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David Bowie - Heathen mp3

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Tracklist

1I Took A Trip On A Gemini Spaceship
Written-By – Legendary Stardust Cowboy
4:05
2I've Been Waiting For You
Guitar – Dave GrohlWritten-By – Neil Young
3:00
35:15 The Angels Have Gone5:00
4Slow Burn
Guitar – Pete Townshend
4:41
5Everyone Says 'Hi'
Bass – John ReadCello [Electric] – Philip SheppardKeyboards – Dave ClaytonPercussion – Solá ÁkingboláProducer – Brian RawlingProducer, Mixed By, Programmed By, Guitar – Gary Miller
3:58
6Slip Away6:04
7A Better Future4:11
8Sunday4:45
9I Would Be Your Slave5:13
10Cactus
Written-By – Black Francis
2:54
11Afraid
Producer, Engineer – Mark Plati
3:28
12Heathen (The Rays)4:16

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
508222 4David Bowie Heathen ‎(Cass, Album)ISO Records, Columbia508222 4Russia2002
508222 9, COL 508222 9, 5082229000David Bowie Heathen ‎(CD, Album, Enh + CD, Bon + Ltd, Dig)ISO Records, Columbia, ISO Records, Columbia, ISO Records, Columbia508222 9, COL 508222 9, 5082229000Europe2002
CDIM 508222David Bowie Heathen ‎(CD, Album, Enh)Columbia, ISO RecordsCDIM 508222Mexico2002
CT86630David Bowie Heathen ‎(Cass, Album)Columbia, ISO RecordsCT86630US2002
2-508222David Bowie Heathen ‎(CD, Album, Enh)ISO Records, Columbia2-508222Brazil2002

Credits

  • Art Direction, Design – Barnbrook Design
  • Bass – Tony Levin
  • Drums, Loops, Percussion – Matt Chamberlain
  • Drums, Percussion – Sterling Campbell
  • Engineer [2nd] – Brandon Mason, Christian Rutledge, Hector Castillo, Todd Vos
  • Engineer, Bass, Guitar, Recorder, Arranged By [Strings], Backing Vocals – Tony Visconti
  • Engineer, Mixed By – Tony Visconti (tracks: 1 to 9, 11, 12)
  • Guitar – Carlos Alomar, Gerry Leonard
  • Guitar, Bass – Mark Plati
  • Guitar, Omnichord – David Torn
  • Horns – The Borneo Horns
  • Keyboards – Jordan Ruddess
  • Keyboards, Guitar, Saxophone, Synthesizer [Stylophone], Backing Vocals, Drums, Producer – David Bowie
  • Producer – Tony Visconti (tracks: 1 to 4, 6 to 9, 11, 12)
  • Strings – The Scorchio Quartet
  • Violin – Lisa Germano
  • Vocals, Piano – Kristeen Young
  • Written-By – David Bowie (tracks: 1, 3 to 5, 7, 9 to 12)

Notes

"CD Extra"

Lyrics from "Sunday", "Slip Away", "5:15 The Angels Have Gone" and "Heathen (The Rays)" © 2002 Nipple Music (BMI)
admin. by RZO Music, Inc. Lyrics from "Cactus" © 1998 Rice and Beans Music (BMI). Lyrics from "I've Been Waiting For You" © 1968 Broken Arrow Music Crop. (ASCAP) "I Would Be Your Slave", "Slow Burn", "Afraid", "Everyone Says 'Hi'", and "A Better Future" Published by Nipple Music (BMI) Admin by RZO Music, Inc. "I Took A Trip On A Gemini Spaceship" EMI Unart Catalog Inc. / Finius Myth Music (BMI).

Dave Grohl appears courtesy of Roswell Records, Inc. / The RCA Records Label
Pete Townshend apears courtesy if Lil Pie Recording Productions Ltd.

Issued in a standard jewel case with clear CD tray and a 12-page booklet with photos and credits.

Mastering SID on Variant 3 is uncertain - see image 4

Barcodes

  • Barcode (Text): 6 9699-86630-2 2
  • Barcode (Scanned): 696998663022
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Matrix / Runout (Variant 1 Reversed): CPTP-108083 2 AQ4
  • Mastering SID Code (Variant 1): IFPI L323
  • Mould SID Code (Variant 1): IFPI 507C
  • Matrix / Runout (Variant 2): CPTP-108083 01
  • Mastering SID Code (Variant 2): IFPI L337
  • Mould SID Code (Variant 2): IFPI 5100
  • Matrix / Runout (Variant 3): CPTP-108083 2 AQ5
  • Mastering SID Code (Variant 3): unclear - IFPI L323 or IFPI L322
  • Mould SID Code (Variant 3): IFPI 50AC
  • Matrix / Runout (Variant 4): CPTP-108083 H4 1A 01
  • Mastering SID Code (Variant 4, 5, 6): IFPI L424
  • Mould SID Code (Variant 4): IFPI 7281
  • Matrix / Runout (Variant 5): CPTP-108083 H4 1A 05
  • Mould SID Code (Variant 5): IFPI 7252
  • Matrix / Runout (Variant 6): CPTP-108083 H4 1A 03
  • Mould SID Code (Variant 6): 6704

Companies

  • Phonographic Copyright (p) – ISO Records
  • Copyright (c) – ISO Records
  • Licensed To – Sony Music Entertainment Inc.
  • Manufactured By – Columbia Records
  • Recorded At – Allaire Studios
  • Recorded At – The Looking Glass Studios
  • Mixed At – The Looking Glass Studios
  • Mixed At – Sub Urban Studios
  • Mastered At – The Lodge, New York
  • Produced At – The Looking Glass Studios
  • Copyright (c) – Nipple Music
  • Copyright (c) – RZO Music, Inc.
  • Copyright (c) – Rice and Beans Music
  • Copyright (c) – Broken Arrow Music
  • Published By – Nipple Music
  • Published By – EMI Unart Catalog Inc.
  • Published By – Finius Myth Music
  • Produced For – Brian Rawling Productions
  • Glass Mastered At – DADC – CPTP-108083

Video

Info

Heathen stylised as uǝɥʇɐǝɥ is the 22nd studio album by English musician David Bowie, released on 11 June 2002 on his ISO Records label, in conjunction with Columbia Records. It was considered a comeback for him in the US market by becoming his highest charting album number 14 since Tonight 1984. The BBC said the album's title track shows that Bowie could still pen disarmingly direct, affecting pop of a very individual inclination 30-plus years after he started. Heathen - David Bowie. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. David Bowie. Released June 11, 2002. Heathen Tracklist. Sunday Lyrics. David was recording an album called Toy which was about to be released on 2002. This album was meant to feature some of his early songs, such as The London Boys or Liza Jane. But he found out that EMIVirgin was having a lot of issues that year. Bowie said in a live-chat sessions with some fans: Im finding EMIVirgin seem to have a lot of scheduling conflicts this year, which has put an awful lot on the back burner. Toy is finished and ready to go, and I will make an announcement as soon as I get a very real date. All the vocal tracks from the 2002 album plus the bonus tracks 'Conversation piece', 'When the boys come marching home', 'Wood Jackson' and 'Safe'. Heathen is the twenty-second studio album by English musician David Bowie. It was released on 11 June Bowie has exquisitely hip taste, and he attacks the Pixies Cactus, Neil Youngs 69 ruby Ive Been Waiting for You and the Legendary Stardust Cowboys sci-fi valentine I Took a Trip on a Gemini Spaceship with the same sharp-dressed zest that he brought to the Easybeats and Pretty Things hits on 1973s Pin Ups. The album sparkles with hindsight: the Low-like electrofrost of Sunday the Martian-calliope coda of Slip Away, played by Bowie on a Stylophone, the antique synth featured on 1969s Space Oddity. Heathen is also Bowie stripped bare. His great concept roles - Major Tom. Heathen marks a new beginning for David Bowie in some ways - it's his first record since leaving Virgin, his first for Columbia Records, his first for his new label, ISO - yet it's hardly a new musical direction. Like Hours, this finds Bowie sifting through the sounds of his past, completely at ease with his legacy, crafting a colorful, satisfying album that feels like a classic Bowie album. David Bowie - 5:15 THE ANGELS HAVE GONE - Live By Request 2002. Bowie by his voice of unreal beauty lunar, sings the moments with surrender of hope and confidence, meanwhile inwardly, raises an unforgettable love-prayer t. Heathen двадцатый второй студийный альбом английского музыканта и певца Дэвида Боуи, выпущенный в 2002 году. Этот альбом стал для Боуи возвращением в музыкальное пространство США. Альбом занял 14 место в чартах и получил лучшие отзывы со времён выхода альбомов Tonight 1984 и Scary Monsters and Super Creeps 1980. Несмотря на то, что работа над альбомом была начата ещё до событий 11 сентября 2001 года. Everyone Says 'Hi' - 3:59. A Better Future - 4:11. Heathen The Rays - 4:16. Wood Jackson бонус-трек на японском издании альбома. Бонус-диск ограниченного издания. Yet Heathen doesn't herald a second coming for David Bowie- not by a longshot. The youthful urgency of his early work is long gone. But that hasn't stopped him from making an album that is easily his best work since the halcyon days of faux-cockney accents and gender bending theatrics a la Scary Monsters, and that's good news. Bowie seems to have finally realized that he's just been trying too damn hard. He's rela

David Bowie - Heathen mp3

Performer: David Bowie

Title: Heathen

Country: US

Release date: 11 Jun 2002

Label: Columbia, ISO Records

Style: Alternative Rock, Art Rock, Glam, Synth-pop

Catalog: CK 86630

Genre: Electronic / Rock

Size MP3: 1540 mb

Rating: 4.1 / 5

Votes: 002

Record source: CD, Album, Enhanced

David Bowie Columbia Iso Records Alternative Rock Art Rock Glam Synth Pop 2002

MP3 Related to David Bowie - Heathen

Άνουβις
Heaten : of people or their way of life, activities, and ideas) having no religion, or belonging to a religion that is not Christianity, Judaism, or Islam

About this record David Bowie was quoted to say in an interview : "Heathenism is a state of mind. You can take it that I'm referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any Gods presence in his life. He is the 21st century man. However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums."
Άνουβις
Heaten : of people or their way of life, activities, and ideas) having no religion, or belonging to a religion that is not Christianity, Judaism, or Islam

About this record David Bowie was quoted to say in an interview : "Heathenism is a state of mind. You can take it that I'm referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any Gods presence in his life. He is the 21st century man. However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums."
Dalallador
this was supposed to be a comeback record. a comeback from what? one of the most interesting periods of his career? i think it's more accurate to look at this as the second disc in his last trilogy, a trilogy that began with "hours..." and was characterized by an attempt to recapture a certain sound from the mid to late 70s. he even brings back visconti...

this was indeed marketed as a retro disc, so i'm not making that up. yet, the disc also has covers by the pixies, neil young and legendary stardust cowboy. this is an eclectic mix; surprisingly, only the third of the three is listenable, which may be reducible to the reality that it's the only one of the three tracks that i'm not familiar with. if cactus wasn't lame enough to begin with, there's something downright wrong about a 55 year old male singing a panty-raid song; the neil young track is just unsettling coming from bowie and it's hard to grasp what the thought process was. the legendary stardust cowboy track is teched up in the style of something from earthling and works for the same reason as the material from that disc worked; it stands out as an "electronica" track due it's high level of detail and production.

as you can see by taking a look at the credits, the instrumentation on the disc is very thick. it's not always utilized as well as it could be, and this is largely what separates the other tracks that i've crossed out from the ones that i've kept. the strings are utilized in the way that they are generally used in rock music: to appeal to the listener's sense of emotion, and while it works you have to suspend your thoughts first and allow yourself to be manipulated.

the first track opens the disc on a dark, moody note with an "angular" guitar track that strongly recalls robert fripp; these were always the best bowie tracks, and it is the highlight of this disc, apparently exploring dual commentaries regarding the rather profound political events that occurred between the release of hours... and the release of this disc; nothing has changed and everything has changed. this is a very typical take on politics from bowie, a view that strongly characterized his best discs and strongly characterizes this one as well. again, there's no point in discussing this because enough has been written about it and everybody knows that the main theme running through bowie's back catalogue is apathy towards world events and paranoia of the coming bombs. it leads to a rational conclusion: if the bombs are only months away anyways, why torture ourselves with the absurdity of modern life? why work all day to pay the motherfuckers? why not just fuck it all and dance......while we still can....

while this theme dominates, the title of the disc is "heathen" and there's also a religious theme through several of the tracks: afraid slightly sarcastically explores some alternatives to filling the psychological hole left by the rejection of a deity, whereas i would be your slave strikes me as the kind of defence of atheism that comes about after somebody has spent all night trying to convert you and heathen, admittedly, has lost me altogether, unless it's a commentary on byzantinism, which, while topical given the precise word "heathen", strikes me as rather preposterous.

i don't really recommend this as a standalone record; if you want retro bowie then search out retro bowie. however, there's enough decent material on it to justify adding it to any pre-existing bowie collection.
Dalallador
this was supposed to be a comeback record. a comeback from what? one of the most interesting periods of his career? i think it's more accurate to look at this as the second disc in his last trilogy, a trilogy that began with "hours..." and was characterized by an attempt to recapture a certain sound from the mid to late 70s. he even brings back visconti...

this was indeed marketed as a retro disc, so i'm not making that up. yet, the disc also has covers by the pixies, neil young and legendary stardust cowboy. this is an eclectic mix; surprisingly, only the third of the three is listenable, which may be reducible to the reality that it's the only one of the three tracks that i'm not familiar with. if cactus wasn't lame enough to begin with, there's something downright wrong about a 55 year old male singing a panty-raid song; the neil young track is just unsettling coming from bowie and it's hard to grasp what the thought process was. the legendary stardust cowboy track is teched up in the style of something from earthling and works for the same reason as the material from that disc worked; it stands out as an "electronica" track due it's high level of detail and production.

as you can see by taking a look at the credits, the instrumentation on the disc is very thick. it's not always utilized as well as it could be, and this is largely what separates the other tracks that i've crossed out from the ones that i've kept. the strings are utilized in the way that they are generally used in rock music: to appeal to the listener's sense of emotion, and while it works you have to suspend your thoughts first and allow yourself to be manipulated.

the first track opens the disc on a dark, moody note with an "angular" guitar track that strongly recalls robert fripp; these were always the best bowie tracks, and it is the highlight of this disc, apparently exploring dual commentaries regarding the rather profound political events that occurred between the release of hours... and the release of this disc; nothing has changed and everything has changed. this is a very typical take on politics from bowie, a view that strongly characterized his best discs and strongly characterizes this one as well. again, there's no point in discussing this because enough has been written about it and everybody knows that the main theme running through bowie's back catalogue is apathy towards world events and paranoia of the coming bombs. it leads to a rational conclusion: if the bombs are only months away anyways, why torture ourselves with the absurdity of modern life? why work all day to pay the motherfuckers? why not just fuck it all and dance......while we still can....

while this theme dominates, the title of the disc is "heathen" and there's also a religious theme through several of the tracks: afraid slightly sarcastically explores some alternatives to filling the psychological hole left by the rejection of a deity, whereas i would be your slave strikes me as the kind of defence of atheism that comes about after somebody has spent all night trying to convert you and heathen, admittedly, has lost me altogether, unless it's a commentary on byzantinism, which, while topical given the precise word "heathen", strikes me as rather preposterous.

i don't really recommend this as a standalone record; if you want retro bowie then search out retro bowie. however, there's enough decent material on it to justify adding it to any pre-existing bowie collection.