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Gerard Lockel - Gwo Ka Modènn mp3

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Tracklist

1Gwadloup Kongne Moden N°212:48
2Toumblack N°312:00
3Chant Lendepandans1:30
4Mendé N°15:37
5Leroz N°39:04
6Kaladja N°17:35
7Granjambel N°15:20
8Woulé N°16:35
9Chant Lendepandans1:30
10Graje N°111:58

Credits

  • Bugle – Lucien Martial
  • Drum [Gwadlouka] – Jérôme Gatibelza
  • Drum [Tambour Boula] – Jean-René Combes
  • Drum [Tambour Make] – Bernier Locatin
  • Drums [Batterie Gwo Ka] – Jean-Marie Lockel
  • Guitar, Percussion [Yakalok] – Gerard Lockel
  • Tenor Saxophone – Jean-Fred Castry

Video

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Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1997 CDr от Gwo Ka Modènn En Concert на ka is a French creole term for big drum. Alongside Gwotanbou, simply Ka or Banboula archaic, it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine tanbou d'bas played in kadri music, or even simply to drum tanbouin general. The Gwo Ka musical practice emerged in the seventeenth century, during the transatlantic slave trade. Shadow - D'Hardest - Продолжительность. GERARD LOCKEL Gwo ka modenn FULL ALBUM. musiciens : guitareyakalok : Gérard Lockel buggle: lucien lartial. 18 May 2018. Un des morceaux clés de l'album Gwo Ka Modènn de Gerard Lockel Un chef d' oeuvre gwo ka free jazz. Personnel: Batterie Gwo Ka. 1FYxoZrjiCo. After this one, Murray and the Gwo-ka Masters released three more albums. It's an interesting blend, lyrical mornas, atonal explorations, Caribbean drummings. Enjoy it. Ray Drummond bass, Billy Jabalí Hart drums, Klod Kiavue percussions and voc, James Newton flute, Max Cilla flute, piano, Gérard Lockel guitar, François Landreseau voc, ka drum, Michel Cilla dibass drum, voc, David Murray tenor saxophone, bass clarinet. davidmurray gwoka gerardlockel klodkiavue. Gérard Lockel - Gwo Ka Modènn. Masterpiece alert. Gerard - Gerard 1984. To favorites 1 Download album. Listen album. Progressive Rock. Songs in album Gerard - Gerard 1984. Gerard - Meridian. Gerard - Orpheus. Gerard - Incantation. Gerard - Lasting Memory. historically inaccurate A new genre, gwo ka modènn modern gwo ka emerged, a fusion of gwo ka and jazz, played on stage, with no dancing Be that as it may, gwo ka has become a powerful symbol of Guadeloupean identity and resistance. Subscribe to view the full document. Aesthetics of Gwo Ka Chalè heat Competitioncombat Call and response, communication more generally Parallelism deep, rough , male voices match drumming Loud Lack of alternation of tones or vibrato exceptions Political militancy Kréyòl. YouTube1:15:28. Gerard Lockel - Gwo Ka Modènn. De Oskars - Geen Strijdbijlen Maar Trommels -1984- Tape, Holland - Full Album. Browse the top gwo ka moderne albums to find new music and discover artists. Scrobble songs to get recommendations on tracks you might , Gérard, Traité de Gwo Ka moderne, Baie Mahault, éditions Gérard Lockel. LOCKEL, Gérard, Gwo Ka Modènn, Baie Mahault, Ed. ADGKM, 2011. Emosion Bèlè, Vol. 2 Martinique. MONDESIR, Edmond et Manuel. Awi Music, 2008

Gerard Lockel - Gwo Ka Modènn mp3

Performer: Gerard Lockel

Title: Gwo Ka Modènn

Country: Guadeloupe

Release date: 1988

Label: A.D.G.K.M

Style: Avant-garde Jazz, Fusion

Catalog: GKM 2

Genre: Jazz / Country

Size MP3: 1716 mb

Rating: 4.1 / 5

Votes: 171

Record source: 2 × Vinyl, LP

Gerard Lockel Guadeloupe Avant Garde Jazz Fusion 1988

MP3 Related to Gerard Lockel - Gwo Ka Modènn

Marinara
The recommandation of Jacob F Desvarieux in relation with the music of Gérard Lockel is totally wrong and in the exact opposite of the ideas of the Gwo Ka modènn. Beside being a musician Gérard Lockel have also developed a singular approach of the gwo ka in the purpose of the emancipation of the people from Guadeloupe. For him there are three levels of culture regarding the Guadeloupe and the overseas french territories in general; the deep original culture, the colonial culture and the french culture. We can add now another level: the capitalist culture. The idea of Gérard Lockel is to take the gwo ka considered as the deep original culture from Guadeloupe preserved of the french influences, to make it evolve in a modern expression. In the tradition gwo ka is played by percussions and voices. Lockel added melodic instruments like guitar but also trumpet, trombone, flute and even a drum. His second innovation consist of bringing the idea of atonal in the process of playing. This is a sort of opposition regarding the tonal music that is typically occidental. All the occidental music is based on tonal harmonies. For Gérard Lockel the gwo ka is a music that have been preserved from the colonial culture, not the biguine. We can consider the zouk in the same way, a sort of pleasant representation of the culture of the french overseas territories coming from the colonial influences. Even if many artists of zouk or biguine are very popular, some of them provide artistic performances that could have satisfied the horrible managers of the colonial expositions of the early XX century. if I could give a name of an equivalent of Gérard Lockel i would do it with pleasure but I don’t know any musician who have walked in the same way, it doesn’t mean that no musician exist in this way but personally I don’t know. For sure Jacob F desvarieux is not, it is just a basic zouk record with no particular interest.
Marinara
The recommandation of Jacob F Desvarieux in relation with the music of Gérard Lockel is totally wrong and in the exact opposite of the ideas of the Gwo Ka modènn. Beside being a musician Gérard Lockel have also developed a singular approach of the gwo ka in the purpose of the emancipation of the people from Guadeloupe. For him there are three levels of culture regarding the Guadeloupe and the overseas french territories in general; the deep original culture, the colonial culture and the french culture. We can add now another level: the capitalist culture. The idea of Gérard Lockel is to take the gwo ka considered as the deep original culture from Guadeloupe preserved of the french influences, to make it evolve in a modern expression. In the tradition gwo ka is played by percussions and voices. Lockel added melodic instruments like guitar but also trumpet, trombone, flute and even a drum. His second innovation consist of bringing the idea of atonal in the process of playing. This is a sort of opposition regarding the tonal music that is typically occidental. All the occidental music is based on tonal harmonies. For Gérard Lockel the gwo ka is a music that have been preserved from the colonial culture, not the biguine. We can consider the zouk in the same way, a sort of pleasant representation of the culture of the french overseas territories coming from the colonial influences. Even if many artists of zouk or biguine are very popular, some of them provide artistic performances that could have satisfied the horrible managers of the colonial expositions of the early XX century. if I could give a name of an equivalent of Gérard Lockel i would do it with pleasure but I don’t know any musician who have walked in the same way, it doesn’t mean that no musician exist in this way but personally I don’t know. For sure Jacob F desvarieux is not, it is just a basic zouk record with no particular interest.