Graveyard - Lights Out mp3

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Tape limited to 200 copies

THE BAND: Joakim Nilsson, Jonatan La Rocca Ramen, Axel Sjoberg, Rikard Edmund.

THE MUSICAL COMPLIMENTS: Nil Dahl - Rhodes, piano and mellotron on Slow Motion Countdown, and rhodes on 20/20 (tunnel vision). Magnus Javerling - Hammond on Hard Times Lovin;, Martin Holon - Saxophone on The Suits, The Law, & The Uniforms, Erik Sjoberg Ridderstrom - Norwegian Fiddle on An Industry of Murder

THE CREDITS: All songs written and arranged by the four members of Graveyard. Produced, recorded and mixed by Don Alsterberg in Gothenburg, Sweden at Don Pierre Studios - the work was done on various days between May and Early August 2012. Mastered by Hans Olsson Brokes at Svenska Grammofonstudion Mastering. Thanks to Jonatan Ewald who did some last minute engineering.

THE ARTWORK: Cover art by Hemik Wasle, Wasle Custom Design Co. Layout by Tobias Barth, Jaggd Design. Photos by Anders Bergstedt.

THE MANAGEMENT: Magnus Larubed at Citybird.

THE A&R's: Andy Siry (Nuclear Blast). Isse Samie (Universal/Sweden).

THE ROAD CREW: Erik Sjoberg Ridderstrom, Ronnie Kallback, John Ronmeklev, Frederik Jakobsen

THE LIVE REPRESENTATION: Scandinavia by Jepser Olsson at Live Nation. Europe by Tobbe Lorentz at the Agency Group. North America by Anthony Paolericio at The Agency Group.

Companies

• Mastered At – Svenska Grammofonstudion Mastering – EZRDR-011

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Lights Out is the third full-length studio album by Swedish hard rock band Graveyard. It was released on 26 October 2012. An Industry of Murder 4:02. Slow Motion Countdown 5:35. Seven Seven 2:33. The Suits, the Law & the Uniforms 4:50. Endless Night 2:46. Hard Times Lovin' 4:27. Goliath 2:49. Fool In the End 3:31. 2020 Tunnel Vision 5:00. Album 2012 9 Songs. Lights Out Graveyard. Band Name Graveyard. Album Name Lights Out. Type Album. Released date 26 October 2012. Labels Nuclear Blast. Music StyleHard-Rock. Members owning this album3. An Industry of Murder. Needless to say, Nilsson's development is crucial if the boys in Graveyard are to mature into the roles of dyed-in-the-wool bluesmen that they seemingly aspire to in years to come, but, for the moment, Lights Out suggests they are capable of producing compelling work even as they become increasingly comfortable in their own skin. Graveyard - Lights Out switch. Universal Music Sweden. Take a sneak peek into Graveyard's rehearsal space in Gothenburg, Sweden. You'll be able to listen to tracks from their new killer album Lights Out. Graveyard - Lights Out 2012. To favorites 7 Download album. Listen album. Hard Rock. Songs in album Graveyard - Lights Out 2012. Graveyard - An Industry Of Murder. Graveyard - Slow Motion Countdown. Graveyard - Seven Seven. Graveyard - The Suits, The Law & The Uniform. Graveyard - Endless Night. Graveyard - Hard Time Lovin. Graveyard - Goliath. Listen free to Graveyard Lights Out An Industry of Murder, Slow Motion Countdown and more. 9 tracks 35:07. View detailed chart stats and album information. Singles & Albums. Lights Out. Chart Stats. HISTORIC PERFORMANCE. First Week. Nuclear Blast. Stranded Rekords. The 70s-leaning Swedish band Graveyard point to a tradition of American blues and European blues rock that's always been part of metal's family tree, no matter the latest fashion. On their third album, they mix catchy, hyperkinetic songs with slowly swelling ballads. Before there was metal, there was the blues. Metal's original trinity- Black Sabbath, Led Zeppelin, and Deep Purple- all started in Britain's blues scene, and those roots are still discernible on their early records. In Lights Out, Graveyard appear to be more diverse within their style, although their sound has remained the same. The band used the same producer, the same recording studio and recorded again on analogue tape, giving the new album the same warm sound its predecessor attained. However, the musical direction adopted this time feels somewhat altered with respect to Hisingen Blues. Whereas that albums boogieblues rock was energetic most of the time and rarely harbored in more esoteric moments, Lights Out presents itself as a near-perfect balance between the two moods