Charley Lincoln And Willie Baker - Atlanta Blues (Complete Recorded Works In Chronological Order 1927-1930) mp3

Tracklist

Credits

• Compiled By, Producer – Johnny Parth
• Executive-Producer – Rudi Staeger
• Liner Notes – Roger Misiewicz
• Remastered By [Uncredited] – Hans Klement
• Vocals, Guitar – Charley Lincoln (tracks: 1 to 8), Charlie Lincoln (tracks: 9 to 12), Willie Baker (tracks: 13 to 21)

Notes

Original Matrix Information:
1: Atlanta, Georgia, November 4, 1927 (145103-2, Columbia 14305)
2: Atlanta, Georgia, November 4, 1927 (145104-2, Columbia 14272)
3: Atlanta, Georgia, November 4, 1927 (145105-3, Columbia 14475)
4: Atlanta, Georgia, November 4, 1927 (145106-1, Columbia 14305)
5: Atlanta, Georgia, November 4, 1927 (145107-1, Columbia 14475)
6: Atlanta, Georgia, November 4, 1927 (145108-2, Columbia 14272)
7: Atlanta, Georgia, April 11, 1928 (146016-1, Columbia 14332)
8: Atlanta, Georgia, April 11, 1928 (146019-1, Columbia 14332)
9: Atlanta, Georgia, October 30, 1928 (147354-2, Columbia 14420)
10: Atlanta, Georgia, October 30, 1928 (147355-2, Columbia 14420)
11: Atlanta, Georgia, April 18, 1930 (150275-2, Columbia 14550)
12: Atlanta, Georgia, April 18, 1930 (150276-2, Columbia 14550)
13: Richmond, Indiana, January 9, 1929 (14666, Gennett 6766)
14: Richmond, Indiana, January 10, 1929 (14667, Champion 15674)
15: Richmond, Indiana, January 10, 1929 (14668, Supertone 9427)
16: Richmond, Indiana, March 11, 1929 (14892, Champion 15716)
17: Richmond, Indiana, March 11, 1929 (14893-A, Gennett 6812)
18: Richmond, Indiana, March 11, 1929 (14894-B, Gennett 6846)
19: Richmond, Indiana, March 11, 1929 (14895-B, Gennett 6846)
20: Richmond, Indiana, March 11, 1929 (14896, Champion 15694)
21: Richmond, Indiana, March 11, 1929 (14897, Champion 15674)

Charley Lincoln recorded 4 duets with his brother Barbecue Bob, which are available on Document DOCD-5046 and Document DOCD-5048.

Barcodes

• Matrix / Runout: BDCD-6027 12 A3 DADC AUSTRIA
• Rights Society: Austro Mechana
• SPARS Code: AAD
• Barcode: none

Companies

• Remastered At – Studio Klement
• Pressed By – DADC Austria
• Copyright (c) – RST Records

Info

Charley Lincoln & Willie Baker 1927-1930 - Charley Lincoln & Willie Baker. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Complete Recorded Works 1927-1939. Charley Lincoln & Willie Baker. Blues 1984. Jealous Hearted Blues. Hard Luck Willie McTell-Writin' Paper Blues. Complete Recorded Works In Chronological Order, 1927-1931. Blind Willie McTell as Blind Sammie-Southern Can Is Mine. Blind Willie McTell-Mr. McTell Got The Blues Pt. Blind Willie McTell-Mama, 'Tain't Long Fo' Day. Charley Lincoln and Willie Baker: Atlanta Blues Complete Recorded Works In Chronological Order 1927-1930 Charley Lincoln - Jealous. Willie Baker - Mama Don't Rush Me Blues - No No Blues - Weak-Minded Blues - Bad Luck Moan - Ain't It A Good Thing - Crooked Woman Blues - Rag Baby - Weak-Minded Woman - Sweet Petunia Blues. notes by Roger Misiewicz RST Blues Documents BDCD-6027 Austria 1992. Writin' Paper Blues. Blind Willie McTell. Stole Rider Blues. Blind Willie McTell as Blind Sammie. Atlanta Strut. Complete Recorded Works In Chronological Order, 1933-1935 - Curley Weaver. Split compilation album by Charley Lincoln and Willie Baker. Charley Lincoln. Hard Luck Blues. Mojoe Blues. My Wife Drove Me from My Door. Country Breakdown. Chain Gang Trouble. If It Looks Like Jelly Shakes Like Jelly It Must Be Gelatine. The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format. Jack White's Third Man Records has started a program reissuing selections from the vault of Document Records, beginning with Charlie Patton, Blind Willie McTell, and the Mississippi Sheiks. While all are filled with excellent music, the reissues also afford an opporunity to discuss how and why reissue programs exist