» » DJ Shadow - The Private Press

DJ Shadow - The Private Press mp3

Download

Tracklist

1(Letter From Home)1:09
2Mashin' On The Motorway
Lead Vocals – Lateef The Truth SpeakerScratches – DJ ShadowVocals [Additional] – Alex , Brian, Martel, VeronicaWritten-By – L. Daumont
2:58
3Monosylabik6:46
4Six Days
Written-By – B. Farrell, D. Olivieri
5:02
5You Can't Go Home Again7:03
6Right Thing / GDMFSOB (Clean Instrumental Version)4:20
7Mongrel...
Written-By – F. Falsini
2:20
8(Letter From Home)0:57
9...Meets His Maker
Written-By – F. Falsini
3:02
10Walkie Talkie
Scratches – DJ Shadow
2:27
11Un Autre Introduction
Written-By – F. Bernard, M. Laranche
0:44
12Blood On The Motorway9:12
13Fixed Income
Written-By – S. Cataldo
4:49
14Giving Up The Ghost6:30

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
noneDJ Shadow The Private Press ‎(CDr, Album, Promo, Pla)Universal Records, Island RecordsnoneFrance2002
586936-9DJ Shadow The Private Press ‎(CD, Album)Universal Records, A&M Records586936-9Ukraine2002
noneDJ Shadow The Private Press ‎(CDr, Album, Copy Prot., Num, Promo)MCA RecordsnoneUS2002
586 936-4DJ Shadow The Private Press ‎(Cass, Album)Island Records586 936-4Thailand2002
UICY-1807DJ Shadow The Private Press (Sound & Vision) ‎(CD, Album + DVD-V, M/Print, NTSC)Island Records, Mo WaxUICY-1807Japan2004
CategoryArtistTitle (Format)LabelCategoryCountryYear
088 112 937-2DJ Shadow The Private Press ‎(CD, Album)MCA Records088 112 937-2US2002
noneDJ Shadow The Private Press ‎(CDr, Album, Promo, Pla)Universal Records, Island RecordsnoneFrance2002
586936-9DJ Shadow The Private Press ‎(CD, Album)Universal Records, A&M Records586936-9Ukraine2002
noneDJ Shadow The Private Press ‎(CDr, Album, Copy Prot., Num, Promo)MCA RecordsnoneUS2002
586 936-4DJ Shadow The Private Press ‎(Cass, Album)Island Records586 936-4Thailand2002

Credits

  • A&R – Tom Sarig
  • Art Direction – DJ Shadow, Keith Tamashiro
  • Mastered By – Tim Young
  • Mixed By – DJ Shadow (tracks: 2 to 13), Jim Abbiss (tracks: 2, 4 to 13)
  • Mixed By [Assistant] – Alex Reverberi (tracks: 2, 10 to 12), Billy Conkel (tracks: 6 to 9), Neil Tucker (tracks: 4, 5, 10, 13)
  • Photography By – B+
  • Producer, Arranged By, Liner Notes – DJ Shadow
  • Written-By – J. Davis

Notes

Issued with a paper insert with tracklist, also printed on disc with a date of release: 5/03/02.

"Not for sale - Promotional use only".

DNA Matering, CA.2. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP) and Universal-MCA Music Publishing (ASCAP). Mixed at Larrabee West, Los Angeles. Contains a sample of "Voyage To Cleveland" by Saint Steven and "Love Eyes" by Phluph.

3. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP) and Laranche Productions. Mixed at the Parlor Of Mystery. Contains a sample of "Jingle Overture Discotheque" by François Bernard.

4. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London. Contains a sample of "Gangster Rap" by Hollywood .

5. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.

6. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP), Belsize Music (ASCAP) and Jamie Music (BMI). Mixed at The Plant, Sausalito. Contains a sample of "Six Day War" by Colonel Bagshot and "I Cry In The Morning" by Dennis Olivieri.

7 & 8. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP) and Warner Chappell Music. Mixed at The Plant, Sausalito. Contains a sample of "Strange About Your Hands" by Sensations' Fix.

9. "Right Thing" published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). Contains a sample of "Tell Me Why The Tape Wobbles" by Barry O'Brian. "GDMFSOB" Published by Mo' Wax Music, administrated by MCA Music Publishing. Contains a sample of "Work The Box" by The Children. Both songs mixed at The Plant, Sausalito.

10. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). (Part 1) mixed at the Parlor of Mystery and Metropolis, London and (Part 2) at Larrabee West, Los Angeles. Contains a sample of "Plenty Action" by Soft Touch.

11. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP) and Dread Piper Publishing (ASCAP). Mixed at Larrabee West, Los Angeles.

12. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). Mixed at Larrabee West, Los Angeles. Contains a sample of "It's Easy" by Marc Z .

13. Published by Mo' Wax Music, administrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.

Art Direction: Keith Tamashiro / Soap Design Co.
Recorded at The Parlor Of Mystery.
Mastered at Metropolis, London.

Barcodes

  • Barcode (Text): 0 08811 29372 7
  • Barcode (String): 008811293727
  • Matrix / Runout: 0881129372 9220811406
  • Matrix / Runout: MFG BY MATSUSHITA UNIVERSAL MEDIA SERVICES
  • Mastering SID Code: IFPI L771
  • Mould SID Code (Variant 1): IFPI 2AO7
  • Mould SID Code (Variant 2): IFPI 2AO4
  • Rights Society: ASCAP
  • Rights Society: BMI

Companies

  • Recorded At – The Parlour Of Mystery
  • Mastered At – Metropolis Mastering
  • Phonographic Copyright (p) – Universal Island Records Ltd.
  • Copyright (c) – Universal Island Records Ltd.
  • Licensed To – MCA Records
  • Manufactured By – Matsushita Universal Media Services
  • Mixed At – Larrabee West
  • Mixed At – The Parlour Of Mystery
  • Mixed At – Metropolis Studios
  • Mixed At – The Plant Studios
  • Designed At – Soap Design Co., LA
  • Published By – Mo Wax Music Ltd.
  • Published By – MCA Music Publishing
  • Published By – Universal-MCA Music Publishing
  • Published By – Belsize Music
  • Published By – Jamie Music
  • Published By – Warner Chappell Music
  • Published By – Dread Piper Publishing
  • Mastered At – DNA Mastering

Video

Info

Our Pathetic Age. To favorites 5 Download album. Album by DJ Shadow. It peaked at number 44 on the Billboard 200 chart. Альбом вместе с The Private Repress если слушать то вообще супер, что-то совершено новое в мире музыки на то время и никто ничего похожего не делал, ну может только Лавель и DJ Krush gribaz. His style is definitely still recognizable, right from the start Fixed Income and Giving Up the Ghost carefully layer wistful-sounding string arrangements overtop cavernous David Axelrod breaks the latter a bit reminiscent of Midnight in a Perfect World from Endtroducing. LatinAutor, Kobalt Music Publishing, LatinAutor - UMPG, CMRRA, UMPG Publishing, AMRA, UMPI и другие авторские общества 17. Blood on the Motorway. You Can't Go Home Again. UMG от лица компании Universal-Island Records Ltd. The Private Press Tracklist. The Private Press. Rocket Fuel Remixes - EP. Album release date: 4 June 2002. Letter From Home Private Press is more solid an album than anyone dared expect from an older, wiser DJ Shadow, and though it won't be televising another revolution, I'd be lying if I said its celebratory pleasure centers didn't communicate. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. хм разве это фанк, помоему Shadow это abstract hip-hop и Trip-hop. 14 tracks 55:58. Right Thing Z-Trip 'Get the Party Off Mix' in 3 Parts by DJ Shadow 2003. И это Trip-Hop вместе с Downtempo. Six Days. Show Private Press 2002. Un Autre Introduction. Preemptive Strike. I Cry in the Morning by Dennis Olivieri 1970. Gli Uccelli by Franco Battiato 1981. Listen free to DJ Shadow The Private Press Letter from Home, Fixed Income and more. The Revival by The Salvation Co. Related Music Videos. Listen album. The Private Press - DJ Shadow. DJ Shadow. 14 tracks 57:45. Album 2002 14 Songs. see 7 more connections. More by DJ Shadow. Released June 2, 2002. DJ Shadow - The Private Press 2002. Stream The Private Press, a playlist by DJ Shadow from desktop or your mobile device. That lack of product actually helps The Private Press display just how good a producer he is the depth of his production sense and the breadth of his stylistic palette prove just as astonishing the second time out. The Mountain Has Fallen - EP. 13 трек называется - 100 Meter Dash. Six Day War by Colonel Bagshot 1971

DJ Shadow - The Private Press mp3

Performer: DJ Shadow

Title: The Private Press

Country: US

Release date: 04 Jun 2002

Label: MCA Records

Style: Instrumental, Downtempo, Trip Hop

Catalog: 088 112 937-2

Genre: Electronic / Hip hop

Size MP3: 2056 mb

Rating: 4.3 / 5

Votes: 983

Record source: CD, Album

Dj Shadow Mca Records Instrumental Downtempo Trip Hop 2002

MP3 Related to DJ Shadow - The Private Press

Burgas
Drifting through the milestones of electronic music thresholds (and not only electronic), this sonorous architectural composition express a timeless monumentality. The virtuous DJ and composer, DJ Shadow presents us once again by his craftsmanship of combining the color scheme of variety of music from the past in a current light, originally conveyed to present.
Burgas
Drifting through the milestones of electronic music thresholds (and not only electronic), this sonorous architectural composition express a timeless monumentality. The virtuous DJ and composer, DJ Shadow presents us once again by his craftsmanship of combining the color scheme of variety of music from the past in a current light, originally conveyed to present.
Kearanny
At first I didn't like this album very much, but after putting it in my car and listening to it for a few days, it really grew on me. It's obvious to me that DJ Shadow is a musician with a wide breadth of styles, influences, and talents.It's nice to hear an album that touches on so many different musical points instead of just reiterating the same ones over and over. I also wanna give the dude props for not just replicating what was done on the first album.I have to say that I don't like some of the tracks that much, such as Walkie-Talkie (obnoxious bassline IMO) and Mongrel/Meets His Maker (really kind of dull) but almost everything else here is just really classy, varied, and enjoyable. Favs include Monosylabik, Six Days, Giving Up The Ghost, and, well, most everything besides the two tracks I didn't like.Great CD to have on hand, has some definite staying power in my car's CD player.
Kearanny
At first I didn't like this album very much, but after putting it in my car and listening to it for a few days, it really grew on me. It's obvious to me that DJ Shadow is a musician with a wide breadth of styles, influences, and talents.It's nice to hear an album that touches on so many different musical points instead of just reiterating the same ones over and over. I also wanna give the dude props for not just replicating what was done on the first album.I have to say that I don't like some of the tracks that much, such as Walkie-Talkie (obnoxious bassline IMO) and Mongrel/Meets His Maker (really kind of dull) but almost everything else here is just really classy, varied, and enjoyable. Favs include Monosylabik, Six Days, Giving Up The Ghost, and, well, most everything besides the two tracks I didn't like.Great CD to have on hand, has some definite staying power in my car's CD player.
Hono
This is a great album. Shadow chose to keep moving and developing. This is a a collection of songs as well as tracks, each with a different appeal. If there is a concept it must be constant change. The tracks bristle against each other, pushing in different directions, suggesting a variety of musical possibilities. All celebrate a cerebral and sensual appreciation of sound and rhythm. Here is no perfect package but set of musical blueprints. It’s the work of someone who’s sat back and asked himself what he really wants to listen to when the lights are out, could be his best work to date.
Hono
This is a great album. Shadow chose to keep moving and developing. This is a a collection of songs as well as tracks, each with a different appeal. If there is a concept it must be constant change. The tracks bristle against each other, pushing in different directions, suggesting a variety of musical possibilities. All celebrate a cerebral and sensual appreciation of sound and rhythm. Here is no perfect package but set of musical blueprints. It’s the work of someone who’s sat back and asked himself what he really wants to listen to when the lights are out, could be his best work to date.
Bukelv
This album is far too electro inflected to appeal to fans of his previous work. Change and exploration are always a good thing, but it does not work out well for the purpose of this album. Perhaps the problem lies in track order; obvious highlight "Six Days" appears far too early in the album for it to be as climactic as what it needs to be. The other tracks on this album are all decidedly average, none coming even close to the incredible (if at times, a little warped) beauty of the tracks featured on "Endtroducing". If "Endtroducing" never surfaced, this album - and Shadow - would be long forgotten.
Bukelv
This album is far too electro inflected to appeal to fans of his previous work. Change and exploration are always a good thing, but it does not work out well for the purpose of this album. Perhaps the problem lies in track order; obvious highlight "Six Days" appears far too early in the album for it to be as climactic as what it needs to be. The other tracks on this album are all decidedly average, none coming even close to the incredible (if at times, a little warped) beauty of the tracks featured on "Endtroducing". If "Endtroducing" never surfaced, this album - and Shadow - would be long forgotten.
Matty
round of applause for the biggest gobshite of the year award
Matty
round of applause for the biggest gobshite of the year award
Llathidan
It's obvious Shadow wasnt going to do his so called regular triphop style with this album. Instead, this album is a full out hip hop album, featuring some of his best tracks, 'Mashin On The Motorway', and 'Walkie Talkie' for example. Both tracks are brilliant when scratched, cut up, or given a face lift. A much more energetic album then Endtroducing.
Llathidan
It's obvious Shadow wasnt going to do his so called regular triphop style with this album. Instead, this album is a full out hip hop album, featuring some of his best tracks, 'Mashin On The Motorway', and 'Walkie Talkie' for example. Both tracks are brilliant when scratched, cut up, or given a face lift. A much more energetic album then Endtroducing.
Windworker
Personally, much of the album doesn't conform to my usual tastes in music. However, the haunting abstract style incorporated within tracks five and seven more than makes up for what I would call a relatively poor album. I think also, that track twelve has a lot to say for itself - with drifting laidback piano keys and soft meaningful vocals. There are three tracks on this album that makes it all worth the money you paid.
Windworker
Personally, much of the album doesn't conform to my usual tastes in music. However, the haunting abstract style incorporated within tracks five and seven more than makes up for what I would call a relatively poor album. I think also, that track twelve has a lot to say for itself - with drifting laidback piano keys and soft meaningful vocals. There are three tracks on this album that makes it all worth the money you paid.
Delaath
a bit of a disappointment this one. a couple of good tracks but on the whole not upto his very usual very high standards. however if your a fan its worth buying, but dont expect endtroducing part 2
Delaath
a bit of a disappointment this one. a couple of good tracks but on the whole not upto his very usual very high standards. however if your a fan its worth buying, but dont expect endtroducing part 2