4 to D4)

Barcodes

• Barcode: 9332727012235

Companies

• Copyright (c) – Yep Roc Records
• Phonographic Copyright (p) – Yep Roc Records
• Manufactured By – Redeye
• Distributed By – Redeye
• Recorded At – Toe Rag Studios
• Recorded At – Camp Street Studios
• Recorded At – NY Hed Studios
• Mixed At – NY Hed Studios
• Mixed At – Headgear Studios
• Mastered At – Polywog Recording Company

Video

Info

Going Way Out with Heavy Trash is the second album by Heavy Trash, released in 2007. All tracks are written by Jon Spencer and Matt Verta-Ray. out Heavy Trash's Way Out, from their 2007 album Going Way Out With Heavy Trash, directed by Mort Todd. Heavy Trash - Pure Gold. Heavy Trash - Outside Chance. Heavy Trash - Double Line. Heavy Trash - Kissy Baby. Heavy Trash - That Ain't Right. Heavy Trash - I Want Oblivion. Heavy Trash - Way Out. Heavy Trash - She Baby. Heavy Trash - They Were Kings. Heavy Trash - Crazy Pritty Baby. Heavy Trash - I Want Refuge. Heavy Trash's first album proved that Jon Spencer minus the Blues Explosion and Matt Verta-Ray formerly of Speedball Baby were naturals at laying down red-hot rockabilly and twisted honky tonk with a modern kick. Their second album solidifies and expands their sound with a batch of tough rockers, hip shaking dancefloor fillers, and lonesome ballads Crying Tramp being the near match of the previous albums' centerpiece Under the Waves on par with anything on the first. Listen free to Heavy Trash Going Way Out With Heavy Trash That Ain't Right, Double Line and more. 13 tracks 41:13. Record Label: Yep Roc. Release Date: Sep 4, 2007. The album has a smooth flow, using careful production and consistent guitar tones to blend the different musical influences and varied performances into a piece. Read full review. Its too much, for sure, but sometimes too much is just about right. But Going Way Out isn't a Pomade-slicked exercise in giggling like an idiot at that kooky hillbilly music, not when they're playing like they do. Spencer's voice might be have some artifice to it, but it's an affectionate one, and it does some flat-out crazy shit: leaping and hitching and growling and cackling, turning huge gulps of air into a sort of percussion, even going three-quarters Man in Black on That Ain't Right just far enough to avoid crossing over into Cheech and. Heavy Trash. Learn more. Other productions from Heavy Trash. Midnight Soul Serenade. Going Way Out with Heavy 2007 13 Songs. So the duo havent tried to fix a thing on the 2007 follow-up, Going Way Out With Heavy Trash. Much like many of the rockabilly records of the 1950s, a good selection of which can be sampled on the Rhino collection Rockin Bones for starters, Heavy Trash specialize in a crazed enthusiasm thats sparked by a manic, impatient beat and guitarists that wait like expert knife-wielders anxious to burst into action with quick, slashing riffs. Pure Gold, They Were Kings and Kissy Baby sound as if they couldve come straight from the 50s. Completa la tua Collezione su Heavy Trash. I Want Oblivion. Way Out