» » Genesis - ...And Then There Were Three...

Genesis - ...And Then There Were Three... mp3

Tracklist

1Scenes From A Night's Dream3:29
2Down And Out5:25
3Deep In The Motherlode5:14
4Undertow4:45
5Ballad Of Big4:43
6Burning Rope7:07
7The Lady Lies6:00
8Many Too Many3:29
9Follow You Follow Me3:55
10Say It's Alright Joe4:18
11Snowbound4:29

Credits

  • Design [Sleeve Design], PhotographyHipgnosis
  • Drums, VoicePhilip Collins
  • Guitar, BassMike Rutherford
  • KeyboardsTony Banks
  • Mixed By [Assisted By]Steve Short
  • ProducerDavid Hentschel, Genesis
  • Producer [Assisted By]Pierre Geofroy Chateau
  • Technician [Equipment]Andy Mackrill, Dale Newman, Geoff Banks
  • Design [Sleeve], PhotographyHipgnosis
  • Drums, VocalsPhil Collins
  • EngineerDavid Hentschel
  • Engineer [Assistant]Pierre Geoffroy Chateau
  • Guitar, BassMike Rutherford
  • KeyboardsTony Banks
  • ProducerDavid Hentschel, Genesis
  • Design [Sleeve Design], PhotographyHipgnosis
  • Drums, VoicePhilip Collins
  • Guitar, BassMike Rutherford
  • KeyboardsTony Banks
  • Mixed By [Assisted By]Steve Short
  • ProducerDavid Hentschel, Genesis
  • Producer [Assisted By]Pierre Geofroy Chateau
  • Technician [Equipment]Andy Mackrill, Dale Newman, Geoff Banks
  • Written-ByRutherford (tracks: A1, A3, A4, B1, B4, B6), Collins (tracks: A1, A3, B3, B6), Banks (tracks: A1 to A3, A5, B2, B3, B5, B6)

Notes

White maple leaf symbol does not appear in top-left-hand corner of reverse, like the later repress.

Gatefold has lyrics printed inside.Jewel case with black tray and 8-pages booklet.Gatefold sleeve with printed lyrics inside, plain inner sleeve.

Initial copies contain flyer with t-shirt offer and Knebworth booking form (see images).

Recorded at Relight Studios Hilvarenbeek Holland.

Mixed at Trident Studios London.

Thanks to Tony Smith, Peter Booth and all at Relight and Trident.

Gelring Ltd. / Hit & Run Music Publishing Ltd.
℗ 1978 Charisma Records Ltd.

1st Pressing

Second pressing is here

Barcodes

  • Matrix / Runout: GENCD 0010
  • Matrix / Runout (Label Side A): †CDS4010-A†
  • Matrix / Runout (Label Side B): †CDS4010-B†
  • Matrix / Runout (Stamped Runout Side A): CDS4010 A//1 T 1 1 1
  • Matrix / Runout (Stamped Runout Side B): CDS4010 B//4 T 1 1 1
  • Matrix / Runout (Stamped Runout Side A (Variation 2)): CDS4010 A//4 T 1 1 5
  • Matrix / Runout (Stamped Runout Side B (Variation 2)): CDS4010 B//5 T 1 1 5
  • Matrix / Runout (Stamped Runout Side A (Variation 3)): CDS4010 A//4 T 1 2 2
  • Matrix / Runout (Stamped Runout Side B (Variation 3)): CDS4010 B//1 T 1 2 1
  • Matrix / Runout (Stamped Runout Side A (Variation 4)): CDS4010 A//4 T 1 6 1 3
  • Matrix / Runout (Stamped Runout Side B (Variation 4)): CDS4010 B//4 T 1 3 1 8
  • Matrix / Runout (Stamped Runout Side A (Variation 5)): CDS4010 A//7 T 1 1 4 6
  • Matrix / Runout (Stamped Runout Side B (Variation 5)): CDS4010 B//6 T 1 2 2 4
  • Matrix / Runout (Stamped Runout Side A (Variation 6)): CDS4010 A//7 T 1 1 4 9
  • Matrix / Runout (Stamped Runout Side B (Variation 6)): CDS4010 B//8 T 1 1 2 1
  • Matrix / Runout (Stamped Runout Side A (Variation 7)): CDS 4010 A//7 T 1 1 3 8
  • Matrix / Runout (Stamped Runout Side B (Variation 7)): CDS 4010 B//8 T 1 1 1 1
  • Matrix / Runout (Stamped Runout Side A (Variation 8)): CDS 4010 A//1 T 1 8 6
  • Matrix / Runout (Stamped Runout Side B (Variation 8)): CDS 4010 B//1 T 1 2 2
  • Matrix / Runout (Stamped Runout Side A (Variation 9)): CDS4010 A//7 T 1 1 4 6
  • Matrix / Runout (Stamped Runout Side B (Variation 9)): CDS4010 B//8 T 1 1 2 9
  • Matrix / Runout (Stamped Runout Side A (Variation 10)): CDS 4010 A//4 T 1 7 2
  • Matrix / Runout (Stamped Runout Side B (Variation 10)): CDS 4010 B//1 T 1 1 1
  • Matrix / Runout (Stamped Runout Side A (Variation 11)): CDS 4010 A//4 T 1 6 1 6
  • Matrix / Runout (Stamped Runout Side B (Variation 11)): CDS 4010 B//5 T 1 6 1 7
  • Matrix / Runout (Stamped Runout Side A (Variation 12)): CDS4010 A//1 T 17 16
  • Matrix / Runout (Stamped Runout Side B (Variation 12)): CDS4010 B//4 T 11 13
  • Matrix / Runout (Stamped Runout Side A (Variation 13)): CDS4010 A//4 T 1 4
  • Matrix / Runout (Stamped Runout Side B (Variation 13)): CDS4010 B//1 T 1 4
  • Matrix / Runout (Stamped Runout Side A (Variation 14)): CDS4010 A//4 T 1 1 5
  • Matrix / Runout (Stamped Runout Side A (Variation 14)): CDS4010 B//5 T 1 2 2
  • Matrix / Runout (Stamped Runout Side A (Variation 15)): CDS4010 A//1 T 1 4 8
  • Matrix / Runout (Stamped Runout Side B (Variation 15)): CDS4010 B//1 T 1 1 2 2
  • Pressing Plant ID (Labels): R
  • Barcode: 0 81227 95548 9
  • Matrix / Runout: Z134372 3 R2 188284-2 TEXT 01 M0S1
  • Mastering SID Code: IFPI L909
  • Mould SID Code: IFPI 2U3T

Companies

  • Manufactured By – WEA Music Of Canada, Ltd.
  • Distributed By – WEA Music Of Canada, Ltd.
  • Pressed By – RCA Records Pressing Plant, Smiths Falls, Ontario
  • Marketed By – Charisma Records Ltd.
  • Distributed By – Phonogram Ltd.
  • Manufactured By – Phonogram Ltd.
  • Phonographic Copyright (p) – Charisma Records Ltd.
  • Copyright (c) – Charisma Records Ltd.
  • Pressed By – Phonodisc Ltd.
  • Printed By – Gothic Print Finishers Ltd.
  • Published By – Gelring Ltd.
  • Published By – Hit & Run Music (Publishing) Ltd.
  • Recorded At – Relight Studios
  • Mixed At – Trident Studios
  • Mastered At – Phonodisc Ltd.
  • Lacquer Cut At – Trident Studios
  • Licensed To – Atlantic Recording Corporation
  • Licensed To – Rhino Entertainment Company
  • Manufactured By – Rhino Entertainment Company
  • Marketed By – Rhino Entertainment Company
  • Phonographic Copyright (p) – Anthony Banks Ltd.
  • Phonographic Copyright (p) – Philip Collins Ltd.
  • Phonographic Copyright (p) – Michael Rutherford Ltd.
  • Copyright (c) – Anthony Banks Ltd.
  • Copyright (c) – Philip Collins Ltd.
  • Copyright (c) – Michael Rutherford Ltd.
  • Glass Mastered At – Cinram, Olyphant, PA – Z134372
  • Pressed By – Cinram, Olyphant, PA

Info

11 tracks 52:59. LatinAutor - PeerMusic и другие авторские общества 5. на in album Genesis Then There Were Three. the album Report an error. Completa la tua Collezione su , tour musicians were added, but the remaining Genesis core continued to be fully responsible for their output. And Then There Were Three Q&A. UNIAO BRASILEIRA DE Then There Were Three. something we'd sort of wanted to do regardless. Band Name Genesis. Type Album. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting. A pivotal release in the band's history, the title And Then There Were Three is a wry reference to the recent departure of guitarist Steve Hackett, reducing Genesis to a trio which would result in their longest unchanged line-up, which lasted until 1996. Symphonic Prog. And then There Were Three. Release Date. The albums title refers to the bands resulting composition, now comprising only three members Banks, Collins, and Rutherford. 1988 Remaster 1988. Узнавайте о релизах, читайте рецензии, изучайте сведения об участниках альбомов песни и прочая информация о Genesis Then There Were Three. 23 March 1978. Bass Guitar Mike Rutherford. is just interesting enough to look into. A pivotal release in the band's history, the title Listen free to Genesis . These chilly surfaces are an indication that Genesis don't quite want to abandon prog at this point, but the increasing emphasis on melody and tight song structures points the way toward the group's '80s work. And Three is indeed a pivotal turning point for the band the songs are more concise, more sculpted and intimate, placing prominence on Collins' expressive beltin. Genesis clearly went downhill after the losses of two crucial members, Then There Were Three. Genesis Then There Were Three 1978. And Then There Were Three is the ninth studio album by the Genesis and was released in 1978. Genesis - Undertow. But the seemingly indestructible Genesis silenced their critics with. 乐队列表 Symphonic Prog then There Were Three. Songs in album Genesis Then There Were Three. These chilly surfaces are an indication that Genesis don't quite want to abandon prog at this point, but the increasing emphasis on melody and tight song structures points the way toward the group's '80s work. Down and Out, Undertow and more. A pivotal release in the band's history, the title And Then There Were Three is a wry reference to the recent departure of guitarist Steve Hackett, reducing Genesis to a trio which would result in their longest unchanged line-up, which lasted until 1996. Add an audio file. which was released in April 1978. Play jigsaw puzzles for free Home. Burning Rope balances the two nicely, revealing some classic Genesis passages among catchy melodies. Genesis - Down And Out. Laika Network, WMG от лица компании Gelring Limited BMI - Broadcast Music Inc. free to Genesis . something we'd sort of wanted to do regardless. Writers Mike Rutherford, Phil Collins & Tony Banks. Listen free to Genesis . 出版公司 Atlantic Records Charisma. And Then There Were Three 2007 Remaster, 1978. Completa la tua Collezione su is the first album Genesis released after Hacketts departure, and the third without Peter Gabriel. And Then There Were ThreeThis is the first album Genesis released after Hacketts departure, and the third without Peter Gabriel. And Three is indeed a pivotal turning point for the band the songs are more concise, more sculpted and intimate, placing prominence on Collins' expressive beltin. Laika Network, WMG от лица компании Gelring Limited LatinAutor - PeerMusic, BMI - Broadcast Music Inc. During the records strongest moments, the popprog mix works out well. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singerdrummer Phil Collins, keyboardist Tony Banks, and bassistguitarist Mike Rutherford following the departure of guitarist Steve Hackett. This is the first album Genesis released after Hacketts departure, and the third without Peter Gabriel. Produced by David Hentschel and Genesis Recorded: SeptemberOctober 1977, Relight Studios Hilvarenbeek, Netherlands Engineered by David Hentschel Released: 31 March 1978 Label: Charisma, Atlantic. Laika Network, WMG от лица компании Gelring Limited LatinAutor, Concord Music Publishing, BMI - Broadcast Music Inc. 发布日期 1978. A pivotal release in the band's history, the title Listen free to Genesis . And Then There Were Three. Down and Out 2007 Remaster, 05:28. Genesis :. Album then There Were Three. Genesis Mark V: Tony Banks Keyboards Phil Collins Vocals, Drums Mike Rutherford Guitar, Bass. is the ninth studio album by the Genesis and was released in 1978. is the ninth studio album by the English rock band Genesis. Producers David Hentschel & Genesis. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting

Genesis - ...And Then There Were Three... mp3

Performer: Genesis

Title: ...And Then There Were Three...

Country: UK

Release date: 31 Mar 1978

Label: Charisma

Style: Prog Rock, Classic Rock

Catalog: CDS 4010

Genre: Rock / Pop

Size MP3: 1508 mb

Rating: 4.6 / 5

Votes: 709

Record source: Vinyl, LP, Album, Mad Hatter Label

MP3 Related to Genesis - ...And Then There Were Three...

FailCrew
This album, in reality, isn't half bad. It continues the vibe from Wind & Wuthering. The complexity of the songs remains and there is much layering. With only three members left, they can bring out sounds they weren't able to before. For instance, this is the most guitar playing I've been able to hear on an album since Trespass.

Down And Out: The opening was a great opener 20 seconds of synth and then a GREAT thick guitar riff to follow. The song is a pretentious as the lyrics, but that's the point. Hackett is gone, so what do they do? Write a song about a guy who just plops in and does nothing...

Undertow: This is a change of pace. We hit a solemn song, but the lyrics are much more sad than the music. This is the song that sets the tone for the rest of the record. Banks runs with some piano and Collins sings the song calmly. Rutherford almost does nothing here, but the track itself is a large ballad...

Ballad of Big: Now Rutherford runs some nice riffs on this song, while Banks provides the doubletrack to the guitar. Bass churns on this song, and almost a swing beat.

Snowbound: Lyrics here are the most proggish on the album, besides Deep in the Motherloade. A snowman? There are great synth buildups and singing from Collins, high and strong singing.

Burning Rope: The verse sections on this are reminiscent of Mad Man Moon, but the song as a whole is reminiscent of it. A long ballad, but it's soothing to listen to when we get to the verses. The staccatos in the middle of the song work excellently; and that middle section works well as a melody. The song ends just how it began, quick and simple.

Deep in the Motherloade: A good slow pace and a swing to the song. The bass staccatos in the middle add good pace to the song. There is a nice solemnity to this song on some sections.

Many Too Many: Calm pianos opening this nice little ballad. Collins' calm singing lead like a lullaby. The buildup in this song works great. Rutherford has a great lead melody in this song, along with his solo to close the track. This song as a whole is like a cry for hope.

Scenes from a Night's Dream: A song with bursts and little Nemo... A nice little story told based on the character Little Nemo. It's a quick paced song as it hops up and down. Interesting how it fades out, just cuts quickly to end with a jam on the fadeout. Dreaming...

Say It's Alright Joe: Another calm song. We won't see more of this until the next album, Duke, with Alone Tonight and Please Don't Ask. It's calm like Many Too Many, but Banks throws in some soothing synth triplets. Almost a sad song...

The Lady Lies: Another song with a swing. A lot of bass and crashing guitar sounds. Fast piano key hits and a nice and slow piano solo. Some crashes and breakdowns. This is a great complex piece before the ending of the album.

Follow You Follow Me: A great hit to end the album with. Simple, the riff is tantalizing. The lyrics are great to follow, and all the melodies harmonize. The chorus almost brings a tear to my eyes every time I hear it. A song to dance to as well... Now what happens to Genesis afterwords depends...

This album is well constructed, but it takes sometime to get used to listening to. I thank Rutherford for finally getting some guitar riffs in the songs. 4.5 should suffice for this record. This shows that they can segue into a new era after suffering two hits from losing members.
FailCrew
This album, in reality, isn't half bad. It continues the vibe from Wind & Wuthering. The complexity of the songs remains and there is much layering. With only three members left, they can bring out sounds they weren't able to before. For instance, this is the most guitar playing I've been able to hear on an album since Trespass.

Down And Out: The opening was a great opener 20 seconds of synth and then a GREAT thick guitar riff to follow. The song is a pretentious as the lyrics, but that's the point. Hackett is gone, so what do they do? Write a song about a guy who just plops in and does nothing...

Undertow: This is a change of pace. We hit a solemn song, but the lyrics are much more sad than the music. This is the song that sets the tone for the rest of the record. Banks runs with some piano and Collins sings the song calmly. Rutherford almost does nothing here, but the track itself is a large ballad...

Ballad of Big: Now Rutherford runs some nice riffs on this song, while Banks provides the doubletrack to the guitar. Bass churns on this song, and almost a swing beat.

Snowbound: Lyrics here are the most proggish on the album, besides Deep in the Motherloade. A snowman? There are great synth buildups and singing from Collins, high and strong singing.

Burning Rope: The verse sections on this are reminiscent of Mad Man Moon, but the song as a whole is reminiscent of it. A long ballad, but it's soothing to listen to when we get to the verses. The staccatos in the middle of the song work excellently; and that middle section works well as a melody. The song ends just how it began, quick and simple.

Deep in the Motherloade: A good slow pace and a swing to the song. The bass staccatos in the middle add good pace to the song. There is a nice solemnity to this song on some sections.

Many Too Many: Calm pianos opening this nice little ballad. Collins' calm singing lead like a lullaby. The buildup in this song works great. Rutherford has a great lead melody in this song, along with his solo to close the track. This song as a whole is like a cry for hope.

Scenes from a Night's Dream: A song with bursts and little Nemo... A nice little story told based on the character Little Nemo. It's a quick paced song as it hops up and down. Interesting how it fades out, just cuts quickly to end with a jam on the fadeout. Dreaming...

Say It's Alright Joe: Another calm song. We won't see more of this until the next album, Duke, with Alone Tonight and Please Don't Ask. It's calm like Many Too Many, but Banks throws in some soothing synth triplets. Almost a sad song...

The Lady Lies: Another song with a swing. A lot of bass and crashing guitar sounds. Fast piano key hits and a nice and slow piano solo. Some crashes and breakdowns. This is a great complex piece before the ending of the album.

Follow You Follow Me: A great hit to end the album with. Simple, the riff is tantalizing. The lyrics are great to follow, and all the melodies harmonize. The chorus almost brings a tear to my eyes every time I hear it. A song to dance to as well... Now what happens to Genesis afterwords depends...

This album is well constructed, but it takes sometime to get used to listening to. I thank Rutherford for finally getting some guitar riffs in the songs. 4.5 should suffice for this record. This shows that they can segue into a new era after suffering two hits from losing members.