Bach, Peter Schreier - Matthäus-Passion BWV 244 (Passio Domini nostri Jesu Christi secundum Evangelistam Matthaeum) mp3

Tracklist

Versions

Credits

• Alto Vocals – Elisabeth Wilke, Johanna Schneiderheinze, Marjana Lipovšek
• Baritone Vocals – Andreas Scheibner, Olaf Bär
• Bass Vocals – Ekkehard Wlaschiha, Hermann Christian Polster, Robert Holl, Theo Adam
• Bassoon – Wolfgang Liebscher
• Bassoon, Oboe, Oboe d'Amore – Günter Klier
• Choir – Rundfunkchor Leipzig
• Chorus Master – Dresdner Kapellknaben, Jörg-Peter Weigle, Konrad Wagner
• Composed By – Bach
• Conductor – Peter Schreier
• Contrabass – Gerhard Neumerkel, Werner Zeibig
• Flute – Arndt Schöne, Johannes Walter, Ulrich Philipp, Wilfried Gärtner
• Layout [Booklet] – Bernd Meier
• Layout [Box] – Hans Joachim Petzak
• Liner Notes – Hans-Joachim Schulze
• Lithography – Neues Deutschland
• Music Director – Reimar Bluth
• Oboe Da Caccia – Manfred Krause, Peter Thieme
• Oboe, Oboe d'Amore – Andreas Lorenz, Bernhard Mühlbach, Kurt Mahn
• Orchestra – Staatskapelle Dresden
• Organ – Christine Schornsheim, Walter Heinz Bernstein
• Photography By [Repoduction] – Hansjoachim Mirschel
• Recorder – Eckart Haupt, Gudrun Jahn
• Soprano Vocals – Andrea Ihle, Helga Termer, Lucia Popp
• Sound Designer – Claus Strüben
• Tenor Vocals – Eberhard Büchner, Ekkehard Wagner, Peter Schreier
• Text By – Christian Friedrich Henrici
• Viola da Gamba – Siegfried Pank
• Violin – Peter Mirring, Roland Straumer
• Violoncello – Ernst-Ludwig Hammer, Günter Müller

Notes

booklet with 24-pages (Notes and Libretto, German)
recorded: 1984, Studio Lukaskirche, Dresden, GDR
notes: Hans-Joachim Schulz 1984

Barcodes

• Matrix / Runout (Matrix side A/B): 7 25 113
• Matrix / Runout (Matrix side C/D): 7 25 114
• Matrix / Runout (Matrix side E/F): 7 25 115
• Other: Ag 511/6/88/B

Companies

• Manufactured By – VEB Deutsche Schallplatten Berlin
• Printed By – Druckerei Märkische Volksstimme, Potsdam
• Record Company – Philips Classics Productions
• Recorded At – Studio Lukaskirche, Dresden

Video

Info

Passio Domini Nostri J. Secundum Evangelistam Matthaeum St. Matthew Passion. Name Translations. Passione secondo Matteo Матеус пасион Passió segons sant Mateu Matoušovy pašije Matthäus-Passion Κατά Ματθαίον Πάθη St Matthew Passion Pasión según San Mateo Matteus-passio Passion selon saint Matthieu מתאוס פסיון マタイ受難曲 마태오 수난곡 Passio secundum Matthaeum Matteuspasjonen av Bach Pasja według św. Name Aliases. Pasion segun San Mateo BMW 244 Matthaus-Passion J. Track Listing. Matthäus-Passion BWV 244. Erster Teil, Nr. Zweiter Teil, Nr. Album Information. Additional Information. Composed By - Johann Sebastian Bach. Conductor - Peter Schreier. Contrabass - Gerhard Neumerkel. Contrabass - Werner Zeibig. Johann Sebastian Bach-Passio Domini Nostri J. Secundum Evangelistam Matthaeum BWV 244 Conducted By Nikolaus Harnoncourt, Concentus Musicus Wien, King's College Choir Cambridge, 1970, Recorded In Vienna, Austria. Secundum Evangelistam Matthaeum BWV 244 Conducted By Philippe Herreweghe, Theater Philharmonie, Essen, Deutschland. April 2010. Secundum Evangelistam Matthaeum BWV 244 Conducted By Stephen Cleobury, Recording Made In 1994 In The Chapel Of Kings College, Cambridge, The Brande. Формируйте собственную коллекция коллекцию записей Johann Sebastian Bach, Karl Richter. The St Matthew Passion German: Matthäus-Passion, BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew in the Luther Bible to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of classical sacred music. The original Latin title Passio Domini nostri J. secundum Evangelistam Matthæum. Matthäus Passion - BWV 244: Choral: Herzliebster Jesu, Was Hast Du Verbrochen, 00:41. Karl Richter. Münchener Bach-Chor & Münchener Chorknaben Chorus Master: Fritz Rothschuh, Münchener Bach-Orchester. Peter Schreier has undeniably his benefits, but I find his high, lyric, rather nasal tenor, quite inappropriate for the part. Furthermore, I have difficulties to accept harpsichord as a continuo instrument for this particular work and for all Bach's sacred works, for that matter. Robert Sherman wrote February 26, 1999: Ehud wrote, regarding the Richter St. Matt: outstanding soloists - including Dietrich Fischer-Dieskau and Herta Töpper, in Richter's. The original Latin title Passio Domini Nostri J. Secundum Evangelistam Matthaeum translates to The Passion of our. Bach - Matthäus-Passion BWV 244 Presentation recording of the Century : Otto Klemperer - Продолжительность: 3:43:29 Classical Music Reference St. Matthew's Passion Matthäus-Passion, BWV 244 is a sacred oratorio by J. Bach, written in 1727 for solo voices, double choir and double orchestra, with libretto by picander. It sets chapters 26 and 27 of the Gospel of Matthew in Luther's German translation to music, with chorales and arias. One of the masterpieces of Western Music, its original latin title is Passio Domini Nostri J. Secundum Evangelistam Matthaeum. Peter Bruns, Roglit Ishay, Ernest Bloch, Peter Bruns, Roglit Ishay, Ernest Bloch. Sonata No 3 in G Minor for Viola da Gamba and Continuo, BWV 1029: I. Vivace - arr. for Chamber Ensemble. Johann Sebastian Bach, The Rare Fruits Council, Mandredo Kraemer, Mandredo Kraemer, The Rare Fruits Council, Mandredo Kraemer, The Rare Fruits Council, Johann Sebastian Bach